The Enchanted Glass: the Elizabethan Mind in Literature PDF Download

Author: Hardin Craig
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Author: Hardin 1875-1968 Craig
Publisher: Hassell Street Press
ISBN: 9781013466717
Category :
Languages : en
Pages : 318

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This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Author: Hardin CRAIG (Professor of English Literature, University of Missouri, Columbia, Mo.)
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 293

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Author: Hardin Craig
Publisher:
ISBN:
Category :
Languages : en
Pages : 293

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Author: Heinrich F. Plett
Publisher: Walter de Gruyter
ISBN: 3110201895
Category : Literary Criticism
Languages : en
Pages : 598

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Since Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance.

Author: Hardin Craig
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 266

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Author: George Watson
Publisher: Cambridge University Press
ISBN: 9780521200042
Category : Language Arts & Disciplines
Languages : en
Pages : 1322

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More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

Author: George Watson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 1296

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Author: Reid Barbour
Publisher: University of Delaware Press
ISBN: 9780874134506
Category : Literary Criticism
Languages : en
Pages : 188

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"From 1570 to 1630 prose fiction was an upstart in English culture, still defined in relation to poetry and drama yet invested with its own considerable power and potential. In these years, a community of writers arrived on the scene in London and strove to make a name for themselves largely from the prose that they produced at an astonishing rate. Modern scholars of the Renaissance have attempted to measure this prose against such standards as humanist culture or the emerging novel. But the prose fiction written by Lyly, Greene, and their imitators has eluded modern readers even more than the works of Shakespeare and Spenser. In Deciphering Elizabethan Fiction, Reid Barbour studies three interwoven case histories - those of Robert Greene, Thomas Nashe, and Thomas Dekker - and explores their favorite tropes and figures. In response to one another, these three writers attempt to define, liberate, and question the boundaries of prose. That is, they want to secure for prose a new and powerful status in an age when its parameters are unclear and its rivals still valorized but its parameters unbounded. Barbour argues that Nashe absorbs but also rejects the agendas of Greene's prose, offering alternative tropes in their place. Dekker parodies Nashe but unsettles any scheme for stabilizing prose, including those set forth by Nashe himself." "This work centers on three terms that Greene, Nashe, and Dekker obviously could not get off their minds: decipher, discover, and stuff. The first two terms, pervasive in Greene, make specific and complex demands on narrative and its readers. With stuff however, Nashe and Dekker cultivate an extemporal and a material prose, and challenge the fictions that decipher and discover, from romance to roguery. These key words not only situate prose in regard to poetry, drama, and the world; they also raise crucial Renaissance questions about order and duty, faith and doubt. Accordingly, their frame of reference extends from Renaissance poetics and narratology to a nascent Epicureanism and neoskepticism. In an about-face, prose becomes the standard by which the rest of Elizabethan and early Stuart culture is measured, even as prose is constituted by that culture." "With three of the most popular English Renaissance writers as his focus, Barbour reassesses the question of how (or whether) Elizabethan fiction is an ancestor of the novel. Students of the novel have recently intensified their search for the origins of Defoe, Dickens, and Woolf. But Elizabethan prose fiction challenges the novel rather than founds it. In its conclusion, then, Deciphering Elizabethan Fiction considers responses to Elizabethan prose, from Behn to Joyce."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Author: Peter J. French
Publisher: Routledge
ISBN: 1134572344
Category : Philosophy
Languages : en
Pages : 276

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First published in 1987. John Dee was Renaissance England's first Hermetic magus, a philosopher magician. He was also a respected practical scientist, an immensely learned man who investigated all areas of knowledge. In this fine biography, Peter French shows that not only magic and science, but geography, antiquarianism, theology and the fine arts were fields in which Dee was deeply involved. Through his teaching, writing and friendships with many of the most important figures of the age, Dee was at the centre of great affairs and had a profound influence on major developments in sixteenth-century England. Peter French places this extraordinary individual within his proper historical context, describing the whole world of Renaissance science, Platonism and Hermetic magic.