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The Emergence of Cinema

The Emergence of Cinema PDF Author: Charles Musser
Publisher: Univ of California Press
ISBN: 9780520085336
Category : Art
Languages : en
Pages : 644

Book Description
Looks at the early years of the motion picture industry through 1907.

The Emergence of Cinema

The Emergence of Cinema PDF Author: Charles Musser
Publisher: Univ of California Press
ISBN: 9780520085336
Category : Art
Languages : en
Pages : 644

Book Description
Looks at the early years of the motion picture industry through 1907.

The History of Cinema

The History of Cinema PDF Author: Geoffrey Nowell-Smith
Publisher: Oxford University Press
ISBN: 0198701772
Category : ART
Languages : en
Pages : 145

Book Description
Geoffrey Nowell-Smith defines the field of cinema, and explores its fascinating history within the cultural and aesthetic sphere. Considering the influences of the other art forms from which it arose, he looks at how technological advances have opened up new horizons for the cinema industry.

Irish Film

Irish Film PDF Author: Martin McLoone
Publisher: Bloomsbury Publishing
ISBN: 1838716432
Category : Juvenile Nonfiction
Languages : en
Pages : 264

Book Description
This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.

The Emergence of Film Culture

The Emergence of Film Culture PDF Author: Malte Hagener
Publisher: Berghahn Books
ISBN: 1782384243
Category : Performing Arts
Languages : en
Pages : 390

Book Description
Between the two world wars, a distinct and vibrant film culture emerged in Europe. Film festivals and schools were established; film theory and history was written that took cinema seriously as an art form; and critical writing that created the film canon flourished. This scene was decidedly transnational and creative, overcoming traditional boundaries between theory and practice, and between national and linguistic borders. This new European film culture established film as a valid form of social expression, as an art form, and as a political force to be reckoned with. By examining the extraordinarily rich and creative uses of cinema in the interwar period, we can examine the roots of film culture as we know it today.

On the History of Film Style

On the History of Film Style PDF Author: David Bordwell
Publisher: Harvard University Press
ISBN: 9780674634299
Category : History
Languages : en
Pages : 338

Book Description
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema. The author examines the contributions of many directors and shows how film scholars have explained stylistic continuity and change.

The Talkies

The Talkies PDF Author: Donald Crafton
Publisher: Univ of California Press
ISBN: 9780520221284
Category : Business & Economics
Languages : en
Pages : 656

Book Description
This text offers readers a look at the time when sound was a vexing challenge for filmmakers and the source of contentious debate for audiences and critics. The author presents a view of the talkies' reception, amongst other issues.

A Short History of Film, Third Edition

A Short History of Film, Third Edition PDF Author: Wheeler Winston Dixon
Publisher: Rutgers University Press
ISBN: 0813595169
Category : Art
Languages : en
Pages : 525

Book Description
With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.

American Cinema

American Cinema PDF Author: Jeanine Basinger
Publisher: Rizzoli International Publications
ISBN:
Category : Performing Arts
Languages : en
Pages : 316

Book Description
This extraordinary book--published to commemorate the centennial celebration of the birth of American film and a 10-part PBS-TV series scheduled for the new year--surveys the phenomenon that is Hollywood, past and present. With more than 200 illustrations, 100 in full color, and including some never before published, this book celebrates the best of American films.

The Oxford History of World Cinema

The Oxford History of World Cinema PDF Author: Geoffrey Nowell-Smith
Publisher: Oxford University Press
ISBN: 0198742428
Category : History
Languages : en
Pages : 847

Book Description
Featuring nearly three thousand film stills, production shots, and other illustrations, an authoritative history of the cinema traces the development of the medium, its filmmakers and stars, and the evolution of national cinemas around the world

Robert Drew and the Development of Cinema Verite in America

Robert Drew and the Development of Cinema Verite in America PDF Author: P.J. O'Connell
Publisher: SIU Press
ISBN: 0809386100
Category : Performing Arts
Languages : en
Pages : 308

Book Description
Author P. J. O’Connell traces Robert Drew’s influence on cinema verite through extensive interviews with Drew and with some of the founding fathers of American cinema verite filmmaking—Donn Alan Pennebaker, Gregory Shuker, and Richard Leacock. Robert Drew’s contributions to documentary film have been both technical and conceptual. Realizing that his equipment was too heavy and intrusive, Drew persuaded Time-Life Broadcasting to sponsor the development of new, lightweight, portable synchronous sound equipment that freed documentary filmmakers from the bulky, tripod-mounted, AC-powered equipment of the past. His new technology allowed him to capture intense moments as they happened, and to make viewers feel personally involved in the events he presented. While making more than twenty documentaries in the early 1960s, Drew continued to initiate innovations that were not thought possible a generation before him. P. J. O’Connell is the executive producer of public affairs at Penn State Television and an affiliate assistant professor in the School of Communication at Penn State University.