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Author: Thomas Lindsay Publisher: Pendragon Press ISBN: Category : Flute Languages : en Pages : 216
Book Description
Richard M. Wilson's commentary on this facsimile edition examines the techniques most deeply implicated in contemporary English evaluations of "judgement and good taste": articulation, including extensive coverage of accent and emphasis as well as the controversial double tongue; fingering, with special attention to "modern" techniques including harmonics and "sensitive", or supersharpened, notes; facility in the most "pathetic" flat keys; and a "full, bold, and commanding Tone". Ardal Powell's Introduction presents Lindsay's tutor as revealing modes of hearing and of feeling musical expression that cannot be gleaned from other sources such as musical notation and commentary on performance. The essay discusses Lindsay's acute awareness of the English flute world, the controversies over Charles Nicholson and the contrasting classical style of continental visitors, and the role of amateur flute-playing in the construction of British middle-class musical taste. --Book Jacket.
Author: Thomas Lindsay Publisher: Pendragon Press ISBN: Category : Flute Languages : en Pages : 216
Book Description
Richard M. Wilson's commentary on this facsimile edition examines the techniques most deeply implicated in contemporary English evaluations of "judgement and good taste": articulation, including extensive coverage of accent and emphasis as well as the controversial double tongue; fingering, with special attention to "modern" techniques including harmonics and "sensitive", or supersharpened, notes; facility in the most "pathetic" flat keys; and a "full, bold, and commanding Tone". Ardal Powell's Introduction presents Lindsay's tutor as revealing modes of hearing and of feeling musical expression that cannot be gleaned from other sources such as musical notation and commentary on performance. The essay discusses Lindsay's acute awareness of the English flute world, the controversies over Charles Nicholson and the contrasting classical style of continental visitors, and the role of amateur flute-playing in the construction of British middle-class musical taste. --Book Jacket.
Author: Jean-Louis Tulou Publisher: Indiana University Press ISBN: 9780253209191 Category : Flute Languages : en Pages : 156
Book Description
"Each of the musical works has a duet part so the teacher can accompany the student with steady rhythm, good pitch, and interpretive guidance. Fingering and trill charts are provided for flutes of up to 13 keys. The progressive and thoughtful organization of this method makes it useful to teachers of any model of transverse flute--useful even with beginning students." --The Flute Network Jean-Louis Tulou's 1855 method for playing the pre-Boehm wooden flute and an excellent source of early nineteenth-century French performance practices.
Author: Kate Clark Publisher: Oxford University Press, USA ISBN: 0190913339 Category : Music Languages : en Pages : 273
Book Description
""The last four decades have seen a revival of interest in the renaissance transverse flute. The few collections of surviving original flutes from the sixteenth century have increasingly attracted musicologists, instrument makers, and players to examine, measure (and copy), perform and record on them. Renaissance flute workshops and summer courses attract students and amateur players in several corners of Europe every year. At the same time, renaissance manuscripts and early prints have increasingly become available on the internet, providing an ever-expanding supply of materials for flutists wanting to experience renaissance music for themselves. This handbook for renaissance flute players offers all the information needed to buy, maintain, and learn to play the renaissance flute, whether alone or in consort. It explains how to read and interpret renaissance music whether from original notation or in modern editions, how to make your own transcriptions, and how to write your own diminutions. It also introduces readers to the basics of renaissance music theory, in clear and simple language. At a time when the gap between the professional "classical" music world and its public seems to have grown irrevocably, this book aims to demystify the business of making beautiful music together. It is a key to the elegant, cylindrical flute that was played all over Europe in the age of polyphony and to the gentle art of consort playing.""--
Author: Ernest F. Wagner Publisher: Appa the Association of Higher Education Facilities ISBN: Category : Juvenile Nonfiction Languages : en Pages : 122
Author: Trevor Wye Publisher: ISBN: Category : Music Languages : en Pages : 70
Book Description
(Music Sales America). This companion to Trevor Wye's series of practice books continues the explanation of playing techniques in greater detail. Topics covered include finding a teacher, practicing, auditioning, performing, repertoire and careers.
Author: Edwin Putnik Publisher: Alfred Music ISBN: 9781457400377 Category : Music Languages : en Pages : 100
Book Description
Edwin Putnik, like most other contributors to the The Art of series, has been a member of many prestigious symphony orchestras and university faculties. The Art of Flute Playing can aid students of all degrees of advancement. Part I is devoted to Basic Principles and Pedagogy, Part II to Artist Performance. Part I is particularly helpful not only to beginning flute students, but also to non-flutists teaching in school music programs.
Author: Thomas Lindsay
Author: Thomas Lindsay
Author: Thomas Lindsay
Author: Jean-Louis Tulou
Author: Richard Shepherd Rockstro
Author: Howard Harrison
Author: Kate Clark
Author: Ernest F. Wagner
Author: Trevor Wye
Author: Edwin Putnik
Author: Richard Shepherd Rockstro