Author: John RuskinPublisher:
ISBN:
Category : Drawing
Languages : en
Pages : 344
Book Description
The Elements of Drawing
Author: John RuskinThe Elements of Drawing
Author: John RuskinPublisher: BoD – Books on Demand
ISBN: 3732681041
Category : Fiction
Languages : en
Pages : 178
Book Description
Reproduction of the original: The Elements of Drawing by John Ruskin
The Hidden Elements of Drawing
Author: Joseph A. MugnainiPublisher:
ISBN:
Category : Drawing
Languages : en
Pages : 220
Book Description
Provides sequential instructions on the principles and techniques for utilizing form-shaping factors, linear structure, and tone as bases for sound draftsmanship and artistic expression.
Ruskin's Drawings
Author: Nicholas PennyPublisher:
ISBN: 9781854441041
Category :
Languages : en
Pages : 0
Book Description
In 1875 John Ruskin gave a large collection of drawings to the University of Oxford. These works, now in the Ashmolean Museum, form the basis for this fascinating study. Selecting the finest drawings in the colection, Nicholas Penny traces Ruskin's care
The Elements of Drawing
Author: John RuskinPublisher: Courier Corporation
ISBN: 0486140148
Category : Art
Languages : en
Pages : 253
Book Description
Timeless work by one of the greatest art critics of all time begins with bare fundamentals and offers brilliant philosophical advice. "The truth behind Ruskin's statements is always clear." — American Artist. 48 illustrations.
The Language of Drawing
Author: Sherrie McGrawPublisher:
ISBN: 9780974707433
Category : Drawing
Languages : en
Pages : 0
Book Description
The Elements of Drawing
Author: Basics of Drawing
Author: Leonardo PereznietoPublisher: Union Square & Co.
ISBN: 1684620309
Category : Art
Languages : en
Pages : 146
Book Description
Popular artist Leonardo Pereznieto—whose instructional YouTube videos have earned him millions of views and a devoted fan base—teaches beginners the fundamentals of traditional drawing. In his first book “You Can Draw!” Leonardo Pereznieto helped artists recreate the realistic surfaces and textures that make his own work so popular. Now he’s going back to the very beginning to teach them the basics of drawing, covering first exercises, fundamental techniques, light and shading, composition, and perspective, and more. Loaded with information on materials, a glossary of essential terminology, and hundreds of illustrations, this illuminating guide includes such projects as a fall still life of fruit in a basket, with instructions on shape, shadow, and detail, as well as a cityscape, a landscape with depth of field, animals, train tracks, jewelry, and drawing with a message. Once you’ve mastered these basics, you can unleash your imagination on whatever subject you like!
Pencil Drawing
Author: Michael WoodsPublisher: Courier Corporation
ISBN: 0486258866
Category : Art
Languages : en
Pages : 128
Book Description
Complete first course covers basic techniques, line work, shading, tone, perspective, composition, even fixing, mounting, and framing. Engaging, easy-to-follow text enhanced with 155 unusually interesting illustrations, ranging from a Roman cavalry helmet, a sleeping baby, and Venetian gondolas to palm trees, a London church, and Windsor Castle.
The Elements of Drawing
Author: John RuskinPublisher: E-Kitap Projesi & Cheapest Books
ISBN: 6155564892
Category : Art
Languages : en
Pages : 262
Book Description
Synopsis "The Elements of Drawing" was written during the winter of 1856. The First Edition was published in 1857; the Second followed in the same year, with some additions and slight alterations. The Third Edition consisted of sixth thousand, 1859; seventh thousand, 1860; and eighth thousand, 1861. The work was partly reproduced in "Our Sketching Club," by the Rev. R. St. John Tyrwhitt, M.A., 1874; with new editions in 1875, 1882, and 1886. Mr. Ruskin meant, during his tenure of the Slade Professorship at Oxford, to recast his teaching, and to write a systematic manual for the use of his Drawing School, under the title of "The Laws of Fésole." Of this only vol. i. was completed, 1879; second edition, 1882. As, therefore, "The Elements of Drawing" has never been completely superseded, and as many readers of Mr. Ruskin's works have expressed a desire to possess the book in its old form, it is now reprinted as it stood in 1859.] THE SECOND EDITION. As one or two questions, asked of me since the publication of this work, have indicated points requiring elucidation, I have added a few short notes in the first Appendix. It is not, I think, desirable otherwise to modify the form or add to the matter of a book as it passes through successive editions; I have, therefore, only mended the wording of some obscure sentences; with which exception the text remains, and will remain, in its original form, which I had carefully considered. Should the public find the book useful, and call for further editions of it, such additional notes as may be necessary will be always placed in the first Appendix, where they can be at once referred to, in any library, by the possessors of the earlier editions; and I will take care they shall not be numerous. August 3, 1857. PREFACE i. It may perhaps be thought, that in prefacing a manual of drawing, I ought to expatiate on the reasons why drawing should be learned; but those reasons appear to me so many and so weighty, that I cannot quickly state or enforce them. With the reader's permission, as this volume is too large already, I will waive all discussion respecting the importance of the subject, and touch only on those points which may appear questionable in the method of its treatment. ii. In the first place, the book is not calculated for the use of children under the age of twelve or fourteen. I do not think it advisable to engage a child in any but the most voluntary practice of art. If it has talent for drawing, it will be continually scrawling on what paper it can get; and should be allowed to scrawl at its own free will, due praise being given for every appearance of care, or truth, in its efforts. It should be allowed to amuse itself with cheap colors almost as soon as it has sense enough to wish for them. If it merely daubs the paper with shapeless stains, the color-box may be taken away till it knows better: but as soon as it begins painting red coats on soldiers, striped flags to ships, etc., it should have colors at command; and, without restraining its choice of subject in that imaginative and historical art, of a military tendency, which children delight in, (generally quite as valuable, by the way, as any historical art delighted in by their elders,) it should be gently led by the parents to try to draw, in such childish fashion as may be, the things it can see and likes,—birds, or butterflies, or flowers, or fruit. iii. In later years, the indulgence of using the color should only be granted as a reward, after it has shown care and progress in its drawings with pencil. A limited number of good and amusing prints should always be within a boy's reach: in these days of cheap illustration he can hardly possess a volume of nursery tales without good wood-cuts in it, and should be encouraged to copy what he likes best of this kind; but should be firmly restricted to a few prints and to a few books.