Author: Sir Wyke BAYLISS
Publisher:
ISBN:
Category : Light in art
Languages : en
Pages : 112
Book Description
The Elements of Aerial Perspective; Or, Light, Shade, and Color
Author: Sir Wyke BAYLISS
Publisher:
ISBN:
Category : Light in art
Languages : en
Pages : 112
Book Description
Publisher:
ISBN:
Category : Light in art
Languages : en
Pages : 112
Book Description
The Burlington Magazine
The Burlington Magazine for Connoisseurs
Burlington Magazine for Connoisseurs
Author: Robert Edward Dell
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 522
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 522
Book Description
Elements of Art Criticism
Author: George Whitefield Samson
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 852
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 852
Book Description
Elements of Art Criticism, Comprising a Treatise on the Principles of Man's Native as Addressed by Art Together with a Historic Survey of the Methods of Art Execution in the Departments of Drawing, Sculpture, Architecture, Painting, Landscape Gardening and the Decorative Arts
Author: George Whitefield Samson
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Renaissance Theories of Vision
Author: John Shannon Hendrix
Publisher: Routledge
ISBN: 1317066405
Category : Art
Languages : en
Pages : 258
Book Description
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.
Publisher: Routledge
ISBN: 1317066405
Category : Art
Languages : en
Pages : 258
Book Description
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.
Elements of Phrenology
Author: George Combe
Publisher:
ISBN:
Category : Phrenology
Languages : en
Pages : 252
Book Description
Publisher:
ISBN:
Category : Phrenology
Languages : en
Pages : 252
Book Description
The Philosophy of Human Life. Being an Investigation of the Great Elements of Life ... Together with Reflections Adapted to the Physical, Political, Popular, Moral and Religious Natures of Man
Foundations of Drawing
Author: Al Gury
Publisher: Watson-Guptill
ISBN: 0307987191
Category : Art
Languages : en
Pages : 226
Book Description
From a leading art instructor at the Pennsylvania Academy of Fine Arts in Philadelphia, a complete survey of drawing as an art form covering its history, materials, and key techniques, alongside step-by-step demonstrations. Foundations of Drawing is a comprehensive and authoritative overview of the history, aesthetics, methods, and materials of the drawing medium. Throughout, clearly defined demonstrations provide easy access to the practice of drawing as well as the history and development of core drawing techniques. Richly illustrated, the book contains reproductions of the finest master drawings from the fifteenth century to the present. Unlike other drawing instruction books that focus on step-by-step lessons exclusively, Foundations of Drawing provides readers with the context and background to help understand just why these materials and methods are so vital for successful drawing.
Publisher: Watson-Guptill
ISBN: 0307987191
Category : Art
Languages : en
Pages : 226
Book Description
From a leading art instructor at the Pennsylvania Academy of Fine Arts in Philadelphia, a complete survey of drawing as an art form covering its history, materials, and key techniques, alongside step-by-step demonstrations. Foundations of Drawing is a comprehensive and authoritative overview of the history, aesthetics, methods, and materials of the drawing medium. Throughout, clearly defined demonstrations provide easy access to the practice of drawing as well as the history and development of core drawing techniques. Richly illustrated, the book contains reproductions of the finest master drawings from the fifteenth century to the present. Unlike other drawing instruction books that focus on step-by-step lessons exclusively, Foundations of Drawing provides readers with the context and background to help understand just why these materials and methods are so vital for successful drawing.