Author: Olivier Bernier
Publisher: Metropolitan Museum of Art
ISBN: 0870992945
Category : Art, Modern
Languages : en
Pages : 170
Book Description
The Eighteenth-century Woman
Author: Olivier Bernier
Publisher: Metropolitan Museum of Art
ISBN: 0870992945
Category : Art, Modern
Languages : en
Pages : 170
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 0870992945
Category : Art, Modern
Languages : en
Pages : 170
Book Description
Citoyennes
Author: Annie Smart
Publisher: University of Delaware
ISBN: 1611493552
Category : History
Languages : en
Pages : 273
Book Description
Did women have a civic identity in eighteenth-century France? In Citoyennes: Women and the Ideal of Citizenship in Eighteenth-Century France, Annie Smart contends that they did. While previous scholarship has emphasized the ideal of domestic motherhood or the image of the republican mother, Smart argues persuasively that many pre-revolutionary and revolutionary texts created another ideal for women – the ideal of civic motherhood. Smart asserts that women were portrayed as possessing civic virtue, and as promoting the values and ideals of the public sphere. Contemporary critics have theorized that the eighteenth-century ideal of the Republic intentionally excluded women from the public sphere. According to this perspective, a discourse of “Rousseauean” domestic motherhood stripped women of an active civic identity, and limited their role to breastfeeding and childcare. Eighteenth-century France marked thus the division between a male public sphere of political action and a female private sphere of the home. Citoyennes challenges this position and offers an alternative model of female identity. This interdisciplinary study brings together a variety of genres to demonstrate convincingly that women were portrayed as civic individuals. Using foundational texts such as Jean-Jacques Rousseau’s Emile, or on Education (1762), revolutionary gouaches of Lesueur, and vaudeville plays of Year II of the Republic (1793/1794), this study brilliantly shows that in text and image, women were represented as devoted to both the public good and their families. In addition, Citoyennes offers an innovative interpretation of the home. Through re-examining sphere theory, this study challenges the tendency to equate the home with private concerns, and shows that the home can function as a site for both private life and civic identity. Citoyennes breaks new ground, for it both rectifies the ideal of domestic Rousseauean motherhood, and brings a fuller understanding to how female civic identity operated in important French texts and images.
Publisher: University of Delaware
ISBN: 1611493552
Category : History
Languages : en
Pages : 273
Book Description
Did women have a civic identity in eighteenth-century France? In Citoyennes: Women and the Ideal of Citizenship in Eighteenth-Century France, Annie Smart contends that they did. While previous scholarship has emphasized the ideal of domestic motherhood or the image of the republican mother, Smart argues persuasively that many pre-revolutionary and revolutionary texts created another ideal for women – the ideal of civic motherhood. Smart asserts that women were portrayed as possessing civic virtue, and as promoting the values and ideals of the public sphere. Contemporary critics have theorized that the eighteenth-century ideal of the Republic intentionally excluded women from the public sphere. According to this perspective, a discourse of “Rousseauean” domestic motherhood stripped women of an active civic identity, and limited their role to breastfeeding and childcare. Eighteenth-century France marked thus the division between a male public sphere of political action and a female private sphere of the home. Citoyennes challenges this position and offers an alternative model of female identity. This interdisciplinary study brings together a variety of genres to demonstrate convincingly that women were portrayed as civic individuals. Using foundational texts such as Jean-Jacques Rousseau’s Emile, or on Education (1762), revolutionary gouaches of Lesueur, and vaudeville plays of Year II of the Republic (1793/1794), this study brilliantly shows that in text and image, women were represented as devoted to both the public good and their families. In addition, Citoyennes offers an innovative interpretation of the home. Through re-examining sphere theory, this study challenges the tendency to equate the home with private concerns, and shows that the home can function as a site for both private life and civic identity. Citoyennes breaks new ground, for it both rectifies the ideal of domestic Rousseauean motherhood, and brings a fuller understanding to how female civic identity operated in important French texts and images.
Women and the Art and Science of Collecting in Eighteenth-Century Europe
Author: Arlene Leis
Publisher: Routledge
ISBN: 1000175227
Category : Art
Languages : en
Pages : 254
Book Description
Through both longer essays and shorter case studies, this book examines the relationship of European women from various countries and backgrounds to collecting, in order to explore the social practices and material and visual cultures of collecting in eighteenth-century Europe. It recovers their lives and examines their interests, their methodologies, and their collections and objects—some of which have rarely been studied before. The book also considers women’s role as producers, that is, creators of objects that were collected. Detailed examination of the artefacts—both visually, and in relation to their historical contexts—exposes new ways of thinking about collecting in relation to the arts and sciences in eighteenth-century Europe. The book is interdisciplinary in its makeup and brings together scholars from a wide range of fields. It will be of interest to those working in art history, material and visual culture, history of collecting, history of science, literary studies, women’s studies, gender studies, and art conservation.
Publisher: Routledge
ISBN: 1000175227
Category : Art
Languages : en
Pages : 254
Book Description
Through both longer essays and shorter case studies, this book examines the relationship of European women from various countries and backgrounds to collecting, in order to explore the social practices and material and visual cultures of collecting in eighteenth-century Europe. It recovers their lives and examines their interests, their methodologies, and their collections and objects—some of which have rarely been studied before. The book also considers women’s role as producers, that is, creators of objects that were collected. Detailed examination of the artefacts—both visually, and in relation to their historical contexts—exposes new ways of thinking about collecting in relation to the arts and sciences in eighteenth-century Europe. The book is interdisciplinary in its makeup and brings together scholars from a wide range of fields. It will be of interest to those working in art history, material and visual culture, history of collecting, history of science, literary studies, women’s studies, gender studies, and art conservation.
Women in Eighteenth Century Europe
Author: Margaret Hunt
Publisher: Routledge
ISBN: 131788387X
Category : History
Languages : en
Pages : 561
Book Description
Was the century of Voltaire also the century of women? In the eighteenth century changes in the nature of work, family life, sexuality, education, law, religion, politics and warfare radically altered the lives of women. Some of these developments caused immense confusion and suffering; others greatly expanded women’s opportunities and worldview – long before the various women’s suffrage movements were more than a glimmer on the horizon. This study pays attention to queens as well as commoners; respectable working women as well as prostitutes; women physicists and mathematicians as well as musicians and actresses; feminists as well as their critics. The result is a rich and morally complex tale of conflict and tragedy, but also of achievement. The book deals with many regions and topics often under-represented in general surveys of European women, including coverage of the Balkans and both European Turkey and Anatolia, of Eastern Europe, of European colonial expansion (particularly the slave trade) and of Muslim, Eastern Orthodox, and Jewish women's history. Bringing all of Europe into the narrative of early modern women's history challenges many received assumptions about Europe and women in past times, and provides essential background for dealing with issues of diversity in the Europe of today.
Publisher: Routledge
ISBN: 131788387X
Category : History
Languages : en
Pages : 561
Book Description
Was the century of Voltaire also the century of women? In the eighteenth century changes in the nature of work, family life, sexuality, education, law, religion, politics and warfare radically altered the lives of women. Some of these developments caused immense confusion and suffering; others greatly expanded women’s opportunities and worldview – long before the various women’s suffrage movements were more than a glimmer on the horizon. This study pays attention to queens as well as commoners; respectable working women as well as prostitutes; women physicists and mathematicians as well as musicians and actresses; feminists as well as their critics. The result is a rich and morally complex tale of conflict and tragedy, but also of achievement. The book deals with many regions and topics often under-represented in general surveys of European women, including coverage of the Balkans and both European Turkey and Anatolia, of Eastern Europe, of European colonial expansion (particularly the slave trade) and of Muslim, Eastern Orthodox, and Jewish women's history. Bringing all of Europe into the narrative of early modern women's history challenges many received assumptions about Europe and women in past times, and provides essential background for dealing with issues of diversity in the Europe of today.
Women in the Eighteenth Century
Author: Vivien Jones
Publisher: Routledge
ISBN: 1134966318
Category : History
Languages : en
Pages : 424
Book Description
This anthology gathers together various texts by and about women, ranging from `conduct' manuals to pamphlets on prostitution, from medical texts to critical definitions of women's writing, from anti-female satires to appeals for female equality. By making this material more widely available, Women in the Eighteenth Century complements the current upsurge in feminist writing on eighteenth-century literary history and offers students the opportunity to make their own rereadings of literary texts and their ideological contexts.
Publisher: Routledge
ISBN: 1134966318
Category : History
Languages : en
Pages : 424
Book Description
This anthology gathers together various texts by and about women, ranging from `conduct' manuals to pamphlets on prostitution, from medical texts to critical definitions of women's writing, from anti-female satires to appeals for female equality. By making this material more widely available, Women in the Eighteenth Century complements the current upsurge in feminist writing on eighteenth-century literary history and offers students the opportunity to make their own rereadings of literary texts and their ideological contexts.
Eighteenth-Century Women
Author: Bridget Hill
Publisher: Routledge
ISBN: 041562388X
Category : History
Languages : en
Pages : 290
Book Description
First published in 1984, this book filled an acknowledged gap in the social history of the eighteenth century. Drawing on newspapers, journals, memoirs, diaries, courtesy books, county surveys and records, it also does so on the literature of the period. It examines the role assigned to women in society and explores attitudes of the time and the real experience of women.
Publisher: Routledge
ISBN: 041562388X
Category : History
Languages : en
Pages : 290
Book Description
First published in 1984, this book filled an acknowledged gap in the social history of the eighteenth century. Drawing on newspapers, journals, memoirs, diaries, courtesy books, county surveys and records, it also does so on the literature of the period. It examines the role assigned to women in society and explores attitudes of the time and the real experience of women.
Eighteenth-century Women Artists
Author: Caroline Chapman
Publisher: Unicorn
ISBN: 9781910787502
Category : Art, Modern
Languages : en
Pages : 0
Book Description
The eighteenth century was an age when not only the aristocracy but a burgeoning middle class could enjoy a remarkable flowering of the arts. But it was a man's world; any woman who wished to succeed as an artist had to overcome numerous obstacles. In a society in which women were required to marry, reproduce, and conform to rigid social conventions a professional artist risked becoming an object of gossip and hostility. Nevertheless, for a woman who had charm and good looks, was ambitious, and allied talent with hard work, success was attainable. This book examines the careers and working lives of celebrated artists like Angelica Kauffman and Elisabeth Vigée Le Brun but also of those who are now forgotten. As well as assessing the work itself - from history and genre painting to portraits - it considers artists' studios, the functioning of the print market, how art was sold, the role of patrons and the flourishing world of the lady amateur. It is enriched by up to 55 illustrations in glorious colour.
Publisher: Unicorn
ISBN: 9781910787502
Category : Art, Modern
Languages : en
Pages : 0
Book Description
The eighteenth century was an age when not only the aristocracy but a burgeoning middle class could enjoy a remarkable flowering of the arts. But it was a man's world; any woman who wished to succeed as an artist had to overcome numerous obstacles. In a society in which women were required to marry, reproduce, and conform to rigid social conventions a professional artist risked becoming an object of gossip and hostility. Nevertheless, for a woman who had charm and good looks, was ambitious, and allied talent with hard work, success was attainable. This book examines the careers and working lives of celebrated artists like Angelica Kauffman and Elisabeth Vigée Le Brun but also of those who are now forgotten. As well as assessing the work itself - from history and genre painting to portraits - it considers artists' studios, the functioning of the print market, how art was sold, the role of patrons and the flourishing world of the lady amateur. It is enriched by up to 55 illustrations in glorious colour.
Women, Writing, and Travel in the Eighteenth Century
Author: Katrina O'Loughlin
Publisher: Cambridge University Press
ISBN: 1108676758
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just how women in the eighteenth century experienced travel, but also how travel writing facilitated their participation in literary and political culture. She canvases a range of accounts by intrepid women, including Lady Mary Wortley Montagu's Turkish Embassy Letters, Lady Craven's Journey through the Crimea to Constantinople, Eliza Justice's A Voyage to Russia, and Anna Maria Falconbridge's Narrative of Two Voyages to the River Sierra Leone. Moving from Ottoman courts to theatres of war, O'Loughlin shows how gender frames access to people and spaces outside Enlightenment and Romantic Britain, and how travel provides women with a powerful cultural form for re-imagining their place in the world.
Publisher: Cambridge University Press
ISBN: 1108676758
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
The eighteenth century witnessed the publication of an unprecedented number of voyages and travels, genuine and fictional. Within a genre distinguished by its diversity, curiosity, and experimental impulses, Katrina O'Loughlin investigates not just how women in the eighteenth century experienced travel, but also how travel writing facilitated their participation in literary and political culture. She canvases a range of accounts by intrepid women, including Lady Mary Wortley Montagu's Turkish Embassy Letters, Lady Craven's Journey through the Crimea to Constantinople, Eliza Justice's A Voyage to Russia, and Anna Maria Falconbridge's Narrative of Two Voyages to the River Sierra Leone. Moving from Ottoman courts to theatres of war, O'Loughlin shows how gender frames access to people and spaces outside Enlightenment and Romantic Britain, and how travel provides women with a powerful cultural form for re-imagining their place in the world.
Women, Art and the Politics of Identity in Eighteenth-Century Europe
Author: Melissa Hyde
Publisher: Routledge
ISBN: 1351871722
Category : Art
Languages : en
Pages : 479
Book Description
The eighteenth century is recognized as a complex period of dramatic epistemic shifts that would have profound effects on the modern world. Paradoxically, the art of the era continues to be a relatively neglected field within art history. While women's private lives, their involvement with cultural production, the project of Enlightenment, and the public sphere have been the subjects of ground-breaking historical and literary studies in recent decades, women's engagement with the arts remains one of the richest and most under-explored areas for scholarly investigation. This collection of new essays by specialist authors addresses women's activities as patrons and as "patronized" artists over the course of the century. It provides a much needed examination, with admirable breadth and variety, of women's artistic production and patronage during the eighteenth century. By opening up the specific problems and conflicts inherent in women's artistic involvements from the perspective of what was at stake for the eighteenth-century women themselves, it also acts as a corrective to the generalizing and stereotyping about the prominence of those women, which is too often present in current day literature. Some essays are concerned with how women's involvement in the arts allowed them to fashion identities for themselves (whether national, political, religious, intellectual, artistic, or gender-based) and how such self-fashioning in turn enabled them to negotiate or intervene in the public domains of culture and politics where "The Woman Question" was so hotly debated. Other essays examine how men's patronage of women also served as a vehicle for self-fashioning for both artist and sponsor. Artists and patrons discussed include: Carriera; Queen Lovisa Ulrike and Chardin; the Bourbon Princesses Mlle Clermont, Mme Adélaïde and Nattier; the Duchess of Osuna and Goya; Marie-Antoinette and Vigée-Lebrun; Labille-Guiard; Queen Carolina of Naples, Prince Stanislaus Poniatowski of Poland and Kauffman; David and his students, Mesdames Benoist, Lavoisier and Mongez.
Publisher: Routledge
ISBN: 1351871722
Category : Art
Languages : en
Pages : 479
Book Description
The eighteenth century is recognized as a complex period of dramatic epistemic shifts that would have profound effects on the modern world. Paradoxically, the art of the era continues to be a relatively neglected field within art history. While women's private lives, their involvement with cultural production, the project of Enlightenment, and the public sphere have been the subjects of ground-breaking historical and literary studies in recent decades, women's engagement with the arts remains one of the richest and most under-explored areas for scholarly investigation. This collection of new essays by specialist authors addresses women's activities as patrons and as "patronized" artists over the course of the century. It provides a much needed examination, with admirable breadth and variety, of women's artistic production and patronage during the eighteenth century. By opening up the specific problems and conflicts inherent in women's artistic involvements from the perspective of what was at stake for the eighteenth-century women themselves, it also acts as a corrective to the generalizing and stereotyping about the prominence of those women, which is too often present in current day literature. Some essays are concerned with how women's involvement in the arts allowed them to fashion identities for themselves (whether national, political, religious, intellectual, artistic, or gender-based) and how such self-fashioning in turn enabled them to negotiate or intervene in the public domains of culture and politics where "The Woman Question" was so hotly debated. Other essays examine how men's patronage of women also served as a vehicle for self-fashioning for both artist and sponsor. Artists and patrons discussed include: Carriera; Queen Lovisa Ulrike and Chardin; the Bourbon Princesses Mlle Clermont, Mme Adélaïde and Nattier; the Duchess of Osuna and Goya; Marie-Antoinette and Vigée-Lebrun; Labille-Guiard; Queen Carolina of Naples, Prince Stanislaus Poniatowski of Poland and Kauffman; David and his students, Mesdames Benoist, Lavoisier and Mongez.
Eighteenth-Century Women Poets and Their Poetry
Author: Paula R. Backscheider
Publisher: JHU Press
ISBN: 9780801881695
Category : Biography & Autobiography
Languages : en
Pages : 556
Book Description
Co-Winner, James Russell Lowell Prize, Modern Language Association This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet.
Publisher: JHU Press
ISBN: 9780801881695
Category : Biography & Autobiography
Languages : en
Pages : 556
Book Description
Co-Winner, James Russell Lowell Prize, Modern Language Association This major study offers a broad view of the writing and careers of eighteenth-century women poets, casting new light on the ways in which poetry was read and enjoyed, on changing poetic tastes in British culture, and on the development of many major poetic genres and traditions. Rather than presenting a chronological survey, Paula R. Backscheider explores the forms in which women wrote and the uses to which they put those forms. Considering more than forty women in relation to canonical male writers of the same era, she concludes that women wrote in all of the genres that men did but often adapted, revised, and even created new poetic kinds from traditional forms. Backscheider demonstrates that knowledge of these women's poetry is necessary for an accurate and nuanced literary history. Within chapters on important canonical and popular verse forms, she gives particular attention to such topics as women's use of religious poetry to express candid ideas about patriarchy and rape; the continuing evolution and important role of the supposedly antiquarian genre of the friendship poetry; same-sex desire in elegy by women as well as by men; and the status of Charlotte Smith as a key figure of the long eighteenth century, not only as a Romantic-era poet.