Author: Nancy Elizabeth Barlar
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Abstract: The purpose of this study was to determine whether a music sight-reading program would affect the language reading fluency levels and music sight-reading abilities of students enrolled in band in middle school. Music reading and language reading share similar visual and aural tasks that are part of the essential decoding process (Hansen, Bernstorf, & Stuber, 2007). The sight-reading process in both types of reading also requires similar eye movements and the use of structural units for fluency (Sloboda, 1985; Register, Darrow, Standley, & Swedberg, 2007). Researchers have found that sight-singing can impact language reading fluency levels, but there is minimal research on possible connections between instrumental sight-reading and language reading fluency (Biggs, Dedrick, & Homan, 2005, 2006). The current study was undertaken to determine the effect of a sight-reading program on language reading fluency and music sight-reading ability. Two intact middle school band classes were randomly assigned to function as the experimental group and the control group in this study. Florida Department of Education oral reading fluency exams and the Watkins-Farnum Performance Scale, Form A and B for sight-reading ability were administered to all students (N=55) at the beginning and end of data collection. The experimental group experienced a 14-week sight-reading program during the interim. Analysis of Covariance was used to check for differences between the groups' reading fluency and sight-reading posttest scores using pretest scores as the covariate. No significant difference was found between the oral reading fluency posttest, F (1, 28) = .16, p = .69, scores of the control and experimental groups. No significant difference was found between the music sight-reading posttest level scores, F (1, 45) = 1.78, p = .19, of the experimental and control groups. A significant, positive correlation ( r = .61, p = .000) was found between the oral reading fluency and music sight-reading posttest scores of all participants.
The Effect of Sight-reading Instruction on the Language Reading Fluency and Music Sight-reading Ability of Middle School Band Students
Author: Nancy Elizabeth Barlar
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Abstract: The purpose of this study was to determine whether a music sight-reading program would affect the language reading fluency levels and music sight-reading abilities of students enrolled in band in middle school. Music reading and language reading share similar visual and aural tasks that are part of the essential decoding process (Hansen, Bernstorf, & Stuber, 2007). The sight-reading process in both types of reading also requires similar eye movements and the use of structural units for fluency (Sloboda, 1985; Register, Darrow, Standley, & Swedberg, 2007). Researchers have found that sight-singing can impact language reading fluency levels, but there is minimal research on possible connections between instrumental sight-reading and language reading fluency (Biggs, Dedrick, & Homan, 2005, 2006). The current study was undertaken to determine the effect of a sight-reading program on language reading fluency and music sight-reading ability. Two intact middle school band classes were randomly assigned to function as the experimental group and the control group in this study. Florida Department of Education oral reading fluency exams and the Watkins-Farnum Performance Scale, Form A and B for sight-reading ability were administered to all students (N=55) at the beginning and end of data collection. The experimental group experienced a 14-week sight-reading program during the interim. Analysis of Covariance was used to check for differences between the groups' reading fluency and sight-reading posttest scores using pretest scores as the covariate. No significant difference was found between the oral reading fluency posttest, F (1, 28) = .16, p = .69, scores of the control and experimental groups. No significant difference was found between the music sight-reading posttest level scores, F (1, 45) = 1.78, p = .19, of the experimental and control groups. A significant, positive correlation ( r = .61, p = .000) was found between the oral reading fluency and music sight-reading posttest scores of all participants.
Publisher:
ISBN:
Category :
Languages : en
Pages : 218
Book Description
Abstract: The purpose of this study was to determine whether a music sight-reading program would affect the language reading fluency levels and music sight-reading abilities of students enrolled in band in middle school. Music reading and language reading share similar visual and aural tasks that are part of the essential decoding process (Hansen, Bernstorf, & Stuber, 2007). The sight-reading process in both types of reading also requires similar eye movements and the use of structural units for fluency (Sloboda, 1985; Register, Darrow, Standley, & Swedberg, 2007). Researchers have found that sight-singing can impact language reading fluency levels, but there is minimal research on possible connections between instrumental sight-reading and language reading fluency (Biggs, Dedrick, & Homan, 2005, 2006). The current study was undertaken to determine the effect of a sight-reading program on language reading fluency and music sight-reading ability. Two intact middle school band classes were randomly assigned to function as the experimental group and the control group in this study. Florida Department of Education oral reading fluency exams and the Watkins-Farnum Performance Scale, Form A and B for sight-reading ability were administered to all students (N=55) at the beginning and end of data collection. The experimental group experienced a 14-week sight-reading program during the interim. Analysis of Covariance was used to check for differences between the groups' reading fluency and sight-reading posttest scores using pretest scores as the covariate. No significant difference was found between the oral reading fluency posttest, F (1, 28) = .16, p = .69, scores of the control and experimental groups. No significant difference was found between the music sight-reading posttest level scores, F (1, 45) = 1.78, p = .19, of the experimental and control groups. A significant, positive correlation ( r = .61, p = .000) was found between the oral reading fluency and music sight-reading posttest scores of all participants.
The Effects of Differing Rhythmic Instruction on Middle School Instrumentalists' Rhythmic and Melodic Sight-reading Performance
Author: Gregory Michael Miller
Publisher:
ISBN:
Category : Musical meter and rhythm
Languages : en
Pages : 108
Book Description
Abstract: Sight-reading, the act of performing unfamiliar music at sight, is a valued measure of an instrumentalist's musical training and overall musicianship. Though sight-reading is recognized as an important ability, little is known about the process or how best to prepare students for sight-reading situations. Previous research has suggested the importance of rhythm, finding that most sight-reading errors are rhythm errors, and rhythmic ability is often a strong predictor of sight-reading accuracy. Related research has investigated a variety of approaches to rhythm instruction, including mathematical (numbers-based) approaches and speech cue (word-based) methods. Many studies have suggested that the latter approach may be more suitable to school-age musicians, especially younger students who may lack the conceptual understanding needed to grasp mathematical models. Other research has affirmed the importance of providing students with opportunities to respond individually and receive regular feedback from their instructor. The current study employed two parallel rhythmic instruction strategies in an effort to determine their impact on middle school band members' sight-reading performance. The control group reviewed rhythms using a previously-learned numerical counting system while a treatment group reviewed rhythms using an original speech cue method and performed individually at scheduled intervals. Sight-reading pretests and posttests were scored and compared to measure subjects' sight-reading accuracy. Results showed no statistically significant differences between the two groups on the sight-reading posttest. Mean scores for all subjects, regardless of treatment grouping, improved from pretest to posttest, including significant gains on pitch accuracy and total sight-reading scores. Additionally, important relationships were found regarding the interplay between pitch reading and rhythm reading during melodic sight-reading, suggesting that these processes present two separate and sometimes conflicting tasks. Overall results and an analysis of the scores of top sight-readers reaffirmed the importance of rhythmic ability in determining overall sight-reading accuracy.
Publisher:
ISBN:
Category : Musical meter and rhythm
Languages : en
Pages : 108
Book Description
Abstract: Sight-reading, the act of performing unfamiliar music at sight, is a valued measure of an instrumentalist's musical training and overall musicianship. Though sight-reading is recognized as an important ability, little is known about the process or how best to prepare students for sight-reading situations. Previous research has suggested the importance of rhythm, finding that most sight-reading errors are rhythm errors, and rhythmic ability is often a strong predictor of sight-reading accuracy. Related research has investigated a variety of approaches to rhythm instruction, including mathematical (numbers-based) approaches and speech cue (word-based) methods. Many studies have suggested that the latter approach may be more suitable to school-age musicians, especially younger students who may lack the conceptual understanding needed to grasp mathematical models. Other research has affirmed the importance of providing students with opportunities to respond individually and receive regular feedback from their instructor. The current study employed two parallel rhythmic instruction strategies in an effort to determine their impact on middle school band members' sight-reading performance. The control group reviewed rhythms using a previously-learned numerical counting system while a treatment group reviewed rhythms using an original speech cue method and performed individually at scheduled intervals. Sight-reading pretests and posttests were scored and compared to measure subjects' sight-reading accuracy. Results showed no statistically significant differences between the two groups on the sight-reading posttest. Mean scores for all subjects, regardless of treatment grouping, improved from pretest to posttest, including significant gains on pitch accuracy and total sight-reading scores. Additionally, important relationships were found regarding the interplay between pitch reading and rhythm reading during melodic sight-reading, suggesting that these processes present two separate and sometimes conflicting tasks. Overall results and an analysis of the scores of top sight-readers reaffirmed the importance of rhythmic ability in determining overall sight-reading accuracy.
Sight-reading Module for Middle School Band
Author: Danielle Sabol
Publisher: LAP Lambert Academic Publishing
ISBN: 9783659546648
Category :
Languages : en
Pages : 92
Book Description
Sight-reading is one way for middle school band students to demonstrate musicianship. If the students are very good at sight-reading, then the level of musicianship is high. The researcher has created an organized module addressing methods of how to teach middle school band students to sight-read effectively. A working definition of sight-reading is playing a work of music accurately the first time it is seen by a performer. At the middle school level, performers must be able to play a steady beat, play accurate rhythms, demonstrate correct eye movements, and recognize patterns of notes to be an effective sight-reader. The students in this study were exposed to activities and lessons that addressed these four aspects of sight-reading. After the study was concluded, the researcher determined that the sight-reading abilities of the students increased. The students became aware of the skills necessary to be effective sight-readers. The most effective lesson of this study was the rhythm lesson. The least effective lesson was the eye movement lesson. The rhythm lesson allowed the students to become familiar with common rhythms, increasing their abilities to perform
Publisher: LAP Lambert Academic Publishing
ISBN: 9783659546648
Category :
Languages : en
Pages : 92
Book Description
Sight-reading is one way for middle school band students to demonstrate musicianship. If the students are very good at sight-reading, then the level of musicianship is high. The researcher has created an organized module addressing methods of how to teach middle school band students to sight-read effectively. A working definition of sight-reading is playing a work of music accurately the first time it is seen by a performer. At the middle school level, performers must be able to play a steady beat, play accurate rhythms, demonstrate correct eye movements, and recognize patterns of notes to be an effective sight-reader. The students in this study were exposed to activities and lessons that addressed these four aspects of sight-reading. After the study was concluded, the researcher determined that the sight-reading abilities of the students increased. The students became aware of the skills necessary to be effective sight-readers. The most effective lesson of this study was the rhythm lesson. The least effective lesson was the eye movement lesson. The rhythm lesson allowed the students to become familiar with common rhythms, increasing their abilities to perform
The Effect of Language Reading Fluency on Music Reading
Author: Donald J. Wachtel
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
Book Description
The purpose of this study was to determine whether children who have difficulty with reading fluency also have trouble identifying music notation. The study included 18 fourth-grade and 12 fifth-grade band students. Reading literacy abilities of the students were divided into three categories: reading below grade level, reading at grade level, and reading above grade level. Each student's level was determined by examining their Illinois Standard Achievement Test (ISAT) scores, their Grade Equivalency (GE) score in reading on the Iowa Test of Basic Skills (ITBS), and their score on the sight words portion of the Basic Reading Inventory Performance Booklet (BRI). This study found a positive correlation between the ISAT test and the Music Ace scores in the fifth grade. There were no correlations between reading and music tests in the fifth grade. This study found no correlation between reading literacy and music reading fluency in the fourth grade.
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
Book Description
The purpose of this study was to determine whether children who have difficulty with reading fluency also have trouble identifying music notation. The study included 18 fourth-grade and 12 fifth-grade band students. Reading literacy abilities of the students were divided into three categories: reading below grade level, reading at grade level, and reading above grade level. Each student's level was determined by examining their Illinois Standard Achievement Test (ISAT) scores, their Grade Equivalency (GE) score in reading on the Iowa Test of Basic Skills (ITBS), and their score on the sight words portion of the Basic Reading Inventory Performance Booklet (BRI). This study found a positive correlation between the ISAT test and the Music Ace scores in the fifth grade. There were no correlations between reading and music tests in the fifth grade. This study found no correlation between reading literacy and music reading fluency in the fourth grade.
Music Literacy
Author: Julie Dian Aas
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 78
Book Description
The purpose of this study was to examine the implementation of regular sight-reading exercises and vocabulary activities to increase music literacy proficiency. Three eleventh grade band students sight-read a series of three songs in order to establish a baseline of their sight-reading skills. Each day during group instruction the students sight-read a new song. At the end of the ten day period, the researcher assessed student growth. In addition to sight-reading skills, students were given a pre-test to measure music vocabulary proficiency. The author implemented new words as they applied to the lesson. The words were then posted in a word wall format for students to reference. At the end of the the 10 day period a post-test of music vocabulary words was given to measure academic gains.
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 78
Book Description
The purpose of this study was to examine the implementation of regular sight-reading exercises and vocabulary activities to increase music literacy proficiency. Three eleventh grade band students sight-read a series of three songs in order to establish a baseline of their sight-reading skills. Each day during group instruction the students sight-read a new song. At the end of the ten day period, the researcher assessed student growth. In addition to sight-reading skills, students were given a pre-test to measure music vocabulary proficiency. The author implemented new words as they applied to the lesson. The words were then posted in a word wall format for students to reference. At the end of the the 10 day period a post-test of music vocabulary words was given to measure academic gains.
The Effect of Aural and Improvisatory Instruction on Fifth Grade Band Students' Sight Reading Ability
Sight-reading and Ear-playing Abilities Related to the Training and Backgroud of Instrumental Music Students
Author: John R. Luce
Publisher:
ISBN:
Category : Ear training
Languages : en
Pages : 340
Book Description
Publisher:
ISBN:
Category : Ear training
Languages : en
Pages : 340
Book Description
The Effect of Prescribed Rhythmical Movements on the Ability to Sight Read Music
Author: J. David Boyle
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
Book Description