Author: Vayos Liapis
Publisher: Cambridge University Press
ISBN: 1107038553
Category : Drama
Languages : en
Pages : 431
Book Description
What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.
Greek Tragedy After the Fifth Century
Author: Vayos Liapis
Publisher: Cambridge University Press
ISBN: 1107038553
Category : Drama
Languages : en
Pages : 431
Book Description
What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.
Publisher: Cambridge University Press
ISBN: 1107038553
Category : Drama
Languages : en
Pages : 431
Book Description
What happened to Greek tragedy after the death of Euripides? This book provides some answers, and a broad historical overview.
Early Greek Portraiture
Author: Catherine M. Keesling
Publisher: Cambridge University Press
ISBN: 1108211275
Category : Art
Languages : en
Pages : 329
Book Description
In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.
Publisher: Cambridge University Press
ISBN: 1108211275
Category : Art
Languages : en
Pages : 329
Book Description
In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.
Medieval Ireland
Author: Clare Downham
Publisher: Cambridge University Press
ISBN: 110854794X
Category : History
Languages : en
Pages : 412
Book Description
Medieval Ireland is often described as a backward-looking nation in which change only came about as a result of foreign invasions. By examining the wealth of under-explored evidence available, Downham challenges this popular notion and demonstrates what a culturally rich and diverse place medieval Ireland was. Starting in the fifth century, when St Patrick arrived on the island, and ending in the fifteenth century, with the efforts of the English government to defend the lands which it ruled directly around Dublin by building great ditches, this up-to-date and accessible survey charts the internal changes in the region. Chapters dispute the idea of an archaic society in a wide-range of areas, with a particular focus on land-use, economy, society, religion, politics and culture. This concise and accessible overview offers a fresh perspective on Ireland in the Middle Ages and overthrows many enduring stereotypes.
Publisher: Cambridge University Press
ISBN: 110854794X
Category : History
Languages : en
Pages : 412
Book Description
Medieval Ireland is often described as a backward-looking nation in which change only came about as a result of foreign invasions. By examining the wealth of under-explored evidence available, Downham challenges this popular notion and demonstrates what a culturally rich and diverse place medieval Ireland was. Starting in the fifth century, when St Patrick arrived on the island, and ending in the fifteenth century, with the efforts of the English government to defend the lands which it ruled directly around Dublin by building great ditches, this up-to-date and accessible survey charts the internal changes in the region. Chapters dispute the idea of an archaic society in a wide-range of areas, with a particular focus on land-use, economy, society, religion, politics and culture. This concise and accessible overview offers a fresh perspective on Ireland in the Middle Ages and overthrows many enduring stereotypes.
Greece in the Making, 1200-479 BC
Author: Robin Osborne
Publisher: Psychology Press
ISBN: 9780415035835
Category : History
Languages : en
Pages : 420
Book Description
Robin Osborne's introduction to the art, archaeology and history of ancient Greece shows how we can write the history of this period, and the insights which can be gained by doing so for our understanding of later periods of history
Publisher: Psychology Press
ISBN: 9780415035835
Category : History
Languages : en
Pages : 420
Book Description
Robin Osborne's introduction to the art, archaeology and history of ancient Greece shows how we can write the history of this period, and the insights which can be gained by doing so for our understanding of later periods of history
The Origins of the Roman Economy
Author: Gabriele Cifani
Publisher: Cambridge University Press
ISBN: 1108478956
Category : Business & Economics
Languages : en
Pages : 471
Book Description
Focuses on the economic history of the community of Rome from the Iron Age to the early Republic.
Publisher: Cambridge University Press
ISBN: 1108478956
Category : Business & Economics
Languages : en
Pages : 471
Book Description
Focuses on the economic history of the community of Rome from the Iron Age to the early Republic.
Literacy and Democracy in Fifth-Century Athens
Author: Anna Missiou
Publisher: Cambridge University Press
ISBN: 0521111404
Category : History
Languages : en
Pages : 229
Book Description
The first full study of the relationship between literacy and democracy in fifth-century Athens. Through a close analysis of key democratic institutions, such as ostracism, the Council of 500, and the demes and tribes, Missiou argues that literacy was widespread among the common citizens of Athens.
Publisher: Cambridge University Press
ISBN: 0521111404
Category : History
Languages : en
Pages : 229
Book Description
The first full study of the relationship between literacy and democracy in fifth-century Athens. Through a close analysis of key democratic institutions, such as ostracism, the Council of 500, and the demes and tribes, Missiou argues that literacy was widespread among the common citizens of Athens.
Asklepios, Medicine, and the Politics of Healing in Fifth-Century Greece
Author: Bronwen L. Wickkiser
Publisher: JHU Press
ISBN: 0801889782
Category : History
Languages : en
Pages : 193
Book Description
Delving deeply into ancient medical history, Bronwen L. Wickkiser explores the early development and later spread of the cult of Asklepios, one of the most popular healing gods in the ancient Mediterranean. Though Asklepios had been known as a healer since the time of Homer, evidence suggests that large numbers of people began to flock to the cult during the fifth century BCE, just as practitioners of Hippocratic medicine were gaining dominance. Drawing on close readings of period medical texts, literary sources, archaeological evidence, and earlier studies, Wickkiser finds two primary causes for the cult’s ascendance: it filled a gap in the market created by the refusal of Hippocratic physicians to treat difficult chronic ailments and it abetted Athenian political needs. Wickkiser supports these challenging theories with side-by-side examinations of the medical practices at Asklepios' sanctuaries and those espoused in Hippocratic medical treatises. She also explores how Athens' aspirations to empire influenced its decision to open the city to the healer-god's cult. In focusing on the fifth century and by considering the medical, political, and religious dimensions of the cult of Asklepios, Wickkiser presents a complex, nuanced picture of Asklepios' rise in popularity, Athenian society, and ancient Mediterranean culture. The intriguing and sometimes surprising information she presents will be valued by historians of medicine and classicists alike.
Publisher: JHU Press
ISBN: 0801889782
Category : History
Languages : en
Pages : 193
Book Description
Delving deeply into ancient medical history, Bronwen L. Wickkiser explores the early development and later spread of the cult of Asklepios, one of the most popular healing gods in the ancient Mediterranean. Though Asklepios had been known as a healer since the time of Homer, evidence suggests that large numbers of people began to flock to the cult during the fifth century BCE, just as practitioners of Hippocratic medicine were gaining dominance. Drawing on close readings of period medical texts, literary sources, archaeological evidence, and earlier studies, Wickkiser finds two primary causes for the cult’s ascendance: it filled a gap in the market created by the refusal of Hippocratic physicians to treat difficult chronic ailments and it abetted Athenian political needs. Wickkiser supports these challenging theories with side-by-side examinations of the medical practices at Asklepios' sanctuaries and those espoused in Hippocratic medical treatises. She also explores how Athens' aspirations to empire influenced its decision to open the city to the healer-god's cult. In focusing on the fifth century and by considering the medical, political, and religious dimensions of the cult of Asklepios, Wickkiser presents a complex, nuanced picture of Asklepios' rise in popularity, Athenian society, and ancient Mediterranean culture. The intriguing and sometimes surprising information she presents will be valued by historians of medicine and classicists alike.
The Thesmophoriazusae
Author: Aristophanes
Publisher: Simon and Schuster
ISBN: 1625580932
Category : Drama
Languages : en
Pages : 45
Book Description
Thesmophoriazusae was performed in Athens in 411 BCE, most likely at the City Dionysia, and is among the most brilliant of Aristophanes' eleven surviving comedies. It is the story of the crucial moment in a quarrel between the tragic playwright Euripides and Athens' women, who accuse him of slandering them in his plays and are holding a meeting at one of their secret festivals to set a penalty for his crimes. Thesmophoriazusae is a brilliantly inventive comedy, full of wild slapstick humour and devastating literary parody, and is a basic source for questions of gender and sexuality in late 5th-century Athens and for the popular reception of Euripidean tragedy.
Publisher: Simon and Schuster
ISBN: 1625580932
Category : Drama
Languages : en
Pages : 45
Book Description
Thesmophoriazusae was performed in Athens in 411 BCE, most likely at the City Dionysia, and is among the most brilliant of Aristophanes' eleven surviving comedies. It is the story of the crucial moment in a quarrel between the tragic playwright Euripides and Athens' women, who accuse him of slandering them in his plays and are holding a meeting at one of their secret festivals to set a penalty for his crimes. Thesmophoriazusae is a brilliantly inventive comedy, full of wild slapstick humour and devastating literary parody, and is a basic source for questions of gender and sexuality in late 5th-century Athens and for the popular reception of Euripidean tragedy.
Moral Conscience Through the Ages
Author: Richard Sorabji
Publisher:
ISBN: 9780199685547
Category : History
Languages : en
Pages : 0
Book Description
Richard Sorabji presents a unique discussion of the development of moral conscience over a period of 2500 years, from the playwrights of the fifth century BCE to the present. He addresses key topics including the original meaning and continuing nature of conscience, the ideas of freedom of religion and conscience with climaxes in the early Christian centuries and the seventeenth, the disputes on absolution or 'terrorisation' of conscience, dilemmas of conscience,and moral double-bind, the reliability of conscience if it is shaped by local custom, and modern opposition to the idea of conscience and its role in legislation.
Publisher:
ISBN: 9780199685547
Category : History
Languages : en
Pages : 0
Book Description
Richard Sorabji presents a unique discussion of the development of moral conscience over a period of 2500 years, from the playwrights of the fifth century BCE to the present. He addresses key topics including the original meaning and continuing nature of conscience, the ideas of freedom of religion and conscience with climaxes in the early Christian centuries and the seventeenth, the disputes on absolution or 'terrorisation' of conscience, dilemmas of conscience,and moral double-bind, the reliability of conscience if it is shaped by local custom, and modern opposition to the idea of conscience and its role in legislation.
Greek Art and Aesthetics in the Fourth Century B.C.
Author: William A. P. Childs
Publisher: Princeton University Press
ISBN: 0691176469
Category : Art
Languages : en
Pages : 400
Book Description
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
Publisher: Princeton University Press
ISBN: 0691176469
Category : Art
Languages : en
Pages : 400
Book Description
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.