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Author: Mohammad Hanief Publisher: Atlantic Publishers & Dist ISBN: 9788171569267 Category : Criticism Languages : en Pages : 212
Book Description
The Book Is The Most Authentic One Ever Written On The Subject. Apart From Its Wide-Ranging And Usually Inaccessible Materials, It Has Been Written In Such A Lively And Fluent Style That It Ravishes Both The Uninitiated And The Expert, The Common Reader And The Scholar. Besides, Having Functional Utility For Examinations, Interviews And Competitions, And Elite Occasions, It Is A Source Of Critical Strength And Ideas For Any Reader Of Taste And Interest Irrespective Of His Particular Language, Literature And Department. Mohammad Hanif Has Made A Diligent Collection Of Material From And About T.S. Eliot S Critical Writings And Has Arranged It Straightforwardly In Eight Chapters, On The Sources Of Eliot S Ideas, On His Views About Poetry, Criticism, Drama And The Novel And His Style Is Lively, Clear And Forceful On The Whole ----.----- He Roused By Attention By Some First-Hand Observation On A Point Of Detail (For Instance, Eliot And Benda, On Eliot S Possible Debt To Pater And On Eliot S Humour). The Inclusion Of Chapter 6 On Eliot S Criticism Of The Nover Is Welcome And Mr. Hanif Does Show That Eliot Ranged Widely In This Department Of Literature ------------.
Author: Mohammad Hanief Publisher: Atlantic Publishers & Dist ISBN: 9788171569267 Category : Criticism Languages : en Pages : 212
Book Description
The Book Is The Most Authentic One Ever Written On The Subject. Apart From Its Wide-Ranging And Usually Inaccessible Materials, It Has Been Written In Such A Lively And Fluent Style That It Ravishes Both The Uninitiated And The Expert, The Common Reader And The Scholar. Besides, Having Functional Utility For Examinations, Interviews And Competitions, And Elite Occasions, It Is A Source Of Critical Strength And Ideas For Any Reader Of Taste And Interest Irrespective Of His Particular Language, Literature And Department. Mohammad Hanif Has Made A Diligent Collection Of Material From And About T.S. Eliot S Critical Writings And Has Arranged It Straightforwardly In Eight Chapters, On The Sources Of Eliot S Ideas, On His Views About Poetry, Criticism, Drama And The Novel And His Style Is Lively, Clear And Forceful On The Whole ----.----- He Roused By Attention By Some First-Hand Observation On A Point Of Detail (For Instance, Eliot And Benda, On Eliot S Possible Debt To Pater And On Eliot S Humour). The Inclusion Of Chapter 6 On Eliot S Criticism Of The Nover Is Welcome And Mr. Hanif Does Show That Eliot Ranged Widely In This Department Of Literature ------------.
Author: Thomas Stearns Eliot Publisher: U of Nebraska Press ISBN: 9780803267213 Category : Literary Collections Languages : en Pages : 196
Book Description
These influential essay and lectures by T. S. Eliot span nearly a half century--from 1917, when he published The Love Song of J. Alfred Prufrock, to 1961, four years before his death. With the luminosity and clarity of a first-rate intellect, Eliot considers the uses of literary criticism, the writers who had the greatest influence on his own work, and the importance of being truly educated. Every thoughtful person who yearns to do more than simply get through the day will be reinforced by The Aims of Education. Other pieces include To Criticize the Critic, From Poe to Valäry, American Literature and the American Language, What Dante Means to Me, The Literature of Politics, The Classics and the Man of Letters, Ezra Pound: His Metric and Poetry, and Reflections on Vers Libre.
Author: Jewel Spears Brooker Publisher: JHU Press ISBN: 1421426536 Category : Literary Criticism Languages : en Pages : 236
Book Description
What principles connect—and what distinctions separate—“The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets? The thought-tormented characters in T. S. Eliot’s early poetry are paralyzed by the gap between mind and body, thought and action. The need to address this impasse is part of what drew Eliot to philosophy, and the failure of philosophy to appease his disquiet is the reason he gave for abandoning it. In T. S. Eliot’s Dialectical Imagination, Jewel Spears Brooker argues that two of the principles that Eliot absorbed as a PhD student at Harvard and Oxford were to become permanent features of his mind, grounding his lifelong quest for wholeness and underpinning most of his subsequent poetry. The first principle is that contradictions are best understood dialectically, by moving to perspectives that both include and transcend them. The second is that all truths exist in relation to other truths. Together or in tandem, these two principles—dialectic and relativism—constitute the basis of a continual reshaping of Eliot’s imagination. The dialectic serves as a kinetic principle, undergirding his impulse to move forward by looping back, and the relativism supports his ingrained ambivalence. Brooker considers Eliot’s poetry in three blocks, each represented by a signature masterpiece: “The Love Song of J. Alfred Prufrock,” The Waste Land, and Four Quartets. She correlates these works with stages in the poet’s intellectual and spiritual life: disjunction, ambivalence, and transcendence. Using a methodology that is both inductive—moving from texts to theories—and comparative—juxtaposing the evolution of Eliot’s mind as reflected in his philosophical prose and the evolution of style as seen in his poetry—Brooker integrates cultural and biographical contexts. The first book to read Eliot’s poems alongside all of his prose and letters, T. S. Eliot’s Dialectical Imagination will revise received readings of his mind and art, as well as of literary modernism.
Author: Monika Lee Publisher: Routledge ISBN: 1136919104 Category : Literary Criticism Languages : en Pages : 501
Book Description
This study looks at the origins of the modernist movement, linking gender, modernism and the literary, before considering the bearing these discourses had on Djuna Barnes's writing. The main contribution of this innovative and scholarly work is the exploration of the editorial changes that T. S. Eliot made to the manuscript of Nightwood, as well as the revisions of the early drafts initiated by Emily Holmes Coleman. The archival research presented here is a significant advance in the scholarship, making this volume invaluable to both teachers and students of modern literature and Barnesian scholars.
Author: Bhanu Kapil Publisher: Liverpool University Press ISBN: 1800858345 Category : Poetry Languages : en Pages : 51
Book Description
Winner of the T. S. Eliot Prize 2020. Poetry Book Society Choice, Summer 2020. Bhanu Kapil’s extraordinary and original work has been published in the US over the last two decades. During that time Kapil has established herself as one of our most important and ethical writers. Her books often defy categorisation as she fearlessly engages with colonialism and its ongoing and devastating aftermath, creating what she calls in Ban en Banlieue (2015) a ‘Literature that is not made from literature’. Always at the centre of her books and performances are the experiences of the body, and, whether she is exploring racism, violence, the experiences of diaspora communities in India, England or America, what emerges is a heart-stopping, life-affirming way of telling the near impossible-to-be-told. How To Wash A Heart, Kapil's first full-length collection published in the UK, depicts the complex relations that emerge between an immigrant guest and a citizen host. Drawn from a first performance at the ICA in London in 2019, and using poetry as a mode of interrogation that is both rigorous, compassionate, surreal, comic, painful and tender, by turn, Kapil begins to ask difficult and urgent questions about the limits of inclusion, hospitality and care.
Author: David E. Chinitz Publisher: John Wiley & Sons ISBN: 1118647092 Category : Literary Criticism Languages : en Pages : 515
Book Description
Reflecting the surge of critical interest in Eliot renewed in recent years, A Companion to T.S. Eliot introduces the 'new' Eliot to readers and educators by examining the full body of his works and career. Leading scholars in the field provide a fresh and fully comprehensive collection of contextual and critical essays on his life and achievement. It compiles the most comprehensive and up-to-date treatment available of Eliot's work and career It explores the powerful forces that shaped Eliot as a writer and thinker, analyzing his body of work and assessing his oeuvre in a variety of contexts: historical, cultural, social, and philosophical It charts the surge in critical interest in T.S. Eliot since the early 1990s It provides an illuminating insight into a poet, writer, and critic who continues to define the literary landscape of the last century
Author: Matthew Geary Publisher: Routledge ISBN: 1000375897 Category : Literary Criticism Languages : en Pages : 323
Book Description
The first full-length study on T. S. Eliot and the mother, this book responds to a shortfall in understanding the true importance of Eliot’s poet-mother, Charlotte Champe Stearns, to his life and works. In doing so, it radically rethinks Eliot’s ambivalence towards women. In a context of mother–son ambivalence (simultaneous feelings of love and hate), it shows how his search for belief and love converged with a developing maternal poetics. Importantly, the chapters combine standard literary critical methods and extensive archival research with innovative feminist, maternal and psychoanalytic theorisations of mother–child relationships, such as those developed by Julia Kristeva, Luce Irigaray, Jessica Benjamin, Jan Campbell and Rozsika Parker. These maternal thinkers emphasise the vital importance and benefit of recognising the pre-Oedipal mother and maternal subjectivity, contrary to traditional, repressive Oedipal models of masculinity. Through this interdisciplinary approach, the chapters look at Eliot’s changing representations and articulations of the mother/ mother–child relationship from his very earliest writings through to the later plays. Focus is given to decisive mid-career works: Ash-Wednesday (1930), ‘Marina’ (1930), ‘Coriolan’ (1931–32) and The Family Reunion (1939), as well as to canonical works The Waste Land (1922) and Four Quartets (1943). Notably, the study draws heavily on the wide range of Eliot materials now available, including the new editions of the complete poems, the complete prose and the volumes of letters, which are transforming our perception of the poet and challenging critical attitudes. The book also gives unprecedented attention to Charlotte Eliot’s life and writings and brings her individual female experience and subjectivity to the fore. Significantly, it establishes Charlotte’s death in 1929 as a decisive juncture, marking both Eliot’s New Life and the apotheosis of the feminine symbolised in Ash-Wednesday. Central to this proposition is Geary’s new formulation for recognising and examining a maternal poetics, which also compels a new concept of maternal allegory as a modern mode of literary epiphany. T. S. Eliot and the Mother reveals the role of the mother and the dynamics of mother–son ambivalence to be far more complicated, enduring, changeable and essential to Eliot’s personal, religious and poetic development than previously acknowledged.
Author: Mohammad Hanief
Author: Mohammad Hanief
Author: Sarah Kennedy
Author: Thomas Stearns Eliot
Author: Jewel Spears Brooker
Author: Monika Lee
Author: Christopher Ricks
Author: Bhanu Kapil
Author: David E. Chinitz
Author: Matthew Geary
Author: Russell Kirk