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Author: Greil Marcus Publisher: Harvard University Press ISBN: 9780674218574 Category : Art Languages : en Pages : 296
Book Description
"How much history can be communicated by pressure on a guitar string?" Robert Palmer wondered in Deep Blues. Greil Marcus answers here: more than we will ever know. It is the history in the riff, in the movie or novel or photograph, in the actor's pose or critic's posturing--in short, the history in cultural happenstance--that Marcus reveals here, exposing along the way the distortions and denials that keep us oblivious if not immune to its lessons. Whether writing about the Beat Generation or Umberto Eco, Picasso's Guernica or the massacre in Tiananmen Square, The Manchurian Candidate or John Wayne's acting, Eric Ambler's antifascist thrillers or Camille Paglia, Marcus uncovers the histories embedded in our cultural moments and acts, and shows how, through our reading of the truths our culture tells and those it twists and conceals, we situate ourselves in that history and in the world. Rarely has a history lesson been so exhilarating. With the startling insights and electric style that have made him our foremost writer on American music, Marcus brings back to life the cultural events that have defined us and our time, the social milieu in which they took place, and the individuals engaged in them. As he does so, we see that these cultural instances--as lofty as The Book of J, as humble as a TV movie about Jan and Dean, as fleeting as a few words spoken at the height of the Berkeley Free Speech Movement, as enduring as a Paleolithic painting--often have more to tell us than the master-narratives so often passed off as faultless representations of the past. Again and again Marcus skewers the widespread assumption that history exists only in the past, that it is behind us, relegated to the dustbin. Here we see instead that history is very much with us, being made and unmade every day, and unless we recognize it our future will be as cramped and impoverished as our present sense of the past.
Author: Greil Marcus Publisher: Harvard University Press ISBN: 9780674218574 Category : Art Languages : en Pages : 296
Book Description
"How much history can be communicated by pressure on a guitar string?" Robert Palmer wondered in Deep Blues. Greil Marcus answers here: more than we will ever know. It is the history in the riff, in the movie or novel or photograph, in the actor's pose or critic's posturing--in short, the history in cultural happenstance--that Marcus reveals here, exposing along the way the distortions and denials that keep us oblivious if not immune to its lessons. Whether writing about the Beat Generation or Umberto Eco, Picasso's Guernica or the massacre in Tiananmen Square, The Manchurian Candidate or John Wayne's acting, Eric Ambler's antifascist thrillers or Camille Paglia, Marcus uncovers the histories embedded in our cultural moments and acts, and shows how, through our reading of the truths our culture tells and those it twists and conceals, we situate ourselves in that history and in the world. Rarely has a history lesson been so exhilarating. With the startling insights and electric style that have made him our foremost writer on American music, Marcus brings back to life the cultural events that have defined us and our time, the social milieu in which they took place, and the individuals engaged in them. As he does so, we see that these cultural instances--as lofty as The Book of J, as humble as a TV movie about Jan and Dean, as fleeting as a few words spoken at the height of the Berkeley Free Speech Movement, as enduring as a Paleolithic painting--often have more to tell us than the master-narratives so often passed off as faultless representations of the past. Again and again Marcus skewers the widespread assumption that history exists only in the past, that it is behind us, relegated to the dustbin. Here we see instead that history is very much with us, being made and unmade every day, and unless we recognize it our future will be as cramped and impoverished as our present sense of the past.
Author: Joan Wallach Scott Publisher: Columbia University Press ISBN: 0231551908 Category : Philosophy Languages : en Pages : 80
Book Description
In the face of conflict and despair, we often console ourselves by saying that history will be the judge. Today’s oppressors may escape being held responsible for their crimes, but the future will condemn them. Those who stand up for progressive values are on the right side of history. As ideas once condemned to the dustbin of history—white supremacy, hypernationalism, even fascism—return to the world, threatening democratic institutions and values, can we still hold out hope that history will render its verdict? Joan Wallach Scott critically examines the belief that history will redeem us, revealing the implicit politics of appeals to the judgment of history. She argues that the notion of a linear, ever-improving direction of history hides the persistence of power structures and hinders the pursuit of alternative futures. This vision of necessary progress perpetuates the assumption that the nation-state is the culmination of history and the ultimate source for rectifying injustice. Scott considers the Nuremberg Tribunal and South Africa’s Truth and Reconciliation Commission, which claimed to carry out history’s judgment on Nazism and apartheid, and contrasts them with the movement for reparations for slavery in the United States. Advocates for reparations call into question a national history that has long ignored enslavement and its racist legacies. Only by this kind of critical questioning of the place of the nation-state as the final source of history’s judgment, this book shows, can we open up room for radically different conceptions of justice.
Author: Berkley Hudson Publisher: UNC Press Books ISBN: 146966271X Category : Photography Languages : en Pages : 269
Book Description
Photographer O. N. Pruitt (1891–1967) was for some forty years the de facto documentarian of Lowndes County, Mississippi, and its county seat, Columbus--known to locals as "Possum Town." His body of work recalls many FSA photographers, but Pruitt was not an outsider with an agenda; he was a community member with intimate knowledge of the town and its residents. He photographed his fellow white citizens and Black ones as well, in circumstances ranging from the mundane to the horrific: family picnics, parades, river baptisms, carnivals, fires, funerals, two of Mississippi's last public and legal executions by hanging, and a lynching. From formal portraits to candid images of events in the moment, Pruitt's documentary of a specific yet representative southern town offers viewers today an invitation to meditate on the interrelations of photography, community, race, and historical memory. Columbus native Berkley Hudson was photographed by Pruitt, and for more than three decades he has considered and curated Pruitt's expansive archive, both as a scholar of media and visual journalism and as a community member. This stunning book presents Pruitt's photography as never before, combining more than 190 images with a biographical introduction and Hudson's short essays and reflective captions on subjects such as religion, ethnic identity, the ordinary graces of everyday life, and the exercise of brutal power.
Author: Jim Miller Publisher: ISBN: Category : Music Languages : en Pages : 424
Book Description
Richly anecdotal and always provocative, this sharp, insightful, opinionated book explores the rise--and arrested development--of rock and roll over the last half century.
Author: Marita Sturken Publisher: Duke University Press ISBN: 9780822341222 Category : Antiques & Collectibles Languages : en Pages : 364
Book Description
DIVStudy of how the memorials created in Oklahoma City and at the World Trade Center site raise questions about the relationship between cultural memory and consumerism./div
Author: Paul-André Rosental Publisher: JHU Press ISBN: 1421421569 Category : Medical Languages : en Pages : 293
Book Description
The most comprehensive book to date on the history of silicosis and the strategies used to combat it. Despite the common perception that “black lung” has been relegated to the dustbin of history, silicosis remains a crucial public health problem that threatens millions of people around the world. This painful and incurable chronic disease, still present in old industrial regions, is now expanding rapidly in emerging economies around the globe. Most industrial sectors—including the metallurgical, glassworking, foundry, stonecutting, building, and tunneling industries—expose their workers to lethal crystalline silica dust. Dental prosthodontists are also at risk, as are sandblasters, pencil factory workers in developing nations, and anyone who handles concentrated sand squirt to clean oil tanks, build ships, or fade blue jeans. In Silicosis, eleven experts argue that silicosis is more than one of the most pressing global health concerns today—it is an epidemic in the making. Essays explain how the understanding of the disease has been shaken by new medical findings and technologies, developments in industrializing countries, and the spread of the disease to a wide range of professions beyond coal mining. Examining the global reactions to silicosis, the authors trace the history of the disease and show how this occupational health hazard first came to be recognized as well as the steps that were necessary to deal with it at that time. Adopting a global perspective, Silicosis offers comparative insights into a variety of different medical and political strategies to combat silicosis. It also analyzes the importance of transnational processes—carried on by international organizations and NGOs and sparked by waves of migrant labor—which have been central to the history of silicosis since the early twentieth century. Ultimately, by bringing together historians and physicians from around the world, Silicosis pioneers a new collective method of writing the global history of disease. Aimed at legal and public health scholars, physicians, political economists, social scientists, historians, and all readers concerned by labor and civil society movements in the contemporary world, this book contains lessons that will be applicable not only to people working on combating silicosis but also to people examining other occupational diseases now and in the future. Contributors: Alberto Baldasseroni, Francesco Carnevale, Éric Geerkens, Martin Lengwiler, Gerald Markowitz, Jock McCulloch, Joseph Melling, Julia Moses, Paul-André Rosental, David Rosner, Bernard Thomann
Author: Jenny Kaminer Publisher: Cornell University Press ISBN: 1501762206 Category : History Languages : en Pages : 264
Book Description
Haunted Dreams is the first comprehensive study in English devoted to cultural representations of adolescence in Russia since the end of the Soviet Union in 1991. Jenny Kaminer situates these cultural representations within the broader context of European and Anglo-American scholarship on adolescence and youth, and she explores how Russian writers, dramatists, and filmmakers have repeatedly turned to the adolescent protagonist in exploring the myriad fissures running through post-Soviet society. Through close analysis of prose, drama, television, and film, this book maps how the adolescent hero has become a locus for multiple anxieties throughout the tumultuous years since the end of the Soviet experiment. Kaminer also directly addresses some of the pivotal questions facing scholars of post-Soviet Russia: Have Soviet cultural models been transcended? Or do they continue to dominate? The figure of the adolescent, an especially potent and enduring source of cultural mythology throughout the Soviet years, provides provocative material for exploring these questions. In Haunted Dreams, Kaminer employs a historical approach to reveal how fantasies of adolescence have mutated and remained constant across the Soviet/post-Soviet divide, focusing on violence, temporality, and gender and the body. Some of the works discussed present the possibility of salvaging the model of the heroic adolescent for a new society. Others, by contrast, relegate this figure to the dustbin of history by evoking disgust or horror, or by unmasking the tragic consequences that ensue from the combination of adolescence, violence, and fantasy.
Author: Michael Ashcroft Publisher: Biteback Publishing ISBN: 1785906127 Category : Law Languages : en Pages : 195
Book Description
In April 2019 Lord Ashcroft published the results of his year-long investigation into South Africa's captive-bred lion industry. Over eleven pages of a single edition of the Mail on Sunday he showed why this sickening trade, which involves appalling cruelty to the 'King of the Savannah' from birth to death, has become a stain on the country. Unfair Game, to be published in June 2020, features the shocking results of a new inquiry Lord Ashcroft has conducted into South Africa's lion business. In the book, he shows how tourists are unwittingly being used to support the abuse of lions; he details how lions are being tranquilised and then hunted in enclosed spaces; he urges the British government to ban the import of captive-bred lion trophies; and he demonstrates why Asia's insatiable appetite for lion bones has become a multimillion-dollar business linked to criminality and corruption, which now underpins South Africa's captive lion industry.
Author: Greil Marcus
Author: Greil Marcus
Author: William Safire
Author: Simon Louvish
Author: Joan Wallach Scott
Author: Berkley Hudson
Author: Jim Miller
Author: Marita Sturken
Author: Paul-André Rosental
Author: Jenny Kaminer
Author: Michael Ashcroft