Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 62
Book Description
The Duenna or Double Elopement a comic-opera ... for the voice, harpsichord, or violin
Author: The Duenna, Or, Double Elopement
Author: Thomas LinleyThe Plays & Poems of Richard Brinsley Sheridan: Preface. Bibliography of the early collected editions. The rivals. St. Patrick's day. The duenna. A trip to Scarborough
Author: Richard Brinsley SheridanPublisher:
ISBN:
Category :
Languages : en
Pages : 400
Book Description
Catalogue of Rare Books
Author: Ellis (Firm)Sale Catalogues
Author: American Art Association, Anderson Galleries (Firm)Publisher:
ISBN:
Category :
Languages : en
Pages : 1254
Book Description
The Catalogue of Printed Music in the British Library to 1980
Author: British Library. Department of Printed BooksPublisher:
ISBN:
Category : Music
Languages : en
Pages : 400
Book Description
Eliza Hamilton Dunlop
Author: Katie HansordPublisher: Sydney University Press
ISBN: 1743327498
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
Eliza Hamilton Dunlop (1796–1880) arrived in Sydney in 1838 and became almost immediately notorious for her poem “The Aboriginal Mother,” written in response to the infamous Myall Creek massacre. She published more poetry in colonial newspapers during her lifetime, but for the century following her death her work was largely neglected. In recent years, however, critical interest in Dunlop has increased, in Australia and internationally and in a range of fields, including literary studies; settler, postcolonial and imperial studies; and Indigenous studies. This stimulating collection of essays by leading scholars considers Dunlop's work from a range of perspectives and includes a new selection of her poetry.
Catalogs
Author: Harold Reeves (Firm)Publisher:
ISBN:
Category : Music
Languages : en
Pages : 620
Book Description
Music Entries at Stationers' Hall, 1710–1818
Author: Michael KasslerPublisher: Routledge
ISBN: 1317092058
Category : Music
Languages : en
Pages : 764
Book Description
The British Copyright Act of 1709 protected proprietors of books and music printed after 10 April 1710 who gave copies to the Company of Stationers in London. Upon receipt of a copy, usually within days of its first publication, the Stationers' Hall warehouse keeper entered details into a register. They included the date of registration, the name of the work's proprietor (its author or, if copyright had been transferred, its publisher), and the work's full title, which normally named the composer and the writer of any text and often named the work's performers and dedicatee. Although some publishers put the words 'Entered at Stationers' Hall' on title-pages without actually depositing copies, the information in the registers about the many works that were registered has significant bibliographic value. Because the music entries have not previously been printed and access to them has been difficult, they generally have been ignored by cataloguers and scholars, with the consequence that numerous musical works of this period have been misdated in libraries and reference books. This book makes available, for the first time, the full text of the music entries at Stationers' Hall from 1710 to 1810 and abbreviated details of works entered from 1811 to 1818. Its value is enhanced by the inclusion of locations of copies of most works, together with indexes of composers, authors, performers and dedicatees, and an explanatory introduction by the compiler.
Author: