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Book Description
Approaches the problems of obscurities, ambiguities, and interrelationships in Pinter's plays through the mechanisms of the dream and shows that the plays group around the oedipal wish.
Book Description
Approaches the problems of obscurities, ambiguities, and interrelationships in Pinter's plays through the mechanisms of the dream and shows that the plays group around the oedipal wish.
Author: Andrew Wyllie Publisher: Bloomsbury Publishing ISBN: 1137315679 Category : Literary Criticism Languages : en Pages : 152
Book Description
This Reader's Guide synthesises the key criticism on Pinter's work over the last half century. Andrew Wyllie and Catherine Rees examine critical approaches and reactions to the major plays, charting the controversies which have arisen in response to Pinter's critiques of political and sexual issues. They consider criticism from the press and academics, on the themes of Absurdism, politics and gender identity. By placing this criticism in its historical context, this guide illustrates a transition from bewilderment and outrage to affection, fascination - and more outrage.
Author: Elin Diamond Publisher: Bucknell University Press ISBN: 9780838750681 Category : Drama Languages : en Pages : 260
Book Description
Examines the basis of Harold Pinter's tense comedy and how it functions in his plays as well as covering the major drama from The Room to Other Places. Diamond argues that the metaphysical fear and emptiness so characteristic of the Pinter situation are inseparable from his use and abuse of literary and popular comic traditions.
Author: Victor L. Cahn Publisher: Wipf and Stock Publishers ISBN: 1610977513 Category : Literary Criticism Languages : en Pages : 156
Book Description
During the past century, artists have been preoccupied with the search for meaning in a fragmented world. In this book Victor L. Cahn suggests that the plays of Harold Pinter dramatize how such a search leads characters to try to establish security through control of territory and people. The resulting conflict often manifests itself in a gender battle, in which men dominate the physical arena and women the emotional. The innate tension between the sexes is both comic and unnerving, but also reflects humanity's eternal quest for meaning and identity.
Author: Sidney Homan Publisher: Bucknell University Press ISBN: 9780838752388 Category : Literary Criticism Languages : en Pages : 204
Book Description
"Pinter's Odd Man Out records Sidney Homan's experience directing the playwright's Old Times for both stage and television. His most commercially successful play, and surely one of his best, no other work of Pinter's has generated more critical and scholarly commentary - or more varied, sometimes conflicting readings." "In the two opening chapters Homan surveys the theatrical and critical history of the play before describing the "generic" world of Pinter that provides the context of Old Times: secluded rooms, their occupants, and the visitor who, in seeking entrance, challenges the room's exclusive yet deceptive serenity; the outside and the threat it poses; the subtext pressing on the dialogue; the power of the past and perception; the "presence" of the play itself; characters who function as artists; the issue of gender; mother and father figures; and the silence of Pinter's pauses." "Homan then describes his company's preparations for the performance, ranging from the director's concept, the set, props, costumes, lighting, and music to blocking and the rehearsal period. After his own account of the stage production and the ways in which the audience "taught" the performers through their reactions to and discoveries about the play, Homan turns to his actors (Stephanie Dugan, Thomas Pender, and Sandra Langsner) who, in their own words, describe how they wrestled with the characters of Kate, Deeley, and Anna from rehearsals to performance." "A chapter on "The Camera as Guest" records the experience of filming the stage play. Here the focus is on the technological and aesthetic differences between the media of television and the stage, and what effect such differences had on the filmed version of Old Times. To what degree does the camera allow the director to assert more control? What changes in blocking, set, and lighting were required?" "In an appendix Homan looks at Carol Reed's 1950s film Odd Man Out, which figures prominently in Old Times, and which may have been a source (in a highly flexible use of that term) for the play." "On the surface, Pinter's Odd Man Out concentrates on a single play. In reality, it is about the ways in which people in the theatre approach a production, the process they go through from rehearsals to opening night, and the complex interaction among playwright, director, actors, and audience. It also raises the issue of what happens when a work intended for the stage is translated to another medium, such as television. If the book at times suggests that the worlds of the scholar and the theatre professional are different, indeed incompatible in some ways, it also shows how the two professions can learn from each other."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Marc Silverstein Publisher: Bucknell University Press ISBN: 9780838752364 Category : Drama Languages : en Pages : 196
Book Description
For all their attempts to "own" language, Pinter's characters discover that words constitute alienable property; that language forms, de-forms, and re-forms subjectivity; that, as a system preceding the individual, language carries embedded within it the values, desires, and imperatives of the Other - the dominant cultural order. By introducing questions of subject position and ideology into his discussion, author Marc Silverstein shows how the plays exhibit a political dimension largely ignored by the bulk of Pinter criticism, which attempts to classify his oeuvre as a form of absurdist drama. It is Silverstein's contention that Pinter does not concern himself with the fate of the individual lost in an incomprehensible and meaningless universe (the "absurdist" Pinter), but instead explores the vicissitudes of living within ideological, discursive, and social structures that always exceed the subject.
Author: Lucina Paquet Gabbard
Author: Lucina Paquet Gabbard
Author: Andrew Wyllie
Author: Elin Diamond
Author: Victor L. Cahn
Author: Sidney Homan
Author: Elizabeth Sakellaridou
Author: Peter Raby
Author: David T Thompson
Author: Marc Silverstein
Author: Penelope Prentice