Author: Thomas I Heywood
Publisher:
ISBN:
Category :
Languages : en
Pages : 464
Book Description
The Dramatic Works of Thomas Heywood Now First Collected with Illustrative Notes and a Memoir of the Author in Six Volumes
The Dramatic Works of Thomas Heywood, Now First Collected with Illustrative Notes and a Memoir of the Author
The Dramatic Works of Thomas Heywood, Now First Collected with Illustrative Notes and a Memoir of the Author in Six Volumes
The Dramatic Works of Thomas Heywood
The Dramatic Works of Thomas Heywood Now First Collected with Illustrative Notes and a Memoir of the Author in Six Volumes
Author: Thomas Heywood
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 448
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 448
Book Description
Dramatic Works
The Dramatic Works of Thomas Heywood: The royall king and the loyall subject. 1637. Pleasant dialogues and drammas. Fortune by land and sea [by Tho. Haywood and William Rowley] 1655
Medieval and Renaissance Drama in England
Author: S. P. Cerasano
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641194
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
Medieval and Renaissance Drama in England is an international volume published annually. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. Volume 19 reflects a variety of scholarly interests. The collection opens with two essays - each exploring different aspects of John Webster and James Shirley - that further our understanding of attribution studies. One essay - on the ownership of the Bell Savage Playhouse - showcases MaRDiE's ongoing interest in early playhouses, while another - on Marston's Entertainment at Ashby - addresses performance history. Two further essays discuss issues related to stage costuming. Issues of actual identity are raised in an essay concerning John Lyly's biography, while two other authors probe the complex connections between drama and economics. William Rowley's All Lost by Lust becomes the centerpiece for a reassessment of rape tragedy. S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838641194
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
Medieval and Renaissance Drama in England is an international volume published annually. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. Volume 19 reflects a variety of scholarly interests. The collection opens with two essays - each exploring different aspects of John Webster and James Shirley - that further our understanding of attribution studies. One essay - on the ownership of the Bell Savage Playhouse - showcases MaRDiE's ongoing interest in early playhouses, while another - on Marston's Entertainment at Ashby - addresses performance history. Two further essays discuss issues related to stage costuming. Issues of actual identity are raised in an essay concerning John Lyly's biography, while two other authors probe the complex connections between drama and economics. William Rowley's All Lost by Lust becomes the centerpiece for a reassessment of rape tragedy. S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University.