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The Dramatic Works of Richard Brome

The Dramatic Works of Richard Brome PDF Author: Richard Brome
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 496

Book Description


The Dramatic Works of Richard Brome

The Dramatic Works of Richard Brome PDF Author: Richard Brome
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 496

Book Description


The Dramatic Works of Richard Brome

The Dramatic Works of Richard Brome PDF Author: Richard Brome
Publisher:
ISBN:
Category :
Languages : en
Pages : 560

Book Description


The Dramatic Works of Richard Brome Containing Fifteen Comedies Now First Collected in Three Volumes ...

The Dramatic Works of Richard Brome Containing Fifteen Comedies Now First Collected in Three Volumes ... PDF Author: Richard Brome
Publisher:
ISBN:
Category :
Languages : en
Pages : 488

Book Description


The Dramatic Works of Richard Brome Containing Fifteen Comedies Now First Collected

The Dramatic Works of Richard Brome Containing Fifteen Comedies Now First Collected PDF Author: Richard Brome
Publisher:
ISBN:
Category :
Languages : en
Pages : 578

Book Description


U-Z. Appendix

U-Z. Appendix PDF Author: Robert Hoe
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 456

Book Description


Images of Rule

Images of Rule PDF Author: David Howarth
Publisher: Univ of California Press
ISBN: 9780520209916
Category : Art
Languages : en
Pages : 352

Book Description
This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne. This is a fascinating and highly readable account of the vital role the visual arts played in Great Britain during the Tudor and early Stuart monarchies. David Howarth examines the intersection of art and political power between the accession of the Tudors and the outbreak of civil war and draws on images of the Royal court to fashion his innovative cultural and political history. Howarth concentrates on the public uses and political exploitation of Renaissance art, rather than its quality or the creative process behind it. He argues that the English ruling class used and manipulated portraiture, architecture, the decorative arts, and spectacle in order to reinforce its own power and preserve England's political status quo. Howarth carefully studies the royal palaces, commissioned portraits, tombs, and period monuments to show how each work influenced--and was influenced by--politics. Even England's highly political battle between Catholicism and Protestantism found expression in religious architecture and painting. Contesting the orthodox view that no important works of art were produced in Britain from 1485 to 1649, Howarth finds proof to the contrary in the work of Sir AnthonyVan Dyck, Christopher Wren, Hans Holbein, and Inigo Jones, among others. Finally, Howarth addresses the political implications of the decisions made by art patrons, collectors, and critics. Of great interest are the critical reactions to art and architecture recorded by contemporary writers such as the Renaissance poet John Skelton and civil war polemicist William Prynne.

Quellen und Forschungen zur Sprach- und Culturgeschichte der germanischen Völker

Quellen und Forschungen zur Sprach- und Culturgeschichte der germanischen Völker PDF Author:
Publisher:
ISBN:
Category : German literature
Languages : en
Pages : 704

Book Description


Yale Studies in English

Yale Studies in English PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 446

Book Description


Yale Studies in English

Yale Studies in English PDF Author: Clarence Edward Andrews
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 166

Book Description


Five plays: The northern lasse, 1632. The sparagus garden, 1640. The antipodes, 1640. The joviall crew: or, The merry beggars, 1652. The queenes exchange, 1657

Five plays: The northern lasse, 1632. The sparagus garden, 1640. The antipodes, 1640. The joviall crew: or, The merry beggars, 1652. The queenes exchange, 1657 PDF Author: Richard Brome
Publisher:
ISBN:
Category :
Languages : en
Pages : 576

Book Description