Author: George Lillo
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 790
Book Description
George Lillo's domestic tragedies provided the impetus for the development of new forms of serious drama during and after the eighteenth century, on the Continent as well as in the English-speaking theatre. This edition makes available for the first time all of the plays known or thought to have been written by the playwright, in reliable old-spelling texts following modern bibliographical principles. Some have not been reprinted since 1810. Even the much-studied London Merchant has not previously been published in an edition that recognizes the errors contained in the first edition and the authorial revisions introduced in early reprints. The introduction to each play treats its sources, histories of publication and reception in the theatre, and textual problems. The apparatus criticus and historical collations provide full bibliographical detail. Commentary notes discuss the author's use or adaptation of sources and furnish information about links among his own plays, topical background, and literary allusions. Steffensen edition makes possible an informed awareness of Lillo's lesser-known plays in a variety of genres, as an enlightening context for further study of these influential domestic dramas.
The Dramatic Works of George Lillo
The Dramatic Works of George Lillo
Author: Thomas Davis
Publisher: Рипол Классик
ISBN: 5876869783
Category : History
Languages : en
Pages : 249
Book Description
Publisher: Рипол Классик
ISBN: 5876869783
Category : History
Languages : en
Pages : 249
Book Description
Lillo's Dramatic Works
Author: George Lillo
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 336
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 336
Book Description
Lillo's Dramatic Works. With Memoirs of the Author, by T. Davies. Second Edition
Lillo's Dramatic Works: Mr. Lillo's Lite, Silvia; or The Country Burial, an opera. George Barnwall, a tragedy. The Lite of Scanderbeg. The Christian Hero, a tragedy
Author: George Lillo
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 340
Book Description
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 340
Book Description
Dramatic Works: Mr. Lillo's life. Silvia; or, The country burial, an opera. George Barnwell, a tragedy. The life of Scanderbeg; The Christian hero, a tragedy
Dramatic Works Of Wordsworth, Coleridge And Southey
Author: Jibon Krishna Banerjee
Publisher: Atlantic Publishers & Dist
ISBN: 9788171563524
Category :
Languages : en
Pages : 324
Book Description
The Poetic Plays Of Wordsworth, Coleridge And Southey Convey Both Assurance And Anxiety - Balancing And Counterpointing Each Other And The Object Of The Present Study Is To Show How This Balancing And Counter-Pointing Enrich The Texture Of Their Plays. Truly, Their Creative Energy Was Considerably Cramped By The Condi¬Tions Prevailing In The Contemporary Theatre, And It Is Also True That They Show An Inadequate Grasp Of Dramatic Art And Dramatic Dialogue; But What Is Remarkable In Their Dramatic Works Is Their Capacity To Seize And Analyse The Spiritual Dilemma Of The Age; Their Persistent Moral Ardour Exposes The Ailments And Iniquities Afflicting The Social Order And Also Questions And Scrutinizes The Possible Modes Of Freedom. In Fact, This Is Mainly A Study Of The Moral Concerns In The Plays Of The Three Elder English Romantic Poets Their Anxiety About The Mystery And Potency Of Evil And How To Com¬Bat It, The Issues Of Ends And Means That Have Disturbed The Sensitive Rebels Throughout Ages.The Embivalent Poetical Characters, Their Gravitation Towards Drama, Struggle For Stage Success, The Contem¬Porary Theatrical Condition, The Un-Realized Projects, The Dramatic And Stylistic Qualities, Literary Issues, Etc. Have Also Been Discussed Incidentally.
Publisher: Atlantic Publishers & Dist
ISBN: 9788171563524
Category :
Languages : en
Pages : 324
Book Description
The Poetic Plays Of Wordsworth, Coleridge And Southey Convey Both Assurance And Anxiety - Balancing And Counterpointing Each Other And The Object Of The Present Study Is To Show How This Balancing And Counter-Pointing Enrich The Texture Of Their Plays. Truly, Their Creative Energy Was Considerably Cramped By The Condi¬Tions Prevailing In The Contemporary Theatre, And It Is Also True That They Show An Inadequate Grasp Of Dramatic Art And Dramatic Dialogue; But What Is Remarkable In Their Dramatic Works Is Their Capacity To Seize And Analyse The Spiritual Dilemma Of The Age; Their Persistent Moral Ardour Exposes The Ailments And Iniquities Afflicting The Social Order And Also Questions And Scrutinizes The Possible Modes Of Freedom. In Fact, This Is Mainly A Study Of The Moral Concerns In The Plays Of The Three Elder English Romantic Poets Their Anxiety About The Mystery And Potency Of Evil And How To Com¬Bat It, The Issues Of Ends And Means That Have Disturbed The Sensitive Rebels Throughout Ages.The Embivalent Poetical Characters, Their Gravitation Towards Drama, Struggle For Stage Success, The Contem¬Porary Theatrical Condition, The Un-Realized Projects, The Dramatic And Stylistic Qualities, Literary Issues, Etc. Have Also Been Discussed Incidentally.
The Plays of George Lillo
Author: George Lillo
Publisher: New York : Garland Pub.
ISBN:
Category : Drama
Languages : en
Pages : 424
Book Description
Publisher: New York : Garland Pub.
ISBN:
Category : Drama
Languages : en
Pages : 424
Book Description
The London Merchant
Author: George Lillo
Publisher: U of Nebraska Press
ISBN: 9780803253650
Category : Drama
Languages : en
Pages : 140
Book Description
Mrs. Millwood is beautiful, intelligent, and ambitious, but London gives her no means of support except to seduce men. Love for her leads eighteen-year-old Barnwell to deceit, theft, and murder. "What are your laws," Mrs. Millwood asks, "but the fool?s wisdom and the coward?s valor, the instrument and screen of all your villainies by which you punish in others what you act out yourselves, had you been in their circumstances? The judge who condemns the poor man for being a thief had been a thief himself, had he been poor. Thus you go on deceiving and being deceived, harassing, plaguing, and destroying one another, but women are your universal prey." First performed in 1731, The London Merchant became on of the most popular plays of the century. A chronicler of the age, Theophilus Cibber called it "almost a new species of tragedy."
Publisher: U of Nebraska Press
ISBN: 9780803253650
Category : Drama
Languages : en
Pages : 140
Book Description
Mrs. Millwood is beautiful, intelligent, and ambitious, but London gives her no means of support except to seduce men. Love for her leads eighteen-year-old Barnwell to deceit, theft, and murder. "What are your laws," Mrs. Millwood asks, "but the fool?s wisdom and the coward?s valor, the instrument and screen of all your villainies by which you punish in others what you act out yourselves, had you been in their circumstances? The judge who condemns the poor man for being a thief had been a thief himself, had he been poor. Thus you go on deceiving and being deceived, harassing, plaguing, and destroying one another, but women are your universal prey." First performed in 1731, The London Merchant became on of the most popular plays of the century. A chronicler of the age, Theophilus Cibber called it "almost a new species of tragedy."
The Making of British Bourgeois Tragedy
Author: Alex Eric Hernandez
Publisher: Oxford University Press
ISBN: 0192585754
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
The 'rise of the middle class' in the eighteenth century has long been taken to usher in a prosaic age synonymous with the death of tragedy, an age in which the sheer ordinariness of bourgeois life was both antithetical and inured to the tragic. But the period's literature tells a very different story. Re-assembling a body of print and performance concerned with the misfortunes of the middling sort, The Making of British Bourgeois Tragedy argues that these works imagined a particularly modern sort of affliction, an 'ordinary suffering' proper to ordinary life, divested of the sorts of meanings, rhetorics, and affective resonances once deployed to understand it. Whereas neoclassical aesthetics aligned tragedy with the heroic and the admirable, this 'bourgeois and domestic tragedy' treated the pain of common people with dignity and seriousness, meditating upon a suffering that was homely, familiar, entangled in the nascent values of capitalism, yet no less haunted by God. Hence, where many have seen aesthetic stagnation, misfiring emotion, and the absence of an idealized tragicness in the genre, this volume sees instead a sustained engagement in the emotional processes and representational techniques through which the middle rank feels its way into modernity. By attending closely to this long neglected subject, The Making of British Bourgeois Tragedy turns the critical account of eighteenth-century tragedy on its head. It reads the genre's emergence in the period as a vigorous cultural conversation on whose life—and whose way of life—is grievable, as well as how mourning might be performed
Publisher: Oxford University Press
ISBN: 0192585754
Category : Literary Criticism
Languages : en
Pages : 275
Book Description
The 'rise of the middle class' in the eighteenth century has long been taken to usher in a prosaic age synonymous with the death of tragedy, an age in which the sheer ordinariness of bourgeois life was both antithetical and inured to the tragic. But the period's literature tells a very different story. Re-assembling a body of print and performance concerned with the misfortunes of the middling sort, The Making of British Bourgeois Tragedy argues that these works imagined a particularly modern sort of affliction, an 'ordinary suffering' proper to ordinary life, divested of the sorts of meanings, rhetorics, and affective resonances once deployed to understand it. Whereas neoclassical aesthetics aligned tragedy with the heroic and the admirable, this 'bourgeois and domestic tragedy' treated the pain of common people with dignity and seriousness, meditating upon a suffering that was homely, familiar, entangled in the nascent values of capitalism, yet no less haunted by God. Hence, where many have seen aesthetic stagnation, misfiring emotion, and the absence of an idealized tragicness in the genre, this volume sees instead a sustained engagement in the emotional processes and representational techniques through which the middle rank feels its way into modernity. By attending closely to this long neglected subject, The Making of British Bourgeois Tragedy turns the critical account of eighteenth-century tragedy on its head. It reads the genre's emergence in the period as a vigorous cultural conversation on whose life—and whose way of life—is grievable, as well as how mourning might be performed