Author: Ruth Lee Kennedy
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
Book Description
The Dramatic Art of Moreto
A History of Spanish Golden Age Drama
Author: Henry K. Ziomek
Publisher: University Press of Kentucky
ISBN: 0813183561
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
Publisher: University Press of Kentucky
ISBN: 0813183561
Category : Literary Criticism
Languages : en
Pages : 323
Book Description
Spain's Golden Age, the seventeenth century, left the world one great legacy, the flower of its dramatic genius—the comedia. The work of the Golden Age playwrights represents the largest combined body of dramatic literature from a single historical period, comparable in magnitude to classical tragedy and comedy, to Elizabethan drama, and to French neoclassical theater. A History of Spanish Golden Age Drama is the first up-to-date survey of the history of the comedia, with special emphasis on critical approaches developed during the past ten years. A history of the comedia necessarily focuses on the work of Lope de Vega and Calderon de la Barca, but Ziomek also gives full credit to the host of lesser dramatists who followed in the paths blazed by Lope and Calderon, and whose individual contributions to particular genres added to the richness of Spanish theater. He also examines the profound influence of the comedia on the literature of other cultures.
Woman and Society in the Spanish Drama of the Golden Age
Author: Melveena McKendrick
Publisher: Cambridge University Press
ISBN: 0521202949
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
An identification and analysis of Spanish Golden-Age drama's preoccupation with the woman who will not accept marriage as her natural role.
Publisher: Cambridge University Press
ISBN: 0521202949
Category : Literary Criticism
Languages : en
Pages : 366
Book Description
An identification and analysis of Spanish Golden-Age drama's preoccupation with the woman who will not accept marriage as her natural role.
A Course of Lectures on Dramatic Art and Literature
Author: August Wilhelm von Schlegel
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 554
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 554
Book Description
The Development of Dramatic Art
Author: Donald Clive Stuart
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 706
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 706
Book Description
Twayne's World Authors Series
The Demetrius Legend and Its Literary Treatment in the Age of the Baroque
Author: Ervin C. Brody
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838679692
Category : Vega, Lope de, 1562-1635. El gran duque de Moscovia
Languages : en
Pages : 342
Book Description
Analyzes the use in two baroque dramas (El Gran Duque de Moscovia y Emperador Perseguido and The Loyal Subject) of the legend of Demetrius, Ivan the Terrible's son.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838679692
Category : Vega, Lope de, 1562-1635. El gran duque de Moscovia
Languages : en
Pages : 342
Book Description
Analyzes the use in two baroque dramas (El Gran Duque de Moscovia y Emperador Perseguido and The Loyal Subject) of the legend of Demetrius, Ivan the Terrible's son.
Spanish Drama of the Golden Age
Author: Margaret Wilson
Publisher: Elsevier
ISBN: 1483181391
Category : Drama
Languages : en
Pages : 235
Book Description
Spanish Drama of the Golden Age describes this little-known field of European drama. This book describes and analyzes Spanish plays and drama. It reviews the Spanish plays from the 1580s to the death of Pedro Calderon de la Barca in 1681. This text also discusses the controversy to which direction the Spanish theater would take: whether it is for entertainment or a representation of the intellect and emotions. This book describes Miguel de Cervantes, Lope de Vega, and the rise of the Spanish comedia. The text describes how Lope wrote his plays and how he sold them outright to the manager of an acting company, which became its property. The text also describes the life of Tirso de Molina who was often criticized for his cavalier treatment of a historical fact. This book also discusses the works of Ruiz de Alarcon, Guillen de Castro, Velez de Guevara, and Mira de Amescua. This book also assess this period of Spanish drama in terms of the influence of other countries in Europe such as Britain and France. This book can prove valuable for university students of Spanish, Spanish literature teachers to students of sixth forms, and Spanish historians.
Publisher: Elsevier
ISBN: 1483181391
Category : Drama
Languages : en
Pages : 235
Book Description
Spanish Drama of the Golden Age describes this little-known field of European drama. This book describes and analyzes Spanish plays and drama. It reviews the Spanish plays from the 1580s to the death of Pedro Calderon de la Barca in 1681. This text also discusses the controversy to which direction the Spanish theater would take: whether it is for entertainment or a representation of the intellect and emotions. This book describes Miguel de Cervantes, Lope de Vega, and the rise of the Spanish comedia. The text describes how Lope wrote his plays and how he sold them outright to the manager of an acting company, which became its property. The text also describes the life of Tirso de Molina who was often criticized for his cavalier treatment of a historical fact. This book also discusses the works of Ruiz de Alarcon, Guillen de Castro, Velez de Guevara, and Mira de Amescua. This book also assess this period of Spanish drama in terms of the influence of other countries in Europe such as Britain and France. This book can prove valuable for university students of Spanish, Spanish literature teachers to students of sixth forms, and Spanish historians.
A Course of Lectures on Dramatic Art and Literature by Augustus William Schlegel
Author: August Wilhelm : von Schlegel
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 564
Book Description
Subjects of Advice
Author: Ivan Lupić
Publisher: University of Pennsylvania Press
ISBN: 0812296435
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
In Subjects of Advice, Ivan Lupić uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was also an ingrained cultural habit, a feature of obligatory mental, moral, and political hygiene. To be a Renaissance subject, Lupić claims, one had to reckon with the advice of others. Lupić examines this reckoning in a variety of sixteenth-century dramatic contexts. The result is an original account of the foundational role that counsel played in the development of Renaissance drama. Lupić begins by considering the figure of Thomas More, whose influential argument about counsel as a form of performance in Utopia set the agenda for the entire century. Resisting linear narratives and recovering, instead, the simultaneity of radically different kinds of dramatic experience, he shows the vitality of later dramatic engagements with More's legacy through an analysis of the moral interlude staged within Sir Thomas More, a play possibly coauthored by Shakespeare. More also helps explain the complex use of counsel in Senecan drama, from the neo-Latin plays of George Buchanan, discussed in connection with Buchanan's political writings, to the historical tragedies of the mid-sixteenth century. If tyranny and exemplarity are the keywords for early Elizabethan drama of counsel, for the plays of Christopher Marlowe it is friendship. Lupić considers Marlowe's interest in friendship and counsel, most notably in Edward II, alongside earlier dramatic treatments, thus exposing the pervasive fantasy of the ideal counselor as another self. Subjects of Advice concludes by placing King Lear in relation to its dramatic sources to demonstrate Shakespeare's deliberate dispersal of counsel throughout his play. Counsel's customary link to plain and fearless speech becomes in Shakespeare's hands a powerful instrument of poetic and dramatic expression.
Publisher: University of Pennsylvania Press
ISBN: 0812296435
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
In Subjects of Advice, Ivan Lupić uncovers the rich interconnectedness of dramatic art and the culture of counsel in the early modern period. While counsel was an important form of practical knowledge, with concrete political consequences, it was also an ingrained cultural habit, a feature of obligatory mental, moral, and political hygiene. To be a Renaissance subject, Lupić claims, one had to reckon with the advice of others. Lupić examines this reckoning in a variety of sixteenth-century dramatic contexts. The result is an original account of the foundational role that counsel played in the development of Renaissance drama. Lupić begins by considering the figure of Thomas More, whose influential argument about counsel as a form of performance in Utopia set the agenda for the entire century. Resisting linear narratives and recovering, instead, the simultaneity of radically different kinds of dramatic experience, he shows the vitality of later dramatic engagements with More's legacy through an analysis of the moral interlude staged within Sir Thomas More, a play possibly coauthored by Shakespeare. More also helps explain the complex use of counsel in Senecan drama, from the neo-Latin plays of George Buchanan, discussed in connection with Buchanan's political writings, to the historical tragedies of the mid-sixteenth century. If tyranny and exemplarity are the keywords for early Elizabethan drama of counsel, for the plays of Christopher Marlowe it is friendship. Lupić considers Marlowe's interest in friendship and counsel, most notably in Edward II, alongside earlier dramatic treatments, thus exposing the pervasive fantasy of the ideal counselor as another self. Subjects of Advice concludes by placing King Lear in relation to its dramatic sources to demonstrate Shakespeare's deliberate dispersal of counsel throughout his play. Counsel's customary link to plain and fearless speech becomes in Shakespeare's hands a powerful instrument of poetic and dramatic expression.