Author: Rudolph SchevillPublisher:
ISBN:
Category :
Languages : en
Pages : 510
Book Description
The Dramatic Art of Lope de Vega
Author: Rudolph SchevillSpanish Drama Before Lope de Vega
Author: James Pyle Wickersham CrawfordPublisher:
ISBN:
Category : Spanish drama
Languages : en
Pages : 392
Book Description
The Dramatic Art of Lope de Vega
Author: Rudolph SchevillThe Golden Age Comedia
Author: Charles GanelinPublisher: Purdue University Press
ISBN: 9781557530868
Category : Literary Collections
Languages : en
Pages : 438
Book Description
Drawing on the groundbreaking Spanish scholarship and editions of earlier generations and relying on research conducted in Spanish archives, this pioneering group of English-speaking scholars offers a new treatment of familiar material. The editors yoke together widely varying critical practices, including incisive New Critical readings and far-reaching explorations that draw on the most current European critical thought. In addition to these more strictly literary studies, there are interdisciplinary essays focusing on seventeenth- and twentieth-century reception and the social makeup of the comedia audience. The whole thus presents a balanced picture of the many ways in which the comedia can be viewed, and the contributors complement each other's work in often surprising ways, illuminating the same corpus from a number of perspectives.
The Dramatic Art of Lope De Vega
Author: Rudolph SchevillPublisher: Forgotten Books
ISBN: 9780265315361
Category : Drama
Languages : en
Pages : 354
Book Description
Excerpt from The Dramatic Art of Lope De Vega: Together With La Dama Boba As regards a careful selection of his best plays, this is feasible and highly desirable since it clears away much dead weight. After reading available plays and forming an opinion of Lope 's art, no new play which I have been able to find and read, has modified my conclusion. This must also be the experience of others, and means that the large number of Lope 's plays is no drawback to printing an edition of his best comedies. Perhaps the suggestions of those who know Lope may aid in making out an admirable list of plays. At all events, would not thirty or forty small volumes, each containing at the most three plays, care fully reprinted, and, if need be, without notes or introduction, be a greater monument to Lope than any other that critics could devise? In connection with the manner Of reprinting his works, it must be remembered that no arbitrary procedure can ever again make Lope a modern, that the body of readers who will study him intelligently and sympathetically must ever remain small - no unusual fate for the greatest of our writers - and that a depend able reprint of the best available texts, not modernized, is all that can be asked. Finally, the format of the edition may be easily determined, if its main purpose be never lost from view, namely, to place a scholarly selection within reach of any student of Spanish letters the world over. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
The Dramatic Art of Lope de Vega, Together with La Dama Boba
Author: Rudolph SchevillBurlador de Sevilla Y El Convidado de Piedra
Author: Tirso (de Molina)Publisher: Hispanic Literature
ISBN: 0856683019
Category : Drama
Languages : en
Pages : 241
Book Description
Tirso de Molina was, with Lope de Vega and Calderon, one of the great dramatists of 17th century Spain, which produced a theatre as vital rich and as varied as its Elizabethan counterpart. The Trickster of Seville is thoroughly representative of the drama of Spain's Golden Age: a drama of fast-moving action which set its face against classical precepts, broke the unities of time and place, cheerfully mixed the serious and the comic, combined main and sub-plots, and cultivated Spanish subjects and Spanish characters. In this respect Tirso's Don Juan is of course, the most famous character in the drama of the Golden Age, as well as the first of a long line which extends through Mozart and Moliere to the 20th century.
The Dramatic Art of Lope de Vega
Author: Rudolph SchevillPublisher: Palala Press
ISBN: 9781357082086
Category :
Languages : en
Pages : 366
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Spanish Drama of the Golden Age
Author: Margaret WilsonPublisher: Elsevier
ISBN: 1483181391
Category : Drama
Languages : en
Pages : 235
Book Description
Spanish Drama of the Golden Age describes this little-known field of European drama. This book describes and analyzes Spanish plays and drama. It reviews the Spanish plays from the 1580s to the death of Pedro Calderon de la Barca in 1681. This text also discusses the controversy to which direction the Spanish theater would take: whether it is for entertainment or a representation of the intellect and emotions. This book describes Miguel de Cervantes, Lope de Vega, and the rise of the Spanish comedia. The text describes how Lope wrote his plays and how he sold them outright to the manager of an acting company, which became its property. The text also describes the life of Tirso de Molina who was often criticized for his cavalier treatment of a historical fact. This book also discusses the works of Ruiz de Alarcon, Guillen de Castro, Velez de Guevara, and Mira de Amescua. This book also assess this period of Spanish drama in terms of the influence of other countries in Europe such as Britain and France. This book can prove valuable for university students of Spanish, Spanish literature teachers to students of sixth forms, and Spanish historians.
The Dramatic Art of Lope de Vega, Together with La Dama Boba
Author: Rudolph SchevillPublisher: Palala Press
ISBN: 9781340822705
Category :
Languages : en
Pages : 356
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.