Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Drama's Patrons PDF full book. Access full book title The Drama's Patrons by Leo Hughes. Download full books in PDF and EPUB format.
Author: Leo Hughes Publisher: University of Texas Press ISBN: 0292748027 Category : Performing Arts Languages : en Pages : 220
Book Description
The drama's laws, the drama's patrons give, For we that live to please, must please to live. —Samuel Johnson, 1747 Democratic ferment, responsible for political explosions in the seventeenth century and expanded power in the eighteenth, affected all phases of English life. The theatre reflected these forces in the content of the plays of the period and in an increased awareness among playgoers that the theatre "must please to live." Drawing from a wealth of amusing and informative contemporary accounts, Leo Hughes presents abundant evidence that the theatre-going public proved zealous, and sometimes even unruly, in asserting its role and rights. He describes numerous species of individual pest—the box-lobby saunterers, the vizard masks (ladies of uncertain virtue), the catcallers, and the weeping sentimentalists. Protest demonstrations of various interest groups, such as footmen asserting their rights to sit in the upper gallery, reflect the behavior of the audience as a whole—an audience that Alexander Pope described as "the manyheaded monster of the pit." Hughes analyzes the changes in the audience's taste through the long span from Dryden's day to Sheridan's. He illustrates the decline in taste from the sophisticated, if bawdy, comedy of the Restoration Period to the sentimentalism and empty show of later decades. He attributes the increased emphasis on sentiment and spectacle to audience influence and describes the effects of audience demands on managers, playwrights, and players. He describes in detail the mixed assembly that frequented the theatre during this period and the greatly enlarged theatres that were built to accommodate it. Hughes concludes that it was the English people's basic love of liberty that allowed them to accept audience disruptions considered intolerable by foreign visitors and that the drama's patrons greatly influenced the quality of theatrical production during this long period.
Author: Leo Hughes Publisher: University of Texas Press ISBN: 0292748027 Category : Performing Arts Languages : en Pages : 220
Book Description
The drama's laws, the drama's patrons give, For we that live to please, must please to live. —Samuel Johnson, 1747 Democratic ferment, responsible for political explosions in the seventeenth century and expanded power in the eighteenth, affected all phases of English life. The theatre reflected these forces in the content of the plays of the period and in an increased awareness among playgoers that the theatre "must please to live." Drawing from a wealth of amusing and informative contemporary accounts, Leo Hughes presents abundant evidence that the theatre-going public proved zealous, and sometimes even unruly, in asserting its role and rights. He describes numerous species of individual pest—the box-lobby saunterers, the vizard masks (ladies of uncertain virtue), the catcallers, and the weeping sentimentalists. Protest demonstrations of various interest groups, such as footmen asserting their rights to sit in the upper gallery, reflect the behavior of the audience as a whole—an audience that Alexander Pope described as "the manyheaded monster of the pit." Hughes analyzes the changes in the audience's taste through the long span from Dryden's day to Sheridan's. He illustrates the decline in taste from the sophisticated, if bawdy, comedy of the Restoration Period to the sentimentalism and empty show of later decades. He attributes the increased emphasis on sentiment and spectacle to audience influence and describes the effects of audience demands on managers, playwrights, and players. He describes in detail the mixed assembly that frequented the theatre during this period and the greatly enlarged theatres that were built to accommodate it. Hughes concludes that it was the English people's basic love of liberty that allowed them to accept audience disruptions considered intolerable by foreign visitors and that the drama's patrons greatly influenced the quality of theatrical production during this long period.
Author: Publisher: ISBN: Category : Theater Languages : en Pages : 436
Book Description
Wholly dedicated to the stage, and containing original dramatic biography, essays, criticisms, poetry, reviews ... with occasional notices of the country theatres, the whole forming a complete critical and biographical illustration of the British stage.
Author: Robert A Schanke Publisher: SIU Press ISBN: 9780809327478 Category : Performing Arts Languages : en Pages : 340
Book Description
Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures.
Author: Terry Hodgson Publisher: New Amsterdam Books ISBN: 1461721571 Category : Performing Arts Languages : en Pages : 433
Book Description
This comprehensive reference work is designed to be a single source to which readers may turn for guidance on dramatic theory and practice. It therefore concentrates on critical and technical concepts and terms rather than on theatre history or biography. The book contains some 1300 entries varying in length from a few words to several hundred. The terms included relate to the forms of drama (e.g. epic, mime, farce, comedy of manners, tragi-comedy, etc.); to different kinds of stage (thrust, picture-frame, arena, etc.); to technical stage terms (tabs, proscenium arch, sightlines, etc.); to acting terms, including colloquialisms (fluff, corpse-as well as duologue, soliloquy, cross below, upstage, etc.) They also include the critical terms of important theoreticians (e.g. superobjective, magic 'if', throughline, alienation, montage) and the obvious foreign terms (hamartia, peripeteia, etc.). Dramatic movements and styles are described (naturalism, expressionism, neo-classical, Jacobean, etc.), together with terms relating to costume (e.g. buskins), character types (of, say, the Commedia dell'Arte) and dramatic structure (climax, curtain, pace and tempo, episode, chorus, etc.). The entries are fully cross-referenced, and are supported by ample suggestions for further reading and a selection of line drawings illustrating key points in the text.
Author: Phillip Zarrilli Publisher: Routledge ISBN: 1134651104 Category : Performing Arts Languages : en Pages : 288
Book Description
Kathakali Dance-Drama provides a comprehensive introduction to the distinctive and colourful dance-drama of Kerala in South-West India for the first time. This landmark volume: * explores Kathakali's reception as it reaches new audiences both in India and the west * includes two cases of controversial of Kathakali experiments * explores the implications for Kathakali of Keralan politics During these performances heroes, heroines, gods and demons tell their stories of traditional Indian epics. The four Kathakali plays included in this anthology, translated from actual performances into English are: * The Flower of Good Fortune * The Killing of Kirmmira * The Progeny of Krishna * King Rugmamgada's Law Each play has an introduction and detailed commentary and is illustrated by stunning photographs taken during performances. An introduction to Kathakali stage conventions, make-up, music, acting, and training is also provided, making this an ideal volume for both the specialist and non-specialist reader.
Author: Leo Hughes
Author: Leo Hughes
Author: Henry Brown (of Newington Butts.)
Author: 
Author: Ann E. Wiltrout
Author: Archibald Henderson
Author: Alfred Bates
Author: Sir Henry Irving
Author: Robert A Schanke
Author: Terry Hodgson
Author: Phillip Zarrilli