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Author: Kenneth Krauss Publisher: State University of New York Press ISBN: 079148579X Category : Performing Arts Languages : en Pages : 282
Book Description
The Drama of Fallen France examines various dramatic works written and/or produced in Paris during the four years of Nazi occupation and explains what they may have meant to their original audiences. Because of widespread financial support from the new French government at Vichy, the former French capital underwent a renaissance of theatre during this period, and both the public playhouses and the private theatres provided an amazing array of new productions and revivals. Some of the plays considered here are well known: Anouilh's Antigone, Sartre's The Flies, Claudel's The Satin Slipper. Others have remained obscure, such as Cocteau's The Typewriter, Giraudoux's The Apollo of Marsac, and Montherlant's Nobody's Son; and two—André Obey's Eight Hundred Meters and Simone Jollivet's The Princess of Ursins—have remained virtually unread since the early 1940s. In examining French culture under the Vichy regime and the Nazis, Kenneth Krauss links the politics of gender and sexuality with the more traditional political concepts of collaboration and resistance. A final chapter on Truffaut's 1980 film, The Last Métro, demonstrates how the present manages to rewrite and revision the complex and seemingly contradictory reality of the past.
Author: Kenneth Krauss Publisher: State University of New York Press ISBN: 079148579X Category : Performing Arts Languages : en Pages : 282
Book Description
The Drama of Fallen France examines various dramatic works written and/or produced in Paris during the four years of Nazi occupation and explains what they may have meant to their original audiences. Because of widespread financial support from the new French government at Vichy, the former French capital underwent a renaissance of theatre during this period, and both the public playhouses and the private theatres provided an amazing array of new productions and revivals. Some of the plays considered here are well known: Anouilh's Antigone, Sartre's The Flies, Claudel's The Satin Slipper. Others have remained obscure, such as Cocteau's The Typewriter, Giraudoux's The Apollo of Marsac, and Montherlant's Nobody's Son; and two—André Obey's Eight Hundred Meters and Simone Jollivet's The Princess of Ursins—have remained virtually unread since the early 1940s. In examining French culture under the Vichy regime and the Nazis, Kenneth Krauss links the politics of gender and sexuality with the more traditional political concepts of collaboration and resistance. A final chapter on Truffaut's 1980 film, The Last Métro, demonstrates how the present manages to rewrite and revision the complex and seemingly contradictory reality of the past.
Author: Jennifer Bohnet Publisher: Boldwood Books Ltd ISBN: 1801622582 Category : Fiction Languages : en Pages : 290
Book Description
Escape to hills high above the French Riviera with international bestseller Jennifer Bohnet. After tragically losing her husband, Nicola Jacques and her teenage son Oliver relocate to his father’s family's olive farm in the hills above the French Riviera. Due to a family feud, Oliver has never known his father's side of the family but Grandpapa Henri is intent that Oliver will take over the reins of the ancestral farm and his rightful inheritance. Determined to keep her independence from a rather controlling Grandpapa, Nicola buys a run-down cottage on the edge of the family's Olive Farm and sets to work renovating their new home and providing an income by cultivating the small holding that came with the Cottage. As the summer months roll by, Nicola and Oliver begin to settle happily into their new way of life with the help of Aunts Josephine and Odette, Henri’s twin sisters and local property developer Gilles Bongars. But the arrival of some unexpected news and guests at the farm, force Nicole and Aunt Josephine to assess what and where their futures lie. This book was previously published as The French Legacy.
Author: Richard J. Golsan Publisher: JHU Press ISBN: 9780801882586 Category : Literary Criticism Languages : en Pages : 222
Book Description
Focusing on the political commitments of three French writers who collaborated with the Vichy Regime and Nazi Germany during World War II, and on those of three leading French intellectuals of the 1990s whose misplaced political idealism led them to support xenophobic, authoritarian regimes and dangerous historical revisionisms, Richard J. Golsan reexamines the notion of political commitment or engagement in two difficult periods in modern French history. Discussing the fiction, essays, and journalism of Henry de Montherlant, Jean Giono, and Alphonse de Châteaubriant, Golsan explores the complexity of artistic and intellectual collaboration during the German Occupation. He demonstrates that, in this context, complicity with political evil often derived from "nonpolitical" motives including sexual orientation, antimodern aesthetics, and dangerously skewed religious beliefs. Turning to the post–cold war era of the 1990s, Golsan examines the philosopher Alain Finkielkraut's support for Croatian independence, the "mediologist" Régis Debray's pro-Serb stance during the bombing of Kosovo, and the historian Stéphane Courtois's revisionist comparison of Nazi and Communist crimes during the 1997 debate surrounding the publication of The Black Book of Communism. In these three cases, laudable motives—and misguided historical comparisons with Vichy, Nazism, and the Occupation period that marked the political and intellectual discourses of France in the 1990s—resulted, paradoxically, in antidemocratic engagements profoundly at odds with the original motivations behind these intellectuals' commitments. In each of these case studies, political complicity derives from a combination of passions and ideals—whether positive or negative, emotional or intellectual—as well as a desire to make the present conform to a particular and generally skewed vision of the past. The full implications of these involvements are neither fully grasped nor understood by their authors, either through lack of objectivity, rationality, or imagination or through willful ignorance. The results are always unfortunate and often disastrous. Considered together, these six intellectuals serve as sobering reminders that political commitments are never as simple or straightforward as they seem and that admirable motives for political involvement can have dangerous and destructive consequences in historical practice.
Author: William J. Thompson Publisher: Associated University Presse ISBN: 9781575911045 Category : Literary Criticism Languages : en Pages : 412
Book Description
Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
Author: Julian Jackson Publisher: University of Chicago Press ISBN: 0226389286 Category : Social Science Languages : en Pages : 336
Book Description
In Paris in 1954, a young man named André Baudry founded Arcadie, an organization for “homophiles” that would become the largest of its kind that has ever existed in France, lasting nearly thirty years. In addition to acting as the only public voice for French gays prior to the explosion of radicalism of 1968, Arcadie—with its club and review—was a social and intellectual hub, attracting support from individuals as diverse as Jean Cocteau and Michel Foucault and offering support and solidarity to thousands of isolated individuals. Yet despite its huge importance, Arcadie has largely disappeared from the historical record. The main cause of this neglect, Julian Jackson explains in Living in Arcadia, is that during the post-Stonewall era of queer activism, Baudry’s organization fell into disfavor, dismissed as conservative, conformist, and closeted. Through extensive archival research and numerous interviews with the reclusive Baudry, Jackson challenges this reductive view, uncovering Arcadie’s pioneering efforts to educate the European public about homosexuality in an era of renewed repression. In the course of relating this absorbing history, Jackson offers a startlingly original account of the history of homosexuality in modern France.
Author: Yehuda Moraly Publisher: Liverpool University Press ISBN: 1782845844 Category : History Languages : en Pages : 354
Book Description
The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L'Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.
Author: K. S. Burns Publisher: Cambridge Scholars Publishing ISBN: 144388121X Category : Literary Criticism Languages : en Pages : 145
Book Description
While the role of women in western society has changed since the time of the great classical eras of Greece and Rome, the heroines of ancient myth remain just as potent to modern audiences as they were for their original creators. Regardless of genre or medium, these women of antiquity retain their power to reinforce, challenge, or outright shatter popular beliefs about the attributes, limitations, and social roles of women. This collection of eight essays examines the legacy of the heroines of antiquity in a variety of contexts, from the page to the stage to the screen, in order to understand why Helen of Troy, the Amazons, and their fellow ladies of myth have remained such vital figures today, and how they have evolved to retain and increase their stature. The contributors to this volume adopt an array of perspectives in order to do justice to the rich legacy of mythic women. These authors hail from three different continents and specialize in multiple disciplines, including Classical Studies, English, and Gender Studies. These diverse approaches make this book applicable to scholars with a wide variety of skills and interests, and ensure the topic a multifaceted treatment in the tradition of the humanities.
Author: Michael S. Neiberg Publisher: Harvard University Press ISBN: 0674258568 Category : History Languages : en Pages : 321
Book Description
Shocked by the fall of France in 1940, panicked US leaders rushed to back the Vichy governmentÑa fateful decision that nearly destroyed the AngloÐAmerican alliance. According to US Secretary of War Henry Stimson, the Òmost shocking single eventÓ of World War II was not the Japanese attack on Pearl Harbor, but rather the fall of France in spring 1940. Michael Neiberg offers a dramatic history of the American responseÑa policy marked by panic and moral ineptitude, which placed the United States in league with fascism and nearly ruined the alliance with Britain. The successful Nazi invasion of France destabilized American plannersÕ strategic assumptions. At home, the result was huge increases in defense spending, the advent of peacetime military conscription, and domestic spying to weed out potential fifth columnists. Abroad, the United States decided to work with Vichy France despite its pro-Nazi tendencies. The USÐVichy partnership, intended to buy time and temper the flames of war in Europe, severely strained AngloÐAmerican relations. American leaders naively believed that they could woo men like Philippe Ptain, preventing France from becoming a formal German ally. The British, however, understood that Vichy was subservient to Nazi Germany and instead supported resistance figures such as Charles de Gaulle. After the war, the choice to back Vichy tainted USÐFrench relations for decades. Our collective memory of World War II as a period of American strength overlooks the desperation and faulty decision making that drove US policy from 1940 to 1943. Tracing the key diplomatic and strategic moves of these formative years, When France Fell gives us a more nuanced and complete understanding of the war and of the global position the United States would occupy afterward.
Author: Kenneth Krauss
Author: Kenneth Krauss
Author: Jennifer Bohnet
Author: Richard J. Golsan
Author: William J. Thompson
Author: 
Author: Julian Jackson
Author: Yehuda Moraly
Author: K. S. Burns
Author: Lee Murphy
Author: Michael S. Neiberg