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Author: Beryl Gray Publisher: Routledge ISBN: 1317035380 Category : Literary Criticism Languages : en Pages : 274
Book Description
Fascinated by them, unable to ignore them, and imaginatively stimulated by them, Charles Dickens was an acute and unsentimental reporter on the dogs he kept and encountered during a time when they were a burgeoning part of the nineteenth-century urban and domestic scene. As dogs inhabited Dickens’s city, so too did they populate his fiction, journalism, and letters. In the first book-length work of criticism on Dickens’s relationship to canines, Beryl Gray shows that dogs, real and invented, were intrinsic to Dickens’s vision and experience of London and to his representations of its life. Gray draws on an array of reminiscences by Dickens’s friends, family, and fellow writers, and also situates her book within the context of nineteenth-century attitudes towards dogs as revealed in the periodical press, newspapers, and institutional archives. Integral to her study is her analysis of Dickens’s texts in relationship to their illustrations by George Cruikshank and Hablot Knight Browne and to portraiture by late eighteenth- and nineteenth-century artists like Thomas Gainsborough and Edwin Landseer. The Dog in the Dickensian Imagination will not only enlighten readers and critics of Dickens and those interested in his life but will serve as an important resource for scholars interested in the Victorian city, the treatment of animals in literature and art, and attitudes towards animals in nineteenth-century Britain.
Author: Beryl Gray Publisher: Routledge ISBN: 1317035380 Category : Literary Criticism Languages : en Pages : 274
Book Description
Fascinated by them, unable to ignore them, and imaginatively stimulated by them, Charles Dickens was an acute and unsentimental reporter on the dogs he kept and encountered during a time when they were a burgeoning part of the nineteenth-century urban and domestic scene. As dogs inhabited Dickens’s city, so too did they populate his fiction, journalism, and letters. In the first book-length work of criticism on Dickens’s relationship to canines, Beryl Gray shows that dogs, real and invented, were intrinsic to Dickens’s vision and experience of London and to his representations of its life. Gray draws on an array of reminiscences by Dickens’s friends, family, and fellow writers, and also situates her book within the context of nineteenth-century attitudes towards dogs as revealed in the periodical press, newspapers, and institutional archives. Integral to her study is her analysis of Dickens’s texts in relationship to their illustrations by George Cruikshank and Hablot Knight Browne and to portraiture by late eighteenth- and nineteenth-century artists like Thomas Gainsborough and Edwin Landseer. The Dog in the Dickensian Imagination will not only enlighten readers and critics of Dickens and those interested in his life but will serve as an important resource for scholars interested in the Victorian city, the treatment of animals in literature and art, and attitudes towards animals in nineteenth-century Britain.
Author: Anna Feuerstein Publisher: Cambridge University Press ISBN: 1108492967 Category : Literary Criticism Languages : en Pages : 271
Book Description
Examines how liberal thought influenced representations of animals within nineteenth-century animal welfare discourse and the Victorian novel.
Author: Peter J. Capuano Publisher: Cornell University Press ISBN: 1501772872 Category : Language Arts & Disciplines Languages : en Pages : 183
Book Description
Dickens's Idiomatic Imagination offers an original analysis of how Charles Dickens's use of "low" and "slangular" (his neologism) language allowed him to express and develop his most sophisticated ideas. Using a hybrid of digital (distant) and analogue (close) reading methodologies, Peter J. Capuano considers Dickens's use of bodily idioms—"right-hand man," "shoulder to the wheel," "nose to the grindstone"—against the broader lexical backdrop of the nineteenth century. Dickens was famously drawn to the vernacular language of London's streets, but this book is the first to call attention to how he employed phrases that embody actions, ideas, and social relations for specific narrative and thematic purposes. Focusing on the mid- to late career novels Dombey and Son, David Copperfield, Bleak House, Great Expectations, and Our Mutual Friend, Capuano demonstrates how Dickens came to relish using common idioms in uncommon ways and the possibilities they opened up for artistic expression. Dickens's Idiomatic Imagination establishes a unique framework within the social history of language alteration in nineteenth-century Britain for rethinking Dickens's literary trajectory and its impact on the vocabularies of generations of novelists, critics, and speakers of English.
Author: Robert L. Patten Publisher: Oxford University Press ISBN: 0191061115 Category : Literary Criticism Languages : en Pages : 865
Book Description
The Oxford Handbook of Charles Dickens is a comprehensive and up-to-date collection on Dickens's life and works. It includes original chapters on all of Dickens's writing and new considerations of his contexts, from the social, political, and economic to the scientific, commercial, and religious. The contributions speak in new ways about his depictions of families, environmental degradation, and improvements of the industrial age, as well as the law, charity, and communications. His treatment of gender, his mastery of prose in all its varieties and genres, and his range of affects and dramatization all come under stimulating reconsideration. His understanding of British history, of empire and colonization, of his own nation and foreign ones, and of selfhood and otherness, like all the other topics, is explained in terms easy to comprehend and profoundly relevant to global modernity.
Author: Tore Rem Publisher: ISBN: Category : Drama Languages : en Pages : 262
Book Description
The traditional view of parody as a low and parasitic form has been challenged by a number of critics. This text examines the exemplary use of parody in the novels of Charles Dickens, focusing on how he parodies the mode of melodrama while simultaneously employing melodramatic devices.
Author: Garrett Stewart Publisher: Cambridge : Harvard University Press ISBN: Category : Literary Criticism Languages : en Pages : 292
Book Description
Stewart investigates the fanciful impulse among Dickens's characters, their exchange of semblance for reality, their use of the imagination as a means of retaliating against the fallen Dickensian world.
Author: Peter Ackroyd Publisher: ISBN: Category : Biography & Autobiography Languages : en Pages : 196
Book Description
A sequel to Dickens, this is a resume of all the scholarly research and imaginative reinterpretation which were the hallmarks of the previous book. It is a long essay on the life and work of Dickens in which Ackroyd demonstrates his argument for connecting the life and work, and, in the process, throws light upon both. In addition he has written 20 introductions to the whole range of Dickens' published work, from novels to journalism, in which he analyzes the writings themselves while at the same time providing an account of the novelist's career. Chatterton and First Light and his biography of T.S. Eliot was awarded the Whitbread PRize for the best biography of 1984.
Author: Beryl Gray
Author: Beryl Gray
Author: Anna Feuerstein
Author: Peter J. Capuano
Author: Robert L. Patten
Author: Tore Rem
Author: Garrett Stewart
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Author: 
Author: Peter Ackroyd
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