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Author: Sandra J. McEntire Publisher: Edwin Mellen Press ISBN: Category : Religion Languages : en Pages : 220
Book Description
Discussing the background of the doctrine of compunction, this work examines the meaning of the term as drawn from the fathers, its meaning in Old English, its meaning in Middle English, and its use in medieval literature, especially in the work of Piers Plowman.
Author: Sandra J. McEntire Publisher: Edwin Mellen Press ISBN: Category : Religion Languages : en Pages : 220
Book Description
Discussing the background of the doctrine of compunction, this work examines the meaning of the term as drawn from the fathers, its meaning in Old English, its meaning in Middle English, and its use in medieval literature, especially in the work of Piers Plowman.
Author: Publisher: Bloomsbury Publishing ISBN: 1350150398 Category : History Languages : en Pages : 275
Book Description
Compunction was one of the most important emotions for medieval Christianity; in fact, through its confessional function, compunction became the primary means for an affective sinner to gain redemption. Cultures of Compunction in the Medieval World explores how such emotion could be expressed, experienced and performed in medieval European society. Using a range of disciplinary approaches – including history, philosophy, art history, literary studies, performance studies and linguistics – this book examines how and why emotions which now form the bedrock of modern western culture were idealized in the Middle Ages. By bringing together expertise across disciplines and medieval languages, this important book demonstrates the ubiquity and impact of compunction for medieval life and makes wider connections between devotional, secular and quotidian areas of experience.
Author: Graham Williams Publisher: Springer ISBN: 1137540699 Category : Language Arts & Disciplines Languages : en Pages : 256
Book Description
This book traces the development of the ideal of sincerity from its origins in Anglo-Saxon monasteries to its eventual currency in fifteenth-century familiar letters. Beginning by positioning sincerity as an ideology at the intersection of historical pragmatics and the history of emotions, the author demonstrates how changes in the relationship between outward expression and inward emotions changed English language and literature. While the early chapters reveal that the notion of sincerity was a Christian intervention previously absent from Germanic culture, the latter part of the book provides more focused studies of contrition and love. In doing so, the author argues that under the rubric of courtesy these idealized emotions influenced English in terms of its everyday pragmatics and literary style. This fascinating volume will be of broad interest to scholars of medieval language, literature and culture.
Author: Marion Glasscoe Publisher: Boydell & Brewer ISBN: 9780859912365 Category : History Languages : en Pages : 236
Book Description
These papers are the proceedings of the fourth international Exeter Symposium. They promote enquiry into, and understanding of, the medieval mystics and the cultural context to which they belong. Here, historians, literary critics, theologians, philosophers and bibliographical scholars explore ways in which the contemplative tradition was mediated and perceived in the very early and very late medieval period, and ask fundamental questions about the nature of contemporary understanding of this subject. CONTRIBUTORS: GEORGE R. KEISER, SUE ELLEN HOLBROOK, WILLIAM F. POLLARD, JAMES HOGG, SANDRA MCENTIRE, ANNE SAVAGE, PETER DINZELBACHER, NICHOLAS WATSON, PETER MOORE, ROBERT K. FORMAN
Author: Thomas Dixon Publisher: OUP Oxford ISBN: 0191663565 Category : History Languages : en Pages : 451
Book Description
There is a persistent myth about the British: that we are a nation of stoics, with stiff upper lips, repressed emotions, and inactive lachrymal glands. Weeping Britannia - the first history of crying in Britain - comprehensively debunks this myth. Far from being a persistent element in the 'national character', the notion of the British stiff upper lip was in fact the product of a relatively brief and militaristic period of our past, from about 1870 to 1945. In earlier times we were a nation of proficient, sometimes virtuosic moral weepers. To illustrate this perhaps surprising fact, Thomas Dixon charts six centuries of weeping Britons, and theories about them, from the medieval mystic Margery Kempe in the early fifteenth century, to Paul Gascoigne's famous tears in the semi-finals of the 1990 World Cup. In between, the book includes the tears of some of the most influential figures in British history, from Oliver Cromwell to Margaret Thatcher (not forgetting George III, Queen Victoria, Charles Darwin, and Winston Churchill along the way). But the history of weeping in Britain is not simply one of famous tear-stained individuals. These tearful micro-histories all contribute to a bigger picture of changing emotional ideas and styles over the centuries, touching on many other fascinating areas of our history. For instance, the book also investigates the histories of painting, literature, theatre, music and the cinema to discover how and why people have been moved to tears by the arts, from the sentimental paintings and novels of the eighteenth century and the romantic music of the nineteenth, to Hollywood weepies, expressionist art, and pop music in the twentieth century. Weeping Britannia is simultaneously a museum of tears and a philosophical handbook, using history to shed new light on the changing nature of Britishness over time, as well as the ever-shifting ways in which we express and understand our emotional lives. The story that emerges is one in which a previously rich religious and cultural history of producing and interpreting tears was almost completely erased by the rise of a stoical and repressed British empire in the late nineteenth century. Those forgotten philosophies of tears and feeling can now be rediscovered. In the process, readers might perhaps come to view their own tears in a different light, as something more than mere emotional incontinence.
Author: Publisher: BRILL ISBN: 9004232249 Category : Religion Languages : en Pages : 489
Book Description
Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque examines the iconographic inventions in Magdalene imagery and the contextual factors that shaped her representation in visual art from the fourteenth to the seventeenth centuries. Unique to other saints in the medieval lexicon, images of Mary Magdalene were altered over time to satisfy the changing needs of her patrons as well as her audience. By shedding light on the relationship between the Magdalene and her patrons, both corporate and private, as well as the religious institutions and regions where her imagery is found, this anthology reveals the flexibility of the Magdalene’s character in art and, in essence, the reinvention of her iconography from one generation to the next.
Author: Lauren Mancia Publisher: Manchester University Press ISBN: 1526140225 Category : History Languages : en Pages : 334
Book Description
Medievalists have long taught that highly emotional Christian devotion, often called ‘affective piety’, appeared in Europe after the twelfth century and was primarily practiced by communities of mendicants, lay people and women. Emotional monasticism challenges this view. The first study of affective piety in an eleventh-century monastic context, it traces the early history of affective devotion through the life and works of the earliest known writer of emotional prayers, John of Fécamp, abbot of the Norman monastery of Fécamp from 1028–78. Exposing the early medieval monastic roots of later medieval affective piety, the book casts a new light on the devotional life of monks in Europe before the twelfth century and redefines how medievalists should teach the history of Christianity.
Author: Alice Jorgensen Publisher: Routledge ISBN: 1317180879 Category : Literary Criticism Languages : en Pages : 333
Book Description
Research into the emotions is beginning to gain momentum in Anglo-Saxon studies. In order to integrate early medieval Britain into the wider scholarly research into the history of emotions (a major theme in other fields and a key field in interdisciplinary studies), this volume brings together established scholars, who have already made significant contributions to the study of Anglo-Saxon mental and emotional life, with younger scholars. The volume presents a tight focus - on emotion (rather than psychological life more generally), on Anglo-Saxon England and on language and literature - with contrasting approaches that will open up debate. The volume considers a range of methodologies and theoretical perspectives, examines the interplay of emotion and textuality, explores how emotion is conveyed through gesture, interrogates emotions in religious devotional literature, and considers the place of emotion in heroic culture. Each chapter asks questions about what is culturally distinctive about emotion in Anglo-Saxon England and what interpretative moves have to be made to read emotion in Old English texts, as well as considering how ideas about and representations of emotion might relate to lived experience. Taken together the essays in this collection indicate the current state of the field and preview important work to come. By exploring methodologies and materials for the study of Anglo-Saxon emotions, particularly focusing on Old English language and literature, it will both stimulate further study within the discipline and make a distinctive contribution to the wider interdisciplinary conversation about emotions.
Author: Alastair Minnis Publisher: Cambridge University Press ISBN: 0521515947 Category : History Languages : en Pages : 291
Book Description
Minnis presents the fruits of a long-term engagement with the ways in which crucial ideological issues were deployed in vernacular texts. He addresses the crisis for vernacular translation precipitated by the Lollard heresy, Langland's views on indulgences, Chaucer's tales of suspicious saints and risible relics, and more.
Author: Sandra J. McEntire
Author: Sandra J. McEntire
Author: Sandra J. MacEntire
Author: 
Author: Graham Williams
Author: Marion Glasscoe
Author: Thomas Dixon
Author: 
Author: Lauren Mancia
Author: Alice Jorgensen
Author: Alastair Minnis