The Discovery of Musical Equal Temperament in China and Europe in the Sixteenth Century PDF Download

Author: Gene J. Cho
Publisher: Edwin Mellen Press
ISBN:
Category : Music
Languages : en
Pages : 372

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Book Description
This study provides little-known mathematical, musicological and scientific facts regarding the discovery of musical equal temperament, and narrates the circumstances of the discovery in the historical and cultural contexts of the period (mid 16th to early 17th centuries) which, in turn, is placed in the intellectual chronology of the Eastern and Western worlds. By offering documentary evidence and information not found in Western publications, the book invites the reader to see the mathematics of the equal temperament and its discovery in an entirely new light.

Author: Gene Jinsiong Cho
Publisher:
ISBN: 9780889464261
Category :
Languages : en
Pages : 331

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Book Description

Author: Gene J. Cho
Publisher:
ISBN:
Category : Music theory
Languages : en
Pages : 331

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Book Description

Author: Graham F. Welch
Publisher: Oxford Library of Psychology
ISBN: 0199660778
Category : Medical
Languages : en
Pages : 1201

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Book Description
This handbook is currently in development, with individual articles publishing online in advance of print publication. The table of contents will continue to grow as additional articles pass through the review process and are added to the site.

Author: Thomas Donahue
Publisher: Scarecrow Press
ISBN: 9780810854383
Category : Music
Languages : en
Pages : 252

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Book Description
Author Thomas Donahue assembles new information and material from previous sources, providing a comprehensive outline of theories and a historical overview that fills a neglected niche in music and keyboard reference."--Jacket.

Author: Sharron Gu
Publisher: McFarland
ISBN: 0786488271
Category : Literary Criticism
Languages : en
Pages : 272

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Book Description
Chinese, one of the oldest active languages, evolved over 5,000 years. As such, it makes for a fascinating case study in the development of language. This cultural history of Chinese demonstrates that the language grew and responded to its music and visual expression in a manner very similar to contemporary English and other Western languages. Within Chinese cultural history lie the answers to numerous questions that have haunted scholars for decades: How does language relate to worldview? What would happen to law after its language loses absolute binding power? How do music, visual, and theatrical images influence literature? By presenting Chinese not as a system of signs but as the history of a community, this study shows how language has expanded the scope of Chinese imagination and offers a glimpse into the future of younger languages throughout the world.

Author: Thomas Irvine
Publisher: University of Chicago Press
ISBN: 022666726X
Category : Music
Languages : en
Pages : 272

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Book Description
From bell ringing to fireworks, gongs to cannon salutes, a dazzling variety of sounds and soundscapes marked the China encountered by the West around 1800. These sounds were gathered by diplomats, trade officials, missionaries, and other travelers and transmitted back to Europe, where they were reconstructed in the imaginations of writers, philosophers, and music historians such as Jean-Philippe Rameau, Johann Nikolaus Forkel, and Charles Burney. Thomas Irvine gathers these stories in Listening to China, exploring how the sonic encounter with China shaped perceptions of Europe’s own musical development. Through these stories, Irvine not only investigates how the Sino-Western encounter sounded, but also traces the West’s shifting response to China. As the trading relationships between China and the West broke down, travelers and music theorists abandoned the vision of shared musical approaches, focusing instead on China’s noisiness and sonic disorder and finding less to like in its music. At the same time, Irvine reconsiders the idea of a specifically Western music history, revealing that it was comparison with China, the great “other,” that helped this idea emerge. Ultimately, Irvine draws attention to the ways Western ears were implicated in the colonial and imperial project in China, as well as to China’s importance to the construction of musical knowledge during and after the European Enlightenment. Timely and original, Listening to China is a must-read for music scholars and historians of China alike.

Author: André de Quadros
Publisher: Cambridge University Press
ISBN: 1107493390
Category : Music
Languages : en
Pages : 356

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Book Description
Choral music is now undoubtedly the foremost genre of participatory music making, with more people singing in choirs than ever before. Written by a team of leading international practitioners and scholars, this Companion addresses the history of choral music, its emergence and growth worldwide and its professional practice. The volume sets out a historical survey of the genre and follows with a kaleidoscopic bird's eye view of choral music from all over the world. Chapters vividly portray the emergence and growth of choral music from its Quranic antecedents in West and Central Asia to the baroque churches of Latin America, representing its global diversity. Uniquely, the book includes a pedagogical section where several leading choral musicians write about the voice and the inner workings of a choir and give their professional insights into choral practice. This Companion will appeal to choral scholars, directors and performers alike.

Author: Roger Moseley
Publisher: Univ of California Press
ISBN: 0520291247
Category : Games & Activities
Languages : en
Pages : 468

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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program for monographs. Visit www.luminosoa.org to learn more. How do keyboards make music playable? Drawing on theories of media, systems, and cultural techniques, Keys to Play spans Greek myth and contemporary Japanese digital games to chart a genealogy of musical play and its animation via improvisation, performance, and recreation. As a paradigmatic digital interface, the keyboard forms a field of play on which the book’s diverse objects of inquiry—from clavichords to PCs and eighteenth-century musical dice games to the latest rhythm-action titles—enter into analogical relations. Remapping the keyboard’s topography by way of Mozart and Super Mario, who head an expansive cast of historical and virtual actors, Keys to Play invites readers to unlock ludic dimensions of music that are at once old and new.

Author: Rūta Stanevičiūtė
Publisher: Springer
ISBN: 3030144712
Category : Music
Languages : en
Pages : 409

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Book Description
This book provides a new approach to the intersections between music and philosophy. It features articles that rethink the concepts of musical work and performance from ontological and epistemological perspectives and discuss issues of performing practices that involve the performer’s and listener’s perceptions. In philosophy, the notion of essence has enjoyed a renaissance. However, in the humanities in general, it is still viewed with suspicion. This collection examines the ideas of essence and context as they apply to music. A common concern when thinking of music in terms of essence is the plurality of music. There is also the worry that thinking in terms of essence might be an overly conservative way of imposing fixity on something that evolves. Some contend that we must take into account the varying historical and cultural contexts of music, and that the idea of an essence of music is therefore a fantasy. This book puts forward an innovative approach that effectively addresses these concerns. It shows that it is, in fact, possible to find commonalities among the many kinds of music. The coverage combines philosophical and musicological approaches with bioethics, biology, linguistics, communication theory, phenomenology, and cognitive science. The respective chapters, written by leading musicologists and philosophers, reconsider the fundamental essentialist and contextualist approaches to music creation and experience in light of twenty-first century paradigm shifts in music philosophy.