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Author: William Eggleston Publisher: ISBN: 9783869307923 Category : Photography Languages : en Pages : 0
Book Description
"Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, the reassessment of Eggleston's career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, which serves as a visual preface, the remaining books cover Eggleston's travels from his familiar ground in Memphis and Tennessee to Dallas, Pittsburgh, Miami, Boston, the pastures of Kentucky, and as far as the Berlin Wall. The final volume leads the viewer back to the South of small towns, cotton fields, the Civil War battlefield of Shiloh and the home of Andrew Jackson, the President from Tennessee. The democracy of Eggleston's title refers to his democracy of vision, through which he represents the most mundane subjects with the same complexity and significance as the most elevated. The exhaustive editing process of The Democratic Forest--a rarely shown body of work of which only a fraction has been published to date--has taken over three years, and was guided by the belief that only on this large scale can the magnitude of Eggleston's achievement be represented. With no precedent in American art, Eggleston's photography seen as a whole has all the grandeur of an epic piece of fiction.--Publisher's Web site.
Author: William Eggleston Publisher: ISBN: 9783869307923 Category : Photography Languages : en Pages : 0
Book Description
"Following the publication of Chromes in 2011 and Los Alamos Revisited in 2012, the reassessment of Eggleston's career continues with the publication of The Democratic Forest, his most ambitious project. This ten-volume set containing more than a thousand photographs is drawn from a body of twelve thousand pictures made by Eggleston in the 1980s. Following an opening volume of work in Louisiana, which serves as a visual preface, the remaining books cover Eggleston's travels from his familiar ground in Memphis and Tennessee to Dallas, Pittsburgh, Miami, Boston, the pastures of Kentucky, and as far as the Berlin Wall. The final volume leads the viewer back to the South of small towns, cotton fields, the Civil War battlefield of Shiloh and the home of Andrew Jackson, the President from Tennessee. The democracy of Eggleston's title refers to his democracy of vision, through which he represents the most mundane subjects with the same complexity and significance as the most elevated. The exhaustive editing process of The Democratic Forest--a rarely shown body of work of which only a fraction has been published to date--has taken over three years, and was guided by the belief that only on this large scale can the magnitude of Eggleston's achievement be represented. With no precedent in American art, Eggleston's photography seen as a whole has all the grandeur of an epic piece of fiction.--Publisher's Web site.
Author: William Eggleston Publisher: David Zwirner Books ISBN: 9781941701423 Category : Art Languages : en Pages : 120
Book Description
Over the course of nearly six decades, William Eggleston—often referred to as the “father of color photography”—has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition. Eggleston has said, “I am at war with the obvious.” His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York—the first presentation of color photography at the museum—heralded an important moment in the medium's acceptance within the art-historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier-Bresson, Robert Frank, and Walker Evans. Published on the occasion of David Zwirner's New York exhibition of selections from The Democratic Forest in the fall of 2016, this new catalogue highlights over sixty exceptional images from Eggleston's epic project. His photography is “democratic” in its resistance to hierarchy where, as noted by the artist, “no particular subject is more or less important than another.” Featuring original scholarship by Alexander Nemerov, this notable presentation of The Democratic Forest provides historical context for a monumental body of work, while offering newcomers a foothold in Eggleston's photographic practice.
Author: William Eggleston Publisher: David Zwirner Books ISBN: 9781644230770 Category : Art Languages : en Pages : 192
Book Description
Delving into critical and familiar themes of William Eggleston’s work, his recently revisited body of photographs, The Outlands, goes on a journey with him through the mythic and evolving southern landscape. Vibrant colors and a profound nostalgia echo throughout Eggleston’s breathtaking oeuvre. His motifs of signage, cars, and roadside scenes create an iconography of American vistas that inspired a generation of photographers. His experimental composition peers through layered scenes—an orange sunset dips into an abandoned diner as we observe from the cracked parking lot—expanding the boundaries of interior and exterior. These idiosyncratic moments are emblematic of Eggleston’s curated yet innovative practice.
Author: Nandini Sundar Publisher: Juggernaut Books ISBN: 9386228009 Category : Political Science Languages : en Pages : 430
Book Description
The Indian Government has repeatedly described Maoist guerrillas as 'the biggest security threat to the countryÕ and Bastar as their headquarters. This book chronicles how the armed conflict between the government and the Maoists has devastated the lives of some of India's poorest citizens.
Author: Kate Aronoff Publisher: The New Press ISBN: 162097522X Category : Political Science Languages : en Pages : 354
Book Description
A stunningly original and timely collection that makes the case for "socialism, American style" It's a strange day when a New York Times conservative columnist is forced to admit that the left is winning, but as David Brooks wrote recently, "the American left is on the cusp of a great victory." Among Americans under thirty, 43 percent had a favorable view of socialism, while only 32 percent had a favorable view of capitalism. Not since the Great Depression have so many Americans questioned the fundamental tenets of capitalism and expressed openness to a socialist alternative. We Own the Future: Democratic Socialism—American Style offers a road map to making this alternative a reality, giving readers a practical vision of a future that is more democratic, egalitarian, inclusive, and environmentally sustainable. The book includes a crash course in the history and practice of democratic socialism, a vivid picture of what democratic socialism in America might look like in practice, and compelling proposals for how to get there from the age of Trump and beyond. With contributions from some of the nation's leading political activists and analysts, We Own the Future articulates a clear and uncompromising view from the left—a perfectly timed book that will appeal to a wide audience hungry for change. Table of Contents Part I: Is a New America Possible? Introduction Kate Aronoff, Peter Dreier, and Michael Kazin How Socialists Changed America Peter Dreier and Michael Kazin Toward a Third Reconstruction Andrea Flynn, Susan Holmberg, Dorian Warren, and Felicia Wong A Three-Legged Stool for Racial and Economic Justice Darrick Hamilton Democratic Socialism for a Climate-Changed Century Naomi Klein Part II: Expanding Democracy Governing Socialism Bill Fletcher Jr. We the People: Voting Rights, Campaign Finance, and Election Reform J. Mijin Cha Confronting Corporate Power Robert Kuttner Building the People's Banks David Dayen Democracy, Equality, and the Future of Workers Sarita Gupta, Stephen Lerner, and Joseph A. McCartin Who Gets to Be Safe? Prisons, Police, and Terror Aviva Stahl On Immigration: A Socialist Case for Open Borders Michelle Chen On Foreign Policy: War from Above, Solidarity from Below Tejasvi Nagaraja Part III: The Right to a Good Life Livable Cities Thomas J. Sugrue What Does Health Equity Require? Racism and the Limits of Medicare for All Dorothy Roberts The Family of the Future Sarah Leonard Defending and Improving Public Education Pedro Noguera Reclaiming Competition: Sports and Socialism David Zirin What About a Well-Fed Artist? Imagining Cultural Work in a Democratic Socialist Society Francesca Fiorentini How Socialism Surged, and How It Can Go Further Harold Meyerson Afterword: A Day in the Life of a Socialist Citizen Michael Walzer
Author: Frances Seymour Publisher: Brookings Institution Press ISBN: 1933286865 Category : Business & Economics Languages : en Pages : 389
Book Description
Tropical forests are an undervalued asset in meeting the greatest global challenges of our time—averting climate change and promoting development. Despite their importance, tropical forests and their ecosystems are being destroyed at a high and even increasing rate in most forest-rich countries. The good news is that the science, economics, and politics are aligned to support a major international effort over the next five years to reverse tropical deforestation. Why Forests? Why Now? synthesizes the latest evidence on the importance of tropical forests in a way that is accessible to anyone interested in climate change and development and to readers already familiar with the problem of deforestation. It makes the case to decisionmakers in rich countries that rewarding developing countries for protecting their forests is urgent, affordable, and achievable.
Author: John Nichols Publisher: Verso Books ISBN: 1788737423 Category : Political Science Languages : en Pages : 305
Book Description
Fighting fascism at home and abroad begins with the consolidation of a progressive politics Seventy-five years ago, Henry Wallace, then the sitting Vice President of the United States, mounted a campaign to warn about the persisting "Danger of American Fascism." As fighting in the European and Japanese theaters drew to a close, Wallace warned that the country may win the war and lose the piece; that the fascist threat that the U.S. was battling abroad had a terrifying domestic variant, growing rapidly in power: wealthy corporatists and their allies in the media. Wallace warned that if the New Deal project was not renewed and expanded in the post-war era, American fascists would use fear mongering, xenophonbia, and racism to regain the economic and political power that they lost. He championed an alternative, progressive vision of a post-war world-an alternative to triumphalist "American Century" vision then rising--in which the United States rejected colonialism and imperialism. Wallace's political vision - as well as his standing in the Democratic Party - were quickly sidelined. In the decades to come, other progressive forces would mount similar campaigns: George McGovern and Jesse Jackson more prominently. As John Nichols chronicles in this book, they ultimately failed - a warning to would-be reformers today - but their successive efforts provide us with insights into the nature of the Democratic Party, and a strategic script for the likes of Bernie Sanders and Alexandria Ocasio-Cortez.
Author: Publisher: Twin Palms Pub ISBN: 0944092705 Category : Photography Languages : en Pages : 100
Book Description
Born and raised in Mississippi and Tennessee, William Eggleston began taking pictures during the 1960s after seeing Henri Cartier-Bresson's The Decisive Moment. In 1966 he changed from black and white to color film, perhaps to make the medium more his own and less that of his esteemed predecessors. John Sarkowski, when he was curator of photography at the Museum of Modern Art, called Eggleston the "first color photographer, " and certainly the world in which we consider a color photograph as art has changed because of Eggleston. From 1966 to 1971, Eggleston would occasionally use a two and one quarter inch format for photographs. These are collected and published here for the first time, adding more classic Eggleston images to photography's color canon.
Author: Publisher: Steidl ISBN: 9783958293908 Category : Languages : en Pages : 24
Book Description
When William Eggleston's second artist's book Morals of Visions was first published in 1978 in a limited edition of fifteen, only a handful of lucky people were able to obtain it; it has since become a collectible rarity. That is now to change with this new Steidl edition, which re-imagines Morals of Visions as a trade book for the general public. The original Morals of Vision contains eight color coupler prints of Eggleston's archetypal still lifes, landscapes and portraits which glorify the banal and have since changed the history of color photography. "There is no particular reason to search for meaning," Eggleston has said of his work in general, a sentiment in contrast with the title Morals of Vision which suggests that there are indeed principles of a kind to be learnt from the images in this book. Yet the lessons in photos including those of a broom leaning again a wall, green grain silos in the fading light, and an off-center electric candle complete with fake wax, remain Eggleston's own ironic secret. 'I don't have a burning desire to go out and document anything. It just happens when it happens. It's not a conscious effort, nor is it a struggle.' -William Eggleston
Author: William Eggleston
Author: William Eggleston
Author: William Eggleston
Author: William Eggleston
Author: Nandini Sundar
Author: Morton H. Halperin
Author: Kate Aronoff
Author: Frances Seymour
Author: John Nichols
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