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Author: Thierry de Duve Publisher: Mit Press ISBN: 9780262540728 Category : Art Languages : en Pages : 488
Book Description
The Duchamp scholars represented here are among the leading European and American critics of their generation. Their 11 essays offer lively nd diverse perspectives on the artist, focusing on the major issues surrounding his contribution: the philosophical implications of Duchamp's skepticism, eroticism, and paradoxical acceptance of contradiction; the events leading to the creation of the infamous Fountain; a rigorous reading of the Large Glass by Jean Suquet that appears here in English for the first time, as does Andre Gervais's exhilarating voyage through Duchamp's puns, aphorisms,and word plays; a reinterpretation of Duchamp's late works as ready mades; the influence of scientific models on his art, and of the gender-based teaching of drawing in the Third Republic on his - or Rrose Selavy's - peculiar use of mechanical drawing. Thierry de Duve is Director of Studies, Association de prefiguration de l'Ecole des Beaux-Arts de la Ville de Paris. Copublished with the Nova Scotia College of Art and Design
Author: Thierry de Duve Publisher: Mit Press ISBN: 9780262540728 Category : Art Languages : en Pages : 488
Book Description
The Duchamp scholars represented here are among the leading European and American critics of their generation. Their 11 essays offer lively nd diverse perspectives on the artist, focusing on the major issues surrounding his contribution: the philosophical implications of Duchamp's skepticism, eroticism, and paradoxical acceptance of contradiction; the events leading to the creation of the infamous Fountain; a rigorous reading of the Large Glass by Jean Suquet that appears here in English for the first time, as does Andre Gervais's exhilarating voyage through Duchamp's puns, aphorisms,and word plays; a reinterpretation of Duchamp's late works as ready mades; the influence of scientific models on his art, and of the gender-based teaching of drawing in the Third Republic on his - or Rrose Selavy's - peculiar use of mechanical drawing. Thierry de Duve is Director of Studies, Association de prefiguration de l'Ecole des Beaux-Arts de la Ville de Paris. Copublished with the Nova Scotia College of Art and Design
Author: Martha Buskirk Publisher: MIT Press ISBN: 9780262522175 Category : Art Languages : en Pages : 246
Book Description
This expanded edition of the fall 1994 special issue of October includes new essays by Sarat Maharaj and by Molly Nesbit and Naomi Sawelson-Gorse. It also includes the transcript of an exchange between T. J. Clark and Benjamin Buchloh which presents new responses to the problems raised by this immediately popular (and now out of print) issue of the journal. The Duchamp Effect is an investigation of the historical reception of the work of Marcel Duchamp from the 1950s to the present, including interviews by Benjamin Buchloh (with Claes Oldenburg, Andy Warhol, and Robert Morris), Elizabeth Armstrong (with Ed Ruscha and Bruce Conner), and Martha Buskirk (with Louise Lawler, Sherrie Levine, and Fred Wilson) and a round-table discussion of the Duchamp effect on conceptual art. Contents Introduction, Benjamin H. D. Buchloh • What's Neo about the Neo-Avant-Garde?, Hal Foster • Typotranslating the Green Box, Sarat Maharaj • Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris, Benjamin H. D. Buchloh • Interviews with Ed Ruscha and Bruce Conner, Elizabeth Armstrong • Echoes of the Readymade: Critique of Pure Modernism, Thierryde Duve • Concept of Nothing: New Notes by Marcel Duchamp and Walter Arensberg, Molly Nesbit and Naomi Sawelson-Gorse • Interviews with Sherrie Levine, Louis Lawler, and Fred Wilson, Martha Buskirk • Thoroughly Modern Marcel, Martha Buskirk • Conceptual Art and the Reception of Duchamp, October Round Table • All the Things I Said about Duchamp: A Response to Benjamin Buchloh, T. J. Clark • Response to T. J. Clark, Benjamin Buchloh
Author: Penelope Haralambidou Publisher: Routledge ISBN: 1351919997 Category : Architecture Languages : en Pages : 1154
Book Description
While much has been written on Marcel Duchamp - one of the twentieth century's most beguiling artists - the subject of his flirtation with architecture seems to have been largely overlooked. Yet, in the carefully arranged plans and sections organising the blueprint of desire in the Large Glass, his numerous pieces replicating architectural fragments, and his involvement in designing exhibitions, Duchamp's fascination with architectural design is clearly evident. As his unconventional architectural influences - Niceron, Lequeu and Kiesler - and diverse legacy - Tschumi, OMA, Webb, Diller + Scofidio and Nicholson - indicate, Duchamp was not as much interested in 'built' architecture as he was in the architecture of desire, re-constructing the imagination through drawing and testing the boundaries between reality and its aesthetic and philosophical possibilities. Marcel Duchamp and the Architecture of Desire examines the link between architectural thinking and Duchamp's work. By employing design, drawing and making - the tools of the architect - Haralambidou performs an architectural analysis of Duchamp’s final enigmatic work Given: 1. The Waterfall, 2. The Illuminating Gas... demonstrating an innovative research methodology able to grasp meaning beyond textual analysis. This novel reading of his ideas and methods adds to, but also challenges, other art-historical interpretations. Through three main themes - allegory, visuality and desire - the book defines and theorises an alternative drawing practice positioned between art and architecture that predates and includes Duchamp.
Author: Ingrid E. Mida Publisher: Bloomsbury Publishing ISBN: 1350236136 Category : Design Languages : en Pages : 201
Book Description
Fashion is a subject that has long been marginalized in art history and in museums. And yet, one of the most well-known artists in the twentieth century - Marcel Duchamp - created works that challenge the notion that fashion does not belong in the museum. As well, there is material evidence of his engagement with clothing as part of his oeuvre. This book reveals that clothing and dressing are significant themes that recur in Duchamp's life and his work – including his drawings, his fashioning of his body, his readymades, and in his curatorial gestures. In examining the items of clothing worn by Duchamp and the related traces of his wardrobe management, Duchamp is unmasked as a dandy. His waistcoat readymade series 'Made to Measure' (1957-1961) is in fact a remarkable and deliberate effort to recalibrate the definition of the readymade to include clothing. With this little-studied readymade series, Duchamp established a precedent for sartorial art as a valid form of artistic expression. In considering the material traces of Duchamp's fashioning of his body and identity in his work and life, this book makes a highly original contribution to the understanding of Duchamp's work as well as the significance of the clothed body in the vanguard of Modernism. Ultimately, this book explains the relevance of fashion in the museum to modern audiences today.
Author: Thierry de Duve Publisher: University of Chicago Press ISBN: 0226922391 Category : Art Languages : en Pages : 92
Book Description
Joseph Beuys, Andy Warhol, Yves Klein, and Marcel Duchamp form an unlikely quartet, but they each played a singular role in shaping a new avant-garde for the 1960s and beyond. Each of them staged brash, even shocking, events and produced works that challenged the way the mainstream art world operated and thought about itself. Distinguished philosopher Thierry de Duve binds these artists through another connection: the mapping of the aesthetic field onto political economy. Karl Marx provides the red thread tying together these four beautifully written essays in which de Duve treats each artist as a distinct, characteristic figure in that mapping. He sees in Beuys, who imagined a new economic system where creativity, not money, was the true capital, the incarnation of the last of the proletarians; he carries forward Warhol’s desire to be a machine of mass production and draws the consequences for aesthetic theory; he calls Klein, who staked a claim on pictorial space as if it were a commodity, “The dead dealer”; and he reads Duchamp as the witty financier who holds the secret of artistic exchange value. Throughout, de Duve expresses his view that the mapping of the aesthetic field onto political economy is a phenomenon that should be seen as central to modernity in art. Even more, de Duve shows that Marx—though perhaps no longer the “Marxist” Marx of yore—can still help us resist the current disenchantment with modernity’s many unmet promises. An intriguing look at these four influential artists, Sewn in the Sweatshops of Marx is an absorbing investigation into the many intertwined relationships between the economic and artistic realms.
Author: Dalia Judovitz Publisher: Univ of California Press ISBN: 9780520213760 Category : Art Languages : en Pages : 330
Book Description
"Transit, transitional, transition: Dalia Judovitz catches Marcel Duchamp on the run with his art in a suitcase and his thought all boxed and ready to go. . . . She demonstrates how the theme of transition, reappearing from work to work, makes each piece reproduce some other piece, while all continue to exemplify an original which can no longer be found and which has no creator."—Jean-François Lyotard
Author: Richard Kostelanetz Publisher: Routledge ISBN: 1351267108 Category : Art Languages : en Pages : 1012
Book Description
Twenty-five years after the publication of A Dictionary of the Avant-Gardes, the distinguished critic and arts historian Richard Kostelanetz returns to his favorite subject for a third edition. Rewriting earlier entries, adding hundreds of new ones, Kostelanetz provides intelligence and information unavailable anywhere else, no less in print than online, about a wealth of subjects and individuals. Focused upon what is truly innovative and excellent, he ranges widely with insight and surprise, including appreciations of artistic athletes such as Muhammad Ali, Johan Cruyff, and the Harlem Globetrotters and such collective creations as Las Vegas and his native New York City. Continuing the traditions of cheeky high-style Dictionarysts, honoring Samuel Johnson and Nicolas Slonimsky (both with individual entries), Kostelanetz offers a "reference book" to be enjoyed not only in bits and chunks, but continuously as one of the dozen books someone would take if they planned to be stranded on a desert isle.
Author: Herbert Molderings Publisher: Columbia University Press ISBN: 0231519745 Category : Philosophy Languages : en Pages : 277
Book Description
Marcel Duchamp is often viewed as an "artist-engineer-scientist," a kind of rationalist who relied heavily on the ideas of the French mathematician and philosopher Henri Poincaré. Yet a complete portrait of Duchamp and his multiple influences draws a different picture. In his 3 Standard Stoppages (1913-1914), a work that uses chance as an artistic medium, we see how far Duchamp subverted scientism in favor of a radical individualistic aesthetic and experimental vision. Unlike the Dadaists, Duchamp did more than dismiss or negate the authority of science. He pushed scientific rationalism to the point where its claims broke down and alternative truths were allowed to emerge. With humor and irony, Duchamp undertook a method of artistic research, reflection, and visual thought that focused less on beauty than on the notion of the "possible." He became a passionate advocate of the power of invention and thinking things that had never been thought before. The 3 Standard Stoppages is the ultimate realization of the play between chance and dimension, visibility and invisibility, high and low art, and art and anti-art. Situating Duchamp firmly within the literature and philosophy of his time, Herbert Molderings recaptures the spirit of a frequently misread artist-and his thrilling aesthetic of chance.
Author: Thierry de Duve
Author: Thierry de Duve
Author: Martha Buskirk
Author: Thierry de Duve
Author: Penelope Haralambidou
Author: Ingrid E. Mida
Author: Thierry de Duve
Author: Dalia Judovitz
Author: Thierry De Duve
Author: Richard Kostelanetz
Author: Herbert Molderings