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Author: Claire Donovan Publisher: University of Toronto Press ISBN: 9780802059512 Category : History Languages : en Pages : 244
Book Description
Claire Donovan provides a detailed discussion of the Hours, its iconography and its place in the thirteenth-century Oxford book trade, with five appendices, notes and bibliography.
Author: Claire Donovan Publisher: University of Toronto Press ISBN: 9780802059512 Category : History Languages : en Pages : 244
Book Description
Claire Donovan provides a detailed discussion of the Hours, its iconography and its place in the thirteenth-century Oxford book trade, with five appendices, notes and bibliography.
Author: Madeline Grace Joiner Publisher: ISBN: Category : Languages : en Pages : 258
Book Description
This thesis reviews the pictorial contents of the de Brailes Hours within in the milieu of its reception, chiefly as a object of novelty, with Dominican connections, and a female audience. Building on this and the work of scholars like Claire Donovan and Carlee Bradbury, this thesis suggests that there is in the manuscript’s pictorial program a devotional architecture structured much like the sermo modernus, wherein a thema is dilated by several exmpla. The program contains many themata, and many different exempla for each, but examined here is specifically the thema of faith and its performance in three character-foil exempla sets: Peter and the Wandering Jew, Elizabeth and Joseph, and David and Susanna. This devotional architecture is constructed through the varied and manifold schema of cross-references, a visual and moral back-and-forthing that prompts recognition of this network as well as reflection on the viewer’s own devotions. The function of this architecture is not inherently gendered, bug the particular thema explored favors a female audience, in accordance with the manuscript’s codicological indications of its intended viewer.
Author: Charity Scott-Stokes Publisher: Boydell & Brewer ISBN: 1843840707 Category : History Languages : en Pages : 202
Book Description
English translation of a variety of texts from women's books of hours, with introduction, notes, and an interpretive essay. The book of hours is said to have been the most popular book owned by the laity in the later middle ages. Women were often patrons or owners of such books, which were usually illustrated: indeed, the earliest surviving exemplar made in England was designed and illustrated by William de Brailes in Oxford in the mid-thirteenth century, for an unknown young lady whom he portrayed in the book several times. This volume brings together a selection of texts taken from books of hours known to have been owned by women. While some will be familiar from bibles or prayer-books, others have to be sought in specialist publications, often embedded in other material, and a few have not until now been available at all in modern editions or translations. The texts are complemented by an introduction setting the book of hours in its context, an interpretive essay, glossary and annotated bibliography.
Author: Simon Eliot Publisher: John Wiley & Sons ISBN: 1444356585 Category : Literary Criticism Languages : en Pages : 617
Book Description
A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.
Author: Paul Maurice Clogan Publisher: Rowman & Littlefield ISBN: 9780847678822 Category : Art Languages : en Pages : 292
Book Description
Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself exclusively to Medieval and Renaissance studies.
Author: Monika E. Müller Publisher: Cambridge Scholars Publishing ISBN: 1443861030 Category : Crafts & Hobbies Languages : en Pages : 235
Book Description
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
Author: Publisher: BRILL ISBN: 9004228322 Category : History Languages : en Pages : 1184
Book Description
These volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' (fecit). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.
Author: Claire Donovan
Author: Claire Donovan
Author: Madeline Grace Joiner
Author: Eamon Duffy
Author: John Higgitt
Author: Charity Scott-Stokes
Author: Roxburghe Club
Author: Simon Eliot
Author: Paul Maurice Clogan
Author: Monika E. Müller
Author: