The Daguerreian Annual 2011 PDF Download

Author: Mark S. Johnson
Publisher:
ISBN:
Category : Daguerreotype
Languages : en
Pages : 231

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Author: Jessie Morgan-Owens
Publisher: W. W. Norton & Company
ISBN: 0393609251
Category : History
Languages : en
Pages : 272

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The riveting, little-known story of Mary Mildred Williams—a slave girl who looked “white”—whose photograph transformed the abolitionist movement. When a decades-long court battle resulted in her family’s freedom in 1855, seven-year-old Mary Mildred Williams unexpectedly became the face of American slavery. Famous abolitionists Thomas Wentworth Higginson, Henry David Thoreau, and John Albion Andrew would help Mary and her family in freedom, but Senator Charles Sumner saw a monumental political opportunity. Due to generations of sexual violence, Mary’s skin was so light that she “passed” as white, and this fact would make her the key to his white audience’s sympathy. During his sold-out abolitionist lecture series, Sumner paraded Mary in front of rapt audiences as evidence that slavery was not bounded by race. Weaving together long-overlooked primary sources and arresting images, including the daguerreotype that turned Mary into the poster child of a movement, Jessie Morgan-Owens investigates tangled generations of sexual enslavement and the fraught politics that led Mary to Sumner. She follows Mary’s story through the lives of her determined mother and grandmother to her own adulthood, parallel to the story of the antislavery movement and the eventual signing of the Emancipation Proclamation. Girl in Black and White restores Mary to her rightful place in history and uncovers a dramatic narrative of travels along the Underground Railroad, relationships tested by oppression, and the struggles of life after emancipation. The result is an exposé of the thorny racial politics of the abolitionist movement and the pervasive colorism that dictated where white sympathy lay—one that sheds light on a shameful legacy that still affects us profoundly today.

Author: Christine Barthe (ed.)
Publisher: Art Book Magazine / Louvre Abu Dhabi
ISBN: 2821601263
Category : Photography
Languages : en
Pages : 192

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Featuring a broad selection of photographs from Musée du Quai Branly – Jacques Chirac and other French partner museums, the exhibition catalogue explores the circumstances in which photography was introduced in Europe since 1839 and then practiced around the world, including the Middle East, Africa, Asia and the Americas by leading photographers like Jacques-Philippe Potteau, Isidore van Kinsbergen, Auguste Bartholdi, Désiré Charnay, Muhammad Sadiq Bey, Lala Deen Dayal, Abdullah Brothers and Timothy O’Sullivan. It also features a selection of historical texts on photography by prominent theologian and philosopher, the Emir Abd el-Kader.

Author: Peter Bjerregaard
Publisher: Routledge
ISBN: 1317099427
Category : Social Science
Languages : en
Pages : 288

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Book Description
‘Passing’ is a common euphemism for the death of a person, as he or she is said to ‘pass away’ or ‘pass on’. This open-ended saying has at its heart a notion of transformation from one state to another, which in turn grants the possibility of grasping or approximating the passage of time and the materiality of death and decay. This book begins with the idea that since all material things - whether animals, human beings, objects or buildings - undergo some form of passing, then the specific transformation in these passages and the materiality actively given to it can offer us a grasp of otherwise precarious temporalities. It examines how human beings strive to relate to the temporal dimension of death and decay, by giving new shape and direction to being and by examining its natural transformations. Focusing on the materiality of passing, and thereby the relationship between embodiment, temporality and death, Materialities of Passing offers rich case studies from Europe, Papua New Guinea, South Africa and the Russian Far East for exploring the material, spatial and directional aspects of the very interface between life and death. As such, it will appeal to scholars of anthropology, death studies, archaeology, philosophy and cultural studies.

Author: Elisa deCourcy
Publisher: Routledge
ISBN: 1000209873
Category : Art
Languages : en
Pages : 174

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James William Newland’s (1810–1857) career as a showman daguerreotypist began in the United States but expanded into Central and South America, across the Pacific to New Zealand and colonial Australia and onto India. Newland used the latest developments in photography, theatre and spectacle to create powerful new visual experiences for audiences in each of these volatile colonial societies. This book assesses his surviving, vivid portraits against other visual ephemera and archival records of his time. Newland’s magic lantern and theatre shows are imaginatively reconstructed from textual sources and analysed, with his short, rich career casting a new light on the complex worlds of the mid-nineteenth century. It provides a revealing case study of someone brokering new experiences with optical technologies for varied audiences at the forefront of the age of modern vision. This book will be of interest to scholars in art and visual culture, photography, the history of photography and Victorian history.

Author: Sarah Kate Gillespie
Publisher: MIT Press
ISBN: 0262334100
Category : Photography
Languages : en
Pages : 227

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Book Description
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as “the American process.” The daguerreotype—now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages—was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie shows in this generously illustrated history, something wholly and remarkably new: a product of science and innovative technology that resulted in a visual object. It was a hybrid, with roots in both fine art and science, and it interacted in reciprocally formative ways with fine art, science, and technology. Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the “American process,” tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse as he made the transition from artist to inventor; how artists made use of the daguerreotype, both borrowing conventions from fine art and establishing new ones for a new medium; the use of the daguerreotype in various sciences, particularly astronomy; and technological innovators who drew on their work in the mechanical arts. By the 1860s, the daguerreotype had been supplanted by newer technologies. Its rise (and fall) represents an early instance of the ever-constant stream of emerging visual technologies.

Author: Kris Belden-Adams
Publisher: Routledge
ISBN: 1000211541
Category : Art
Languages : en
Pages : 248

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Book Description
Throughout photography’s history, failure has played an essential, recurring part in the development and perceived value of this medium. Exploring a range of failures – individual and institutional, technological and historiographical – Photography and Failure asks what it means to fail and considers how this narrative of failure has shaped our understanding of photography. From the trial-and-error beginnings of photochemistry to poor business decisions influenced by fickle public opinion and taste, the founders and early practitioners of photography frequently faced bankruptcy and ignominy. Alongside these individual ‘failures’, this collection of essays examines the role of museums in rediscovering, preserving and presenting photographs within institutions, as well as technological limitations, such as the problematic panoramic lens or the digital, archival failures of Snapchat. Moving beyond the physical photograph and these processes, the book also investigates the limitations of photographs themselves, as purveyors of truth, time, space, documentary realism and social change, whether these failures are used to effect or not. Finally, the book probes the historiographical failures affecting the discipline, drawing on key debates, such as the perceived over-emphasis on European and American photography, and the place of photography theory in contemporary art practice. Blurring the boundaries between traditional binaries of art and non-art photography, amateur and professional practice, and individual and corporate perspectives, Photography and Failure presents a new approach to understanding and evaluating photographic history.

Author: Donald A. Hopkins
Publisher: Casemate Publishers
ISBN: 1611211212
Category : History
Languages : en
Pages : 394

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Robert E. Lee is well known as a Confederate general and as an educator later in life, but most people are exposed to the same handful of images of one of America’s most famous sons. It has been almost seven decades since anyone has attempted a serious study of Lee in photographs, and with Don Hopkins’s painstakingly researched and lavishly illustrated Robert E. Lee in War and Peace, the wait is finally over. Dr. Hopkins, a Mississippi surgeon and lifelong student of the Civil War and Southern history with a recent interest in Robert E. Lee’s “from life” photographs, scoured manuscript repositories and private collections across the country to locate every known Lee image (61 in all) in existence today. The detailed text accompanying these images provides a sweeping history of Lee’s life and a compelling discussion of antique photography, with biographical sketches of all of Lee’s known photographers. The importance of information within the photographer’s imprint or backmark is emphasized throughout the book. Hopkins offers a substantial amount of previously unknown information about these images, how each came to be, and the mistakes in fact and attribution other authors and writers have made describing photographs of Lee to the reading public. Many of the images in this book are being published for the first time. In addition to a few rare photographs and formats that were uncovered during the research phase of Robert E. Lee in War and Peace, the author offers—for the first time—definitive and conclusive attribution of the identity of the photographer of the well-known Lee “in the field” images, and reproduces a startling imperial-size photograph of Lee made by Alexander Gardner of Washington, D.C. Students of American history in general and the Civil War in particular, as well as collectors and dealers who deal with Civil War era photography, will find Hopkins’s outstanding Robert E. Lee in War and Peace a true contribution to the growing literature on the Civil War. About the Author: Born in the rural South, Donald A. Hopkins has maintained a fascination with Southern history since he was a child. In addition to published papers in the medical field, he has written several Civil War articles and The Little Jeff: The Jeff Davis Legion, Cavalry, Army of Northern Virginia for which he received the United Daughters of the Confederacy’s Jefferson Davis Historical Gold Medal. Dr. Hopkins served as Battalion Surgeon for the 1st Battalion, 9th Marines, (better known as “The Walking Dead”) in Vietnam. He was awarded the purple heart and the Bronze Star with combat “V.” Dr. Hopkins is a surgeon in Gulfport, Mississippi, where he lives with his wife Cindy and their golden retriever Dixie.

Author: Matthew Fox-Amato
Publisher: Oxford University Press
ISBN: 0190663952
Category : History
Languages : en
Pages : 352

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Book Description
Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.

Author: Tanya Sheehan
Publisher: Routledge
ISBN: 1317578953
Category : Photography
Languages : en
Pages : 301

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Book Description
Recent decades have seen a flourishing interest in and speculation about the origins of photography. Spurred by rediscoveries of ‘first’ photographs and proclamations of photography’s death in the digital age, scholars have been rethinking who and what invented the medium. Photography and Its Origins reflects on this interest in photography’s beginnings by reframing it in critical and specifically historiographical terms. How and why do we write about the origins of the medium? Whom or what do we rely on to construct those narratives? What’s at stake in choosing to tell stories of photography’s genesis in one way or another? And what kind of work can those stories do? Edited by Tanya Sheehan and Andrés Mario Zervigón, this collection of 16 original essays, illustrated with 32 colour images, showcases prominent and emerging voices in the field of photography studies. Their research cuts across disciplines and methodologies, shedding new light on old questions about histories and their writing. Photography and Its Origins will serve as a valuable resource for students and scholars in art history, visual and media studies, and the history of science and technology.