Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 260
Book Description
The Crystal palace magazine 1857
Author: Tercentenary Handlist of English & Welsh Newspapers, Magazines & Reviews ...
Author: Roland AustinPublisher: London : Dawsons of Pall Mall
ISBN:
Category : English newspapers
Languages : en
Pages : 424
Book Description
All the Mighty World
Author: Gordon BaldwinPublisher: Metropolitan Museum of Art
ISBN: 1588391280
Category : Photography, Artistic
Languages : en
Pages : 305
Book Description
"Roger Fenton (1819-1869) was England's most celebrated photographer during the 1850s, the young medium's most glorious moment. After studying law and painting, Fenton took up the camera in 1851 and immediately began to produce highly original images. During a decade of work he mastered every photographic genre he attempted: architectural photography, landscape, portraiture, still life, reportage, and tableau vivant." "This volume presents ninety of Fenton's finest photographs, exactingly reproduced. Six leading scholars have contributed nine illustrated essays that address every aspect of Fenton's career, as well as a comprehensive, documented chronology."--BOOK JACKET.
The Historical Magazine, and Notes and Queries Concerning the Antiquities, History, and Biography of America
Author: The Victorian Novel and the Space of Art
Author: Dehn GilmorePublisher: Cambridge University Press
ISBN: 1107661609
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
This interdisciplinary study argues for the vital importance of visual culture as a force shaping the Victorian novel's formal development and reading history. It shows how authors like Charles Dickens, William Makepeace Thackeray, Wilkie Collins and Thomas Hardy borrowed language and conceptual formations from art world spaces - the art market, the museum, the large-scale exhibition, and art critical discourse - not only when they chose certain subjects or refined certain aspects of realism, but also when they tried to adapt various genres of the novel for a new and newly vociferous mass audience. Quandaries specific to new forms of public display affected authors' sense of their relationship with their own public. Debates about how best to appreciate a new mass of visual information impacted authors' sense of how people read, and consequently the development of particular novel forms like the multi-plot novel, the historical novel, the sensation novel, and fin-de-siècle fiction.
Palace of the People
Author: Jan PiggottPublisher: Univ of Wisconsin Press
ISBN: 9780299200947
Category : Architecture
Languages : en
Pages : 248
Book Description
Built for the Great Exhibition of 1851, the Crystal Palace originally graced London's Hyde Park with Joseph Paxton's remarkable geometric design and groundbreaking use of glass elements, prefiguring the modern movement in architecture. After the exhibition a group of bankers, railway directors, and men of influence moved the structure to a new site in south London, rebuilt it to an even grander scale, and set about its promotion as a "palace for the multitude." Here were exhibitions, concerts, and spectaculars to fill a splendid day out for Londoners of all classes and interests. Filled with plaster casts of great art treasures, life-sized models of dinosaurs, waterworks, and gardens, the Crystal Palace became a center of both education and entertainment from the Victorian era through its destruction by fire in1936. Copublished with C. Hurst & Co., London Wisconsin edition for sale only in North and South America, U.S. territories and dependencies, and the Philippines.
Saint Pauls [afterw.] The Saint Pauls magazine, ed. by A. Trollope
![Saint Pauls [afterw.] The Saint Pauls magazine, ed. by A. Trollope PDF](https://books.google.com/books/content/images/frontcover/zWgEAAAAQAAJ?fife=w80-h100)
Author: Anthony Trollope"Aberdeen Journal" Notes and Queries
Author: Victorian Glassworlds
Author: Isobel ArmstrongPublisher: Oxford University Press
ISBN: 0199205205
Category : Art
Languages : en
Pages : 470
Book Description
Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the prefabricated glass panel, and the lens. The mirror and the window became its formative elements, both the texts and constituents of glass culture. The glassworlds of the century are heterogeneous. They manifest themselves in the technologies of the factory furnace, in the myths of Cinderella and her glass slipper circulated in print media, in the ideologies of the conservatory as building type, in the fantasia of the shopfront, in the production of chandeliers, in the Crystal Palace, and the lens-made images of the magic lantern and microscope. But they were nevertheless governed by two inescapable conditions. First, to look through glass was to look through the residues of the breath of an unknown artisan, because glass was mass produced by incorporating glassblowing into the division of labour. Second, literally a new medium, glass brought the ambiguity of transparency and the problems of mediation into the everyday. It intervened between seer and seen, incorporating a modern philosophical problem into bodily experience. Thus for poets and novelists glass took on material and ontological, political, and aesthetic meanings. Reading glass forwards into Bauhaus modernism, Walter Benjamin overlooked an early phase of glass culture where the languages of glass are different. The book charts this phase in three parts. Factory archives, trade union records, and periodicals document the individual manufacturers and artisans who founded glass culture, the industrial tourists who described it, and the systematic politics of window-breaking. Part Two, culminating in glass under glass at the Crystal Palace, reads the glassing of the environment, including the mirror, the window, and controversy round the conservatory, and their inscription in poems and novels. Part Three explores the lens, from optical toys to 'philosophical' instruments as the telescope and microscope were known. A meditation on its history and phenomenology, Victorian Glassworlds is a poetics of glass for nineteenth-century modernity.
Author: John I Knight