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Author: David Lewis Publisher: Scarecrow Filmmakers Series ISBN: Category : Biography & Autobiography Languages : en Pages : 290
Book Description
In 1938, Warner Brothers production chief Hal Wallis grudgingly described David Lewis--one of his six "supervisors" and a veteran of 15 feature films--to director Michael Curtiz: "That Lewis is a genius at getting scripts out of people who can't write " Wallis knew that writing ultimately defined the job of the creative producer and that David Lewis had an uncanny talent for coaxing the best filmic material from the screenwriters he supervised. In this memoir, Lewis describes his development as a production executive and how the associate producer helped make the famed studio system work. It was the producer (or "supervisor", at Warners) who saw the script budgeted, cast the film, helped choose the director, and gently influenced the filming itself. Once shooting was complete, it was the producer who stayed with the project through editing and previews. David Lewis (1903-1987) was an associate producer at RKO and later at MGM. He hit his stride at Warner Bros., where, between 1937 and 1942, he produced twelve films with such popular stars as James Cagney (Each Dawn I Die), Humphrey Bogart (It All Came True), Bette Davis (Dark Victory), Ronald Reagan (Kings Row), Errol Flynn (Four's a Crowd), and Charles Boyer (All This and Heaven Too). His films were nominated for a total of 15 Academy Awards, including three for Best Picture. Some of Lewis's films have rightfully become classics; all reflect an unerring instinct for character and structure, part of the filmmaking process he describes in The Creative Producer.
Author: David Lewis Publisher: Scarecrow Filmmakers Series ISBN: Category : Biography & Autobiography Languages : en Pages : 290
Book Description
In 1938, Warner Brothers production chief Hal Wallis grudgingly described David Lewis--one of his six "supervisors" and a veteran of 15 feature films--to director Michael Curtiz: "That Lewis is a genius at getting scripts out of people who can't write " Wallis knew that writing ultimately defined the job of the creative producer and that David Lewis had an uncanny talent for coaxing the best filmic material from the screenwriters he supervised. In this memoir, Lewis describes his development as a production executive and how the associate producer helped make the famed studio system work. It was the producer (or "supervisor", at Warners) who saw the script budgeted, cast the film, helped choose the director, and gently influenced the filming itself. Once shooting was complete, it was the producer who stayed with the project through editing and previews. David Lewis (1903-1987) was an associate producer at RKO and later at MGM. He hit his stride at Warner Bros., where, between 1937 and 1942, he produced twelve films with such popular stars as James Cagney (Each Dawn I Die), Humphrey Bogart (It All Came True), Bette Davis (Dark Victory), Ronald Reagan (Kings Row), Errol Flynn (Four's a Crowd), and Charles Boyer (All This and Heaven Too). His films were nominated for a total of 15 Academy Awards, including three for Best Picture. Some of Lewis's films have rightfully become classics; all reflect an unerring instinct for character and structure, part of the filmmaking process he describes in The Creative Producer.
Author: Thomas Brett Publisher: CRC Press ISBN: 1000405427 Category : Computers Languages : en Pages : 291
Book Description
The Creative Electronic Music Producer examines the creative processes of electronic music production, from idea discovery and perception to the power of improvising, editing, effects processing, and sound design. Featuring case studies from across the globe on musical systems and workflows used in the production process, this book highlights how to pursue creative breakthroughs through exploration, trial and error tinkering, recombination, and transformation. The Creative Electronic Music Producer maps production's enchanting pathways in a way that will fascinate and inspire students of electronic music production, professionals already working in the industry, and hobbyists.
Author: Myrl A. Schreibman Publisher: Watson-Guptill ISBN: 0770433510 Category : Performing Arts Languages : en Pages : 290
Book Description
Myrl Schreibman has written a comprehensive and practical, step-by-step guide for organizing and running a film from pre-production through post-production and delivery. This invaluable resource provides fundamental tools to produce a more thorough, more organized, and more professional film production. Packed with engaging and useful anecdotes, Schreibman provides a superlative introduction and overview to all of the key elements in producing for film and television. Useful to film students and filmmakers as a theoretical and practical guide to understanding the filmmaking process, Schreibman fills his manuscript with practical examples from his considerable personal experience in the film industry. Loaded with insider tips to help filmmakers avoid the pitfalls of show business.
Author: Carol Baum Publisher: Simon and Schuster ISBN: 1621538389 Category : Performing Arts Languages : en Pages : 262
Book Description
Go behind the scenes with the producer of Father of the Bride to learn all the skills necessary to be a top Hollywood producer As former co-president of Dolly Parton's production company, Sandollar, and as a successful independent producer, Carol Baum is an expert in the art of film production. Creative Producing provides a crash course in the frequently misunderstood producer's role and the many skills needed to survive and thrive in Hollywood. Readers receive a master class in production––from pitching, script development, and packaging, to working with stars, directors, and difficult executives. Enhanced with behind-the-scenes stories from Baum's illustrious career, Creative Producing offers an intimate look behind the Hollywood curtain to give film students, cinephiles, aspiring executives, and industry insiders a must-have guide to understanding film development from successful pitch to hit picture.
Author: Sharon Louden Publisher: ISBN: 9781783207275 Category : ART Languages : en Pages : 402
Book Description
When 'Living and Sustaining a Creative Life' was published in 2013, it became an immediate sensation. Edited by Sharon Louden, the book brought together forty essays by working artists, each sharing their own story of how to sustain a creative practice that contributes to the ongoing dialogue in contemporary art. The book struck a nerve how do artists really make it in the world today? Louden took the book on a sixty-two-stop book tour, selling thousands of copies, and building a movement along the way. Now, Louden returns with a sequel: forty more essays from artists who have successfully expanded their practice beyond the studio and become change agents in their communities. There is a misconception that artists are invisible and hidden, but the essays here demonstrate the truth artists make a measurable and innovative economic impact in the non-profit sector, in education, and in corporate environments. The Artist as Culture Producer illustrates how today's contemporary artists add to creative economies through out-of-the-box thinking while also generously contributing to the well-being of others. By turns humorous, heartbreaking, and instructive, the testimonies of these forty diverse working artists will inspire and encourage every reader from the art student to the established artist.
Author: Michael Beinhorn Publisher: Hal Leonard Corporation ISBN: 1495028941 Category : Music Languages : en Pages : 224
Book Description
(Music Pro Guide Books & DVDs). Here, record producer Beinhorn reveals how to deal with interpersonal issues record producers face when they work with artists one on one or in small groups. The situations and solutions are based upon the author's personal and professional experience working with a variety of different artists, such as Herbie Hancock, the Red Hot Chili Peppers, Soul Asylum, Hole, Soundgarden, Ozzy Osbourne, Courtney Love, Marilyn Manson, Social Distortion, Korn, and Mew. Beinhorn's unique methods and perspective, applied to record producing and music making in the studio, opens the door to successful collaborative efforts. The author shows you how to find what he calls your sensory connection to the creativity process, which ultimately helps you find the intent behind your creative choices. You can read dozens of articles and books that feature a hundred different people talking about what microphones they used when they recorded Record X or how they set their stereo buss compressor, but you will never find out what prompted them to make these choices. Beinhorn's focus on collaborative effort enables record producers and artists to find solutions while working as a creative team. This perspective is especially valuable as it is transdisciplinary and can be applied to many occupations and modes of creativity outside of record production.
Author: Ed Catmull Publisher: Random House ISBN: 0679644504 Category : Business & Economics Languages : en Pages : 367
Book Description
The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.
Author: Buck Houghton Publisher: ISBN: Category : Performing Arts Languages : en Pages : 248
Book Description
Guide lines on choosing stories and rendering stories into screenplays are valuable, as are his insights into the whole of maviemaking process-preproduction, production, and postproduction. the nuts-and bolts issues that must be understood.
Author: Mick Brown Publisher: A&C Black ISBN: 1408819503 Category : Biography & Autobiography Languages : en Pages : 562
Book Description
In 2002, the reclusive and legendary record producer Phil Spector gave his first interview in twenty-five years to Mick Brown. The day after it was published an actress named Lana Clarkson was shot dead in Spector's LA castle. This is Brown's odyssey into the strange life and times of Phil Spector. Beginning with that fateful meeting in Spector's home and going on to explore his colourful and extraordinary life and career, including the unfolding of the Clarkson case, this is one of the most bizarre and compelling stories in pop history.
Author: Vicki Mayer Publisher: Duke University Press ISBN: 0822350076 Category : Biography & Autobiography Languages : en Pages : 252
Book Description
Considers the work of television set assemblers, soft-core cameramen, reality-program casters, and public-access and cable commissioners in relation to the globalized economy of the television industry
Author: David Lewis
Author: David Lewis
Author: Thomas Brett
Author: Myrl A. Schreibman
Author: Carol Baum
Author: Sharon Louden
Author: Michael Beinhorn
Author: Ed Catmull
Author: Buck Houghton
Author: Mick Brown
Author: Vicki Mayer