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Author: Samuel Charters Publisher: Da Capo Press, Incorporated ISBN: Category : Music Languages : en Pages : 342
Book Description
From the field cries and work chants of Southern Negroes emerged a rich and vital music called the country blues, an intensely personal expression of the pains and pleasures of black life. This music--recorded during the twenties by men like Blind Lemon Jefferson, Big Bill Broonzy, and Robert Johnson--had all but disappeared from memory until the folk music revival of the late 1950's created a new and appreciable audience for the country blues.
Author: Samuel Charters Publisher: Da Capo Press, Incorporated ISBN: Category : Music Languages : en Pages : 342
Book Description
From the field cries and work chants of Southern Negroes emerged a rich and vital music called the country blues, an intensely personal expression of the pains and pleasures of black life. This music--recorded during the twenties by men like Blind Lemon Jefferson, Big Bill Broonzy, and Robert Johnson--had all but disappeared from memory until the folk music revival of the late 1950's created a new and appreciable audience for the country blues.
Author: Samuel B. Charters Publisher: Da Capo Press ISBN: 9780306800146 Category : Music Languages : en Pages : 314
Book Description
From the field cries and work chants of Southern Negroes emerged a rich and vital music called the country blues, an intensely personal expression of the pains and pleasures of black life. This music--recorded during the twenties by men like Blind Lemon Jefferson, Big Bill Broonzy, and Robert Johnson--had all but disappeared from memory until the folk music revival of the late 1950's created a new and appreciable audience for the country blues.On of the pioneering studies of this unjustly-neglected music was Sam Charter's The Country Blues. In it, Charters recreates the special world of the country bluesman--that lone black performer accompanying himself on the acoustic guitar, his music a rich reflection of his own emotional life.Virtually rewriting the history of the blues, Charters reconstructs its evolution and dissemination, from the first tentative soundings on the Mississippi Delta through the emergence, with Elvis Presley, of rock and roll. His carefully-researched biographies of near-legendary performers like Lonnie Johnson, Blind Boy Fuller, and Tampa Red--coupled with his perceptive discussions of their recordings--pay tribute to a kind of artistry that will never be seen or heard again. And his portraits of the still-strumming Sonny Terry, Brownie McGhee, Muddy Waters, and Lightnin' Hopkins--point up the undying strength and vitality of the country blues.
Author: Gerald Haslam Publisher: Univ of California Press ISBN: 9780520218000 Category : Art Languages : en Pages : 418
Book Description
California has been fertile ground for country music since the 1920s, nurturing a multitude of talents from Gene Autry to Glen Campbell, Rose Maddox to Barbara Mandrell, Buck Owens to Merle Haggard. In this affectionate homage to California's place in country music's history, Gerald Haslam surveys the Golden State's contributions to what is today the most popular music in America. At the same time he illuminates the lives of the white, working-class men and women who migrated to California from the Dust Bowl, the Hoovervilles, and all the other locales where they had been turned out, shut down, or otherwise told to move on. Haslam's roots go back to Oildale, in California's central valley, where he first discovered the passion for country music that infuses Workin' Man Blues. As he traces the Hollywood singing cowboys, Bakersfield honky-tonks, western-swing dance halls, "hillbilly" radio shows, and crossover styles from blues and folk music that also have California roots, he shows how country music offered a kind of cultural comfort to its listeners, whether they were oil field roustabouts or hash slingers. Haslam analyzes the effects on country music of population shifts, wartime prosperity, the changes in gender roles, music industry economics, and television. He also challenges the assumption that Nashville has always been country music's hometown and Grand Ole Opry its principal venue. The soul of traditional country remains romantically rural, southern, and white, he says, but it is also the anthem of the underdog, which may explain why California plays so vital a part in its heritage: California is where people reinvent themselves, just as country music has reinvented itself since the first Dust Bowl migrants arrived, bringing their songs and heartaches with them.
Author: Adam Gussow Publisher: UNC Press Books ISBN: 1469633671 Category : Music Languages : en Pages : 417
Book Description
The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake ("the devil's music"), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as "the crossroads" in 1999, claiming Johnson and the devil as their own.
Author: Stefan Grossman Publisher: Oak Publications ISBN: 1783234547 Category : Music Languages : en Pages : 208
Book Description
The shellac of the 20's, 30's and 40's caught the fleeting moment, the spirit of the times; the raunchy ragtime, barrelhouse boogie and the country blues. Some of those records will never be replaced. Some, never will be heard again. Many of those songs are here in printed form for the first time, as an only monument to a pristine era never to happen again. This is a valued collection of the great country blues — as sung and played by the greatest of the country bluesmen — as collected and annotated by Stefan Grossman, Hal Grossman and Stephen Calt: Aberdeen Mississippi Blues/Booker White'Bout A Spoonful/Mance LipscombAlabama Blues/Robert WilkinsAin't You Sorry?/Mance LipscombAll Night Long/Skip JamesAt Home Blues/Sam "Lightnin' " HopkinsAvalon Blues/Mississippi John HurtAwful Fix Blues/Buddy Boy HawkinsBanty Rooster Blues/Charlie PattonBeer Drinkin' Women/R.K. TurnerBig Chief Blues/Furry LewisBig Leg Blues/Mississippi John HurtBird Nest Bound/Charlie PattonBob McKinney/Henry ThomasBud Russell Blues/Sam "Lightnin'" HopkinsBull Frog Blues/William HarrisCandy Man Blues/Mississippi John HurtCasey Jones/Furry LewisCatfish Blues/Skip JamesCharlie James/Mance LipscombCoffee Blues/Mississippi John HurtCorinne, Corinna/Mississippi John HurtCounty Farm Blues/Son HouseCrossroad Blues/Robert JohnsonCrow Jane/Skip JamesCypress Grove Blues/Skip JamesDepot Blues/Son HouseDevil Got My Woman/Skip JamesDevil in the Lion's Den/Sam CollinsDough Roller Blues/Joe CallicottDown the Dirt Road/Charlie PattonDrunken Spree/Skip JamesDry Well Blues/Charlie PattonFallin' Down Blues/Robert WilkinsFuture Blues/Willie BrownGet Away Blues/Robert WilkinsHambone Blues/Ed BellHammer Blues/Charlie PattonHell Hound On My Trail/Robert JohnsonHot Jelly Roll Blues/George CarterHow Long Buck/Skip JamesI'm Satis fied/Mississippi John HurtJinx Blues/Son HouseKnocking Down Windows/Mance LipscombLong Train Blues/Robert WilkinsMarried Woman Blues/Joe Callicott
Author: Samuel Charters
Author: Samuel Charters
Author: Samuel Charters
Author: Samuel B. Charters
Author: Stefan Grossman
Author: Jon Gindick
Author: George Mitchell
Author: Samuel Barclay Charters
Author: Gerald Haslam
Author: Adam Gussow
Author: Stefan Grossman