The Correspondence of Sir Walter Scott and Charles Robert Maturin PDF Download

Author: Walter Scott
Publisher:
ISBN:
Category : Authors, Scottish
Languages : en
Pages :

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Author: Fannie E. Ratchford
Publisher: Routledge
ISBN: 0429656297
Category : Business & Economics
Languages : en
Pages : 159

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Originally published in 1937, The Correspondence of Sir Walter Scott and Charles Robert Maturin contains twenty-two letters presenting a penetrating and vivid self-portrait of Sir Walter Scott. Scott's patronage of Maturin, this impecunious Irish author, giving him wise advice, lending encouragement in his work and at times badly needed financial assistance, extended over a period of twelve years to the time of Maturin's death, and his kind subsequent letters, written to Maturin's family, in the midst of his own great financial troubles, bring to a fitting close this single unit in Scott's rich social life. Since the two men never met, the whole relationship was built up through thier literary work and their letters to each other, displayed in this volume.

Author: Charles Robert Maturin
Publisher:
ISBN: 9781258156688
Category :
Languages : en
Pages : 140

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Author: Charles Robert Maturin
Publisher: Lulu.com
ISBN: 1329604938
Category : Fiction
Languages : en
Pages : 736

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Charles Robert Maturin's well-known novel, Melmoth the Wanderer (1820), occupies a high-point in Gothic literature. Lurid, vivid, sacrilegious, paranoid, anti-Catholic, painfully tortuous and gleefully drawn out in its depictions of suffering, its title character tries to find victims miserable enough to take over his bargain with "the enemy of mankind." Maturin displayed his talents of "darkening the gloomy" by interweaving tales of Melmoth's intended victims: the Englishman Stanton, ensnared into an insane asylum; the Spaniard Moncada, trapped in monasteries and prisons of the Inquisition; Immalee, an innocent child of nature; Elinor, a Puritan maiden crossed in love, blighted by cruel deception. All are confronted with Melmoth's icy seductions. Maturin's uncanny aptitude for alternating vertiginous intensity with brooding melancholy and despair leads the reader to a dark side of the psyche where the heavy price paid for redemption often tests human fortitude and conviction beyond the limits of endurance."

Author: Charles Robert Maturin
Publisher: Lulu.com
ISBN: 1304373428
Category : Fiction
Languages : en
Pages : 706

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Charles Robert Maturin's first novel, Fatal Revenge; or, The Family of Montorio, was published in 1807. Maturin's dark tale of the brothers Ippolito and Annibal Montorio is a complexly plotted adventure, full of "strong and vigorous fancy, with great command of language," according to Sir Walter Scott. Maturin's relish for the gothic and horrid, so brilliantly exploited in his masterpiece of 1820, Melmoth the Wanderer, here makes its first appearance, and the themes that haunted the later novel find their initial expression in Fatal Revenge. Maturin's unique talents of "darkening the gloomy, and of deepening the sad; of painting life in extremes, and representing those struggles of passion when the soul trembles on the verge of the unlawful and the unhallowed," make Fatal Revenge a compelling essay into the twilight world of the late gothic novel, one in which both innocence and evil are ultimately unable to triumph over the forces that overwhelm them.

Author: Charles Robert Maturin
Publisher: Lulu.com
ISBN: 1304846865
Category : Fiction
Languages : en
Pages : 521

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The Wild Irish Boy (1808) was Charles Robert Maturin's second novel. Set in Ireland and England, the story follows the adventures of Ormsby Bethel, a young Irishman of uncertain ancestry, as he navigates through the temptations of high life, the intrigues of swindlers, gamblers, and fast women, and his own uncertainties about his place in the societies of both countries. Combining features of the silver fork novel, coming-of-age story, and to some degree (in scenes of Irish life) the national novel, The Wild Irish Boy is an entertaining tale full of unexpected twists and turns, extravagant scenes of fashionable excess, misguided and dangerous passions, and long-held secrets with dire consequences: riches and ruin, both moral and financial. Among the colorful characters is the too-fascinating Lady Montrevor, cultured, ingenious, and enigmatic, who adds a dimension of excitement and intrigue that contributes to making The Wild Irish Boy a novel rich with conflicting social and moral viewpoints.

Author: Alison Milbank
Publisher: Oxford University Press
ISBN: 019255784X
Category : Literary Criticism
Languages : en
Pages : 365

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God and the Gothic: Romance and Reality in the English Literary Tradition provides a complete reimagining of the Gothic literary canon to examine its engagement with theological ideas, tracing its origins to the apocalyptic critique of the Reformation female martyrs, and to the Dissolution of the monasteries, now seen as usurping authorities. A double gesture of repudiation and regret is evident in the consequent search for political, aesthetic, and religious mediation, which characterizes the aftermath of the Glorious Revolution and Whig Providential discourse. Part one interprets eighteenth-century Gothic novels in terms of this Whig debate about the true heir, culminating in Ann Radcliffe's melancholic theology which uses distance and loss to enable a new mediation. Part two traces the origins of the doppelgänger in Calvinist anthropology and establishes that its employment by a range of Scottish writers offers a productive mode of subjectivity, necessary in a culture equally concerned with historical continuity. In part three, Irish Gothic is shown to be seeking ways to mediate between Catholic and Protestant identities through models of sacrifice and ecumenism, while in part four nineteenth-century Gothic is read as increasingly theological, responding to materialism by a project of re-enchantment. Ghost story writers assert the metaphysical priority of the supernatural to establish the material world. Arthur Machen and other Order of the Golden Dawn members explore the double and other Gothic tropes as modes of mystical ascent, while raising the physical to the spiritual through magical control, and the M. R. James circle restore the sacramental and psychical efficacy of objects.

Author: John Horden
Publisher: CUP Archive
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 338

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Author: Katie Trumpener
Publisher: Princeton University Press
ISBN: 0691223246
Category : Literary Criticism
Languages : en
Pages : 447

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This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.

Author: Sharon M. Gallagher
Publisher: McFarland
ISBN: 147666580X
Category : Literary Criticism
Languages : en
Pages : 226

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The origins of the vampire can be traced through oral traditions, ancient texts and archaeological discoveries, its nature varying from one culture to the next up until the 20th century. Three 19th century Irish writers--Charles Robert Maturin, Joseph Sheridan Le Fanu and Bram Stoker--used the obscure vampire of folklore in their fiction and developed a universally recognizable figure, culminating in Stoker's Dracula and the vampire of today's popular culture. Maturin, Le Fanu and Stoker did not set out to transform the vampire of regional folk tales into a global phenomenon. Their personal lives, national concerns and extensive reading were reflected in their writing, striking a chord with readers and recasting the vampire as distinctly Irish. This study traces the genealogy of the modern literary vampire from European mythology through the Irish literature of the 1800s.