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Author: Johann Sebastian Bach Publisher: Courier Corporation ISBN: 0486271366 Category : Music Languages : en Pages : 244
Book Description
Features six concertos, BWV 1060 through 1065 — three for 2 harpsichords, two for 3 harpsichords, and one for 4 harpsichords. Among the first keyboard concertos ever written, they are still immensely popular for their rare and exuberant musical qualities. Reprinted in one volume from the authoritative Breitkopf & Härtel edition.
Author: Johann Sebastian Bach Publisher: Courier Corporation ISBN: 0486271366 Category : Music Languages : en Pages : 244
Book Description
Features six concertos, BWV 1060 through 1065 — three for 2 harpsichords, two for 3 harpsichords, and one for 4 harpsichords. Among the first keyboard concertos ever written, they are still immensely popular for their rare and exuberant musical qualities. Reprinted in one volume from the authoritative Breitkopf & Härtel edition.
Author: Georg Christoph Wagenseil Publisher: A-R Editions, Inc. ISBN: 1987208609 Category : Music Languages : en Pages : 64
Book Description
Georg Christoph Wagenseil’s (1715–77) concerto for four harpsichords, scored without orchestra, remains the only known work of its kind based on entirely original material. There are no other known works for four harpsichords besides Bach’s concerto in A minor for four harpsichords and strings, BWV 1065, itself an adaptation of Vivaldi’s four-violin concerto in B minor, RV 580. Wagenseil’s concerto provides an interesting footnote in the development of historical keyboard instruments. Alongside a few other Viennese keyboard works, the concerto features large bass intervals necessitating the use of the Viennese short octave—a keyboard configuration with multiply split bass keys unique to mid-18th-century Viennese keyboard building. This fact further establishes the relevance of early Viennese keyboard instruments in historical keyboard performance. Several aspects of performance practice unique to Wagenseil’s concerto are discussed in the introduction to the edition: continuo realization for a keyboard concerto without orchestra, negotiating the requirements of the Viennese short octave on instruments with chromatic keyboards, and interpreting the notational idiosyncrasies of the manuscript source.
Author: Edward Smith Publisher: Lulu.com ISBN: 1291400850 Category : Education Languages : en Pages : 70
Book Description
F. Couperin, in his preface to his trio-sonata L'Apothéose de Lully, declares that the work may be performed "in a satisfactory way" with two harpsichords instead of two violins and continuo, the players' right hands taking the upper parts, and the left hands doubling the bass. This is how he performs such works at home, he assures us, for "it is easier to find two harpsichords than three string instruments". The present transcriptions exploit the special sonority of the harpsichord, and the original works were selected for their multiple voices that could be distributed between the two instruments in a way to enrich the texture as much as possible. Rameau's colourful and unusual instrumentation is ideal for this sort of treatment, as is Vivaldi's quartet-concerto RV 107. The same composer's Op. 3 no. 7 for string trio plus strings and continuo had already been transcribed for organ by J. S. Bach, and seemed to invite a further elaboration to create the maximum sonority possible for two harpsichords.
Author: Michael Thomas Roeder Publisher: Hal Leonard Corporation ISBN: 0931340616 Category : Concerto Languages : en Pages : 487
Book Description
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
Author: Robert Philip Publisher: Yale University Press ISBN: 0300242727 Category : Music Languages : en Pages : 969
Book Description
An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.
Author: Johann Sebastian Bach
Author: Johann Sebastian Bach
Author: Johann Sebastian Bach
Author: Georg Christoph Wagenseil
Author: Edward Smith
Author: Johann Sebastian Bach
Author: Johann Sebastian Bach
Author: Simon P. Keefe
Author: Johann Sebastian Bach
Author: Michael Thomas Roeder
Author: Robert Philip