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The Complete Guide to Orchestral Music V1-2

The Complete Guide to Orchestral Music V1-2 PDF Author: Robert Bagar
Publisher: Literary Licensing, LLC
ISBN: 9781258203108
Category :
Languages : en
Pages : 886

Book Description
Two Volumes In One. Volume 1, Albeniz To Mendelssohn; Volume 2, Menotti To Wolf-Ferrari And Index.

The Complete Guide to Orchestral Music V1-2

The Complete Guide to Orchestral Music V1-2 PDF Author: Robert Bagar
Publisher: Literary Licensing, LLC
ISBN: 9781258203108
Category :
Languages : en
Pages : 886

Book Description
Two Volumes In One. Volume 1, Albeniz To Mendelssohn; Volume 2, Menotti To Wolf-Ferrari And Index.

Classical Concert Studies

Classical Concert Studies PDF Author: Martin Tröndle
Publisher: Routledge
ISBN: 1000171701
Category : Music
Languages : en
Pages : 668

Book Description
Classical Concert Studies: A Companion to Contemporary Research and Performance is a landmark publication that maps out a new interdisciplinary field of Concert Studies, offering fresh ways of understanding the classical music concert in the twenty-first century. It brings together essays, research articles, and case studies from scholars and music professionals including musicians, music managers, and concert designers. Gathering both historical and contemporary cases, the contributors draw on approaches from sociology, ethnology, musicology, cultural studies, and other disciplines to create a rich portrait of the classical concert’s past, present, and future. Based on two earlier volumes published in German under the title Das Konzert (The Concert), and with a selection of new chapters written for the English edition, this companion enables students, researchers, and practitioners in the classical and contemporary music fields to understand this emerging field of research, go beyond traditional disciplinary boundaries and methodologies, and spark a renaissance for the classical concert.

The Concert Companion

The Concert Companion PDF Author: Robert C. Bagar
Publisher: New York : Whittlesey House
ISBN:
Category : Concertos
Languages : en
Pages : 888

Book Description
Program notes written for the New York Philhamonic-Symphony Society's concerts in the 1940s. They emphasize little-known anecdotes and details of composer's lives, and the process that each composer went through in composing a musical composition.

Companion to Baroque Music

Companion to Baroque Music PDF Author: Julie Anne Sadie
Publisher: Univ of California Press
ISBN: 9780520214149
Category : Music
Languages : en
Pages : 596

Book Description
The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era. The Companion to Baroque Music is an illuminating survey of musical life in Europe and the New World from 1600 to 1750. With informative essays on the social, national, geographical, and cultural contexts of the music and musicians of the period by such internationally known scholars as Peter Holman, Louise Stein, Michael Talbot, Julie Anne Sadie, Stanley Sadie, and David Fuller, the Companion offers a fresh perspective on the musical styles and performance practices of the Baroque era.

The Classical Music Lover's Companion to Orchestral Music

The Classical Music Lover's Companion to Orchestral Music PDF Author: Robert Philip
Publisher: Yale University Press
ISBN: 0300242727
Category : Music
Languages : en
Pages : 969

Book Description
An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.

The Concert Song Companion

The Concert Song Companion PDF Author: Charles Osborne
Publisher: Springer Science & Business Media
ISBN: 1475700490
Category : Music
Languages : en
Pages : 278

Book Description
W HAT I H A V E attempted in this book is a survey of song; the kind of song which one finds variously described as 'concert', 'art', or sometimes even 'classical song'. 'Concert song' seems the most useful, certainly the least inexact or misleading, of some descriptions, especially since 'art song' sounds primly off putting, and 'classical song' really ought to be used only to refer to songs written during the classical period, i. e. the 18th century. Concert song clearly means the kind of songs one hears sung at concerts or recitals. Addressing myself to the general music-lover who, though he possesses no special knowledge of the song literature, is never theless interested enough in songs and their singers to attend recitals of Lieder or of songs in various languages, I have naturally confined myself to that period of time in which the vast majority of these songs was composed, though not necessarily only to those composers whose songs have survived to be remembered in recital programmes today. I suppose this to be roughly the three centuries covered by the years 1650-1950, though most of the songs we, as audiences, know and love were composed in the middle of this period, in other words in the 19th century.

The Cambridge Companion to the Concerto

The Cambridge Companion to the Concerto PDF Author: Simon P. Keefe
Publisher: Cambridge University Press
ISBN: 9780521834834
Category : Music
Languages : en
Pages : 344

Book Description
A rare volume dedicated entirely to scholarship on the genre of the concerto.

The Cambridge Companion to the Symphony

The Cambridge Companion to the Symphony PDF Author: Julian Horton
Publisher: Cambridge University Press
ISBN: 0521884985
Category : Music
Languages : en
Pages : 469

Book Description
A comprehensive guide to the historical, analytical and interpretative issues surrounding one of the major genres of Western music.

The Cambridge Companion to Chopin

The Cambridge Companion to Chopin PDF Author: Jim Samson
Publisher: Cambridge University Press
ISBN: 1139824996
Category : Music
Languages : en
Pages : 364

Book Description
The Cambridge Companion to Chopin provides the enquiring music-lover with helpful insights into a musical style which recognises no contradiction between the accessible and the sophisticated, the popular and the significant. Twelve essays by leading Chopin scholars make up three parts. Part 1 discusses the sources of Chopin's style in the music of his predecessors and the social history of the period. Part 2 profiles the mature music, and Part 3 considers the afterlife of the music - its reception, its criticism and its compositional influence in the works of subsequent composers.

The Cambridge Companion to the Orchestra

The Cambridge Companion to the Orchestra PDF Author: Colin James Lawson
Publisher: Cambridge University Press
ISBN: 9780521001328
Category : Music
Languages : en
Pages : 316

Book Description
This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.