Author: Ellen Catherine Dunn
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 160
Book Description
The Concept of Ingratitude in Renaissance English Moral Philosophy
Author: Ellen Catherine Dunn
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 160
Book Description
The Concept of Ingratitude in Renaissance English Moral Philosophy
The Moral Art of Philip Massinger
Author: Ira Clark
Publisher: Bucknell University Press
ISBN: 9780838752258
Category : Drama
Languages : en
Pages : 332
Book Description
"The Moral Art of Philip Massinger views the successor of Shakespeare and Fletcher in a new sociopolitical position: one of accommodation based on a moderate reformation of the tradition of the old hierarchy of inherited degree, patriarchy, and patronage. In addition, author Ira Clark claims a superior aesthetic position for tragicomedy as a sophisticated, elaborate synthesis of dramatic conventions in complex multiple plots filled with reversals, recognitions, miraculous conversations, and reconciliations after clashes of absolutes. The genre's complex testing of characters, discovery of their failures, and reintegration of them into a reformed society focuses central sociopolitical and moral issues for an allegedly decadent but actually deeply troubled society. Finally, the study takes into its account Massinger's many collaborations with John Fletcher, which are generally ignored. In sum, this work attempts to revise obsolete views of the dominant playwright just before the closing of the theaters and the opening of the English Civil War." ""A Case for Massinger" presents a critical history of why Massinger is unappreciated, traces his life with an eye to his ideal of patronage and his emphasis on gratitude, and outlines the rest of the work. "Models for Massinger the Apprentice" focuses on the techniques of tragicomedy as Massinger learned them from his three masters. The Queen of Corinth, written with Fletcher, serves as an exemplum of what this master collaborator taught him about tragicomedy. The City Madam. which obviously alludes to Volpone, serves as an example of the traditions of the estates morality play, satiric style, and metadrama, which Jonson transmitted to Massinger. The Duke of Milan and The Emperor of the East, with motifs borrowed from Othello, serve as exempla of how Massinger used traditional dramatic allusions to present social issues." ""Massinger's Political Plays in their Time" focuses on the sociopolitical inclinations that Massinger consistently presented through his collaborations and solo plays. Primarily the issues revolved around the relative value of court and country, monarchism and parliamentary balance, hereditary degree and social mobility, and conspicuous consumption and martial maintenance. "Massinger's Tragedies and Satiric Tragicomedies in their Social and Family Settings" focuses on the social, family, and personal preferences that Massinger presented in his work: a concerned patriarchy, a greater voice for women, and the rights of inheritance by younger sons. "Massinger's Tragicomedy" circles around to view all of Massinger's artistic and sociopolitical themes by way of readings of a collaborative tragicomedy and a solo tragicomedy: The Elder Brother (with Fletcher) and The Guardian."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Bucknell University Press
ISBN: 9780838752258
Category : Drama
Languages : en
Pages : 332
Book Description
"The Moral Art of Philip Massinger views the successor of Shakespeare and Fletcher in a new sociopolitical position: one of accommodation based on a moderate reformation of the tradition of the old hierarchy of inherited degree, patriarchy, and patronage. In addition, author Ira Clark claims a superior aesthetic position for tragicomedy as a sophisticated, elaborate synthesis of dramatic conventions in complex multiple plots filled with reversals, recognitions, miraculous conversations, and reconciliations after clashes of absolutes. The genre's complex testing of characters, discovery of their failures, and reintegration of them into a reformed society focuses central sociopolitical and moral issues for an allegedly decadent but actually deeply troubled society. Finally, the study takes into its account Massinger's many collaborations with John Fletcher, which are generally ignored. In sum, this work attempts to revise obsolete views of the dominant playwright just before the closing of the theaters and the opening of the English Civil War." ""A Case for Massinger" presents a critical history of why Massinger is unappreciated, traces his life with an eye to his ideal of patronage and his emphasis on gratitude, and outlines the rest of the work. "Models for Massinger the Apprentice" focuses on the techniques of tragicomedy as Massinger learned them from his three masters. The Queen of Corinth, written with Fletcher, serves as an exemplum of what this master collaborator taught him about tragicomedy. The City Madam. which obviously alludes to Volpone, serves as an example of the traditions of the estates morality play, satiric style, and metadrama, which Jonson transmitted to Massinger. The Duke of Milan and The Emperor of the East, with motifs borrowed from Othello, serve as exempla of how Massinger used traditional dramatic allusions to present social issues." ""Massinger's Political Plays in their Time" focuses on the sociopolitical inclinations that Massinger consistently presented through his collaborations and solo plays. Primarily the issues revolved around the relative value of court and country, monarchism and parliamentary balance, hereditary degree and social mobility, and conspicuous consumption and martial maintenance. "Massinger's Tragedies and Satiric Tragicomedies in their Social and Family Settings" focuses on the social, family, and personal preferences that Massinger presented in his work: a concerned patriarchy, a greater voice for women, and the rights of inheritance by younger sons. "Massinger's Tragicomedy" circles around to view all of Massinger's artistic and sociopolitical themes by way of readings of a collaborative tragicomedy and a solo tragicomedy: The Elder Brother (with Fletcher) and The Guardian."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Speech Act Theory and Shakespeare
Author: Chahra Beloufa
Publisher: Taylor & Francis
ISBN: 1040016537
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Speech Act Theory and Shakespeare delves deeper than linguistic ornamentation to illuminate the complex dynamics of thanking as a significant speech act in Shakespearean plays. The word “thanks” appears nearly 400 times in 37 Shakespearean plays, calling for a careful investigation of its veracity as a speech act in the 16th-century setting. This volume combines linguistic analysis to explore the various uses of thanks, focusing on key thanking scenes across a spectrum of plays, including All’s Well That Ends Well, Romeo and Juliet, The Merchant of Venice, Timon of Athens, The Winter’s Tale, and the Henriad. Shakespeare’s works indicate the act of thanking to be more than a normal part of dialogue; it is an artistic expression fraught with pitfalls similar to those of negative speech acts. The study aims to determine what compels the characters in Shakespeare to offer thanks and evaluates Shakespeare’s accomplishment in imbuing the word “thanks” with performance quality in the theatrical sphere. This work adds to our comprehension of Shakespearean plays and larger conversations on the challenges of language usage in theatrical and cultural settings by examining the convergence of gratitude with power dynamics, political intrigue, and interpersonal relationships, drawing on a multidisciplinary approach that includes pragmatics, philosophy, religion, and psychology.
Publisher: Taylor & Francis
ISBN: 1040016537
Category : Literary Criticism
Languages : en
Pages : 211
Book Description
Speech Act Theory and Shakespeare delves deeper than linguistic ornamentation to illuminate the complex dynamics of thanking as a significant speech act in Shakespearean plays. The word “thanks” appears nearly 400 times in 37 Shakespearean plays, calling for a careful investigation of its veracity as a speech act in the 16th-century setting. This volume combines linguistic analysis to explore the various uses of thanks, focusing on key thanking scenes across a spectrum of plays, including All’s Well That Ends Well, Romeo and Juliet, The Merchant of Venice, Timon of Athens, The Winter’s Tale, and the Henriad. Shakespeare’s works indicate the act of thanking to be more than a normal part of dialogue; it is an artistic expression fraught with pitfalls similar to those of negative speech acts. The study aims to determine what compels the characters in Shakespeare to offer thanks and evaluates Shakespeare’s accomplishment in imbuing the word “thanks” with performance quality in the theatrical sphere. This work adds to our comprehension of Shakespearean plays and larger conversations on the challenges of language usage in theatrical and cultural settings by examining the convergence of gratitude with power dynamics, political intrigue, and interpersonal relationships, drawing on a multidisciplinary approach that includes pragmatics, philosophy, religion, and psychology.
The Psychology of Gratitude
Author: Robert A. Emmons
Publisher: Oxford University Press
ISBN: 0190287713
Category : Psychology
Languages : en
Pages : 384
Book Description
Gratitude, like other positive emotions, has inspired many theological and philosophical writings, but it has inspired very little vigorous, empirical research. In an effort to remedy this oversight, this volume brings together prominent scientists from various disciplines to examine what has become known as the most-neglected emotion. The volume begins with the historical, philosophical, and theoretical foundations of gratitude, then presents the current research perspectives from social, personality, and developmental psychology, as well as from primatology, anthropology, and biology. The volume also includes a comprehensive, annotated bibliography of research on gratitude. This work contributes a great deal to the growing positive psychology initiative and to the scientific investigation of positive human emotions. It will be an invaluable resource for researchers and students in social, personality, and developmental, clinical, and health psychology, as well as to sociologists and cultural anthropologists.
Publisher: Oxford University Press
ISBN: 0190287713
Category : Psychology
Languages : en
Pages : 384
Book Description
Gratitude, like other positive emotions, has inspired many theological and philosophical writings, but it has inspired very little vigorous, empirical research. In an effort to remedy this oversight, this volume brings together prominent scientists from various disciplines to examine what has become known as the most-neglected emotion. The volume begins with the historical, philosophical, and theoretical foundations of gratitude, then presents the current research perspectives from social, personality, and developmental psychology, as well as from primatology, anthropology, and biology. The volume also includes a comprehensive, annotated bibliography of research on gratitude. This work contributes a great deal to the growing positive psychology initiative and to the scientific investigation of positive human emotions. It will be an invaluable resource for researchers and students in social, personality, and developmental, clinical, and health psychology, as well as to sociologists and cultural anthropologists.
Shakespeare and the Law
Author: Bradin Cormack
Publisher: University of Chicago Press
ISBN: 022637856X
Category : Law
Languages : en
Pages : 342
Book Description
"William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life; trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars, philosophers, and even sitting judges, Shakespeare and the Law demonstrates that Shakespeare's thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law's technical workings, its underlying premises, and its social effects. Shakespeare and the Law opens with three essays that provide useful frameworks for approaching the topic, offering perspectives on law and literature that emphasize both the continuities and the contrasts between the two fields. In its second section, the book considers Shakespeare's awareness of common-law thinking and practice through examinations of Measure for Measure and Othello. Building and expanding on this question, the third part inquires into Shakespeare's general attitudes toward legal systems. A judge and former solicitor general rule on Shylock's demand for enforcement of his odd contract; and two essays by literary scholars take contrasting views on whether Shakespeare could imagine a functioning legal system. The fourth section looks at how law enters into conversation with issues of politics and community, both in the plays and in our own world. The volume concludes with a freewheeling colloquy among Supreme Court Justice Stephen G. Breyer, Judge Richard A. Posner, Martha C. Nussbaum, and Richard Strier that covers everything from the ghost in Hamlet to the nature of judicial discretion"--Jacket.
Publisher: University of Chicago Press
ISBN: 022637856X
Category : Law
Languages : en
Pages : 342
Book Description
"William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life; trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars, philosophers, and even sitting judges, Shakespeare and the Law demonstrates that Shakespeare's thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law's technical workings, its underlying premises, and its social effects. Shakespeare and the Law opens with three essays that provide useful frameworks for approaching the topic, offering perspectives on law and literature that emphasize both the continuities and the contrasts between the two fields. In its second section, the book considers Shakespeare's awareness of common-law thinking and practice through examinations of Measure for Measure and Othello. Building and expanding on this question, the third part inquires into Shakespeare's general attitudes toward legal systems. A judge and former solicitor general rule on Shylock's demand for enforcement of his odd contract; and two essays by literary scholars take contrasting views on whether Shakespeare could imagine a functioning legal system. The fourth section looks at how law enters into conversation with issues of politics and community, both in the plays and in our own world. The volume concludes with a freewheeling colloquy among Supreme Court Justice Stephen G. Breyer, Judge Richard A. Posner, Martha C. Nussbaum, and Richard Strier that covers everything from the ghost in Hamlet to the nature of judicial discretion"--Jacket.
Irony and Earnestness in Eighteenth-Century Literature
Author: Shane Herron
Publisher: Cambridge University Press
ISBN: 1108834434
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Shane Herron demonstrates how eighteenth-century irony was used not only in derision but also to clarify and sharpen emotional investments.
Publisher: Cambridge University Press
ISBN: 1108834434
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
Shane Herron demonstrates how eighteenth-century irony was used not only in derision but also to clarify and sharpen emotional investments.
John Locke
Author: John Marshall
Publisher: Cambridge University Press
ISBN: 9780521466875
Category : History
Languages : en
Pages : 514
Book Description
This book provides a contextual account of the development of John Locke's political, religious, social and moral thought. It analyses many of Locke's unpublished manuscripts and relatively neglected works as well as the Two Treatises, the Letter Concerning Toleration and the Essay Concerning Human Understanding. Professor Marshall studies the development of Locke's political thought from absolutism to resistance, and provides significant revisions to current explanations of the immediate contexts and purposes of composition of the Two Treatises. He also sets out major accounts of Locke's moral, social and religious thought both as extremely important subjects in their own right and in order to challenge many scholars' interpretations of their influences on Locke's political thought.
Publisher: Cambridge University Press
ISBN: 9780521466875
Category : History
Languages : en
Pages : 514
Book Description
This book provides a contextual account of the development of John Locke's political, religious, social and moral thought. It analyses many of Locke's unpublished manuscripts and relatively neglected works as well as the Two Treatises, the Letter Concerning Toleration and the Essay Concerning Human Understanding. Professor Marshall studies the development of Locke's political thought from absolutism to resistance, and provides significant revisions to current explanations of the immediate contexts and purposes of composition of the Two Treatises. He also sets out major accounts of Locke's moral, social and religious thought both as extremely important subjects in their own right and in order to challenge many scholars' interpretations of their influences on Locke's political thought.
The Art of Gratitude
Author: Jeremy David Engels
Publisher: SUNY Press
ISBN: 1438469330
Category : Philosophy
Languages : en
Pages : 244
Book Description
Explores how the emotional experience of gratitude has been enlisted in neoliberal governance through the language of debt. In The Art of Gratitude, Jeremy David Engels sketches a genealogy of gratitude from the ancient Greeks to the contemporary self-help movement. One of the most striking things about gratitude, Engels finds, is how consistently it is described using the language of indebtedness. A chief purpose of this, he contends, is to make us more comfortable living lives in debt, with the nefarious effect of pacifying the citizenry so we are less likely to speak out about social and economic injustice. To counteract this, he proposes an alternative art of gratitude-as-thanksgiving that is inspired by Indian philosophy, particularly the yoga philosophy of the Bhagavad Gita and Patanjalis Yoga-Sutras. He argues that this art of gratitude can challenge neoliberalism by reorienting our politics away from resentment, anger, and guilt and toward a democratic ethic of thanksgiving and the common good. In the contemporary moment, when gratitude is widely touted as the panacea to many of our ills, Jeremy Engels provides a timely critical genealogy of this emotion, showing how it has been used for social control, and how it affirms the state of indebtedness at the heart of neoliberalism. But Engels also makes a compelling case for the art of gratitude, a gratefulness with capacities for cultivating the self and strengthening democracies. William Edelglass, coeditor of Facing Nature: Levinas and Environmental Thought This book accomplishes two important goals: it provides a very detailed and interesting history of gratitude in the West, and it brings Eastern philosophyespecially yogainto our accounts of gratitude and flourishing. A unique project with an eminently readable style, it will appeal to a number of audiences, including those interested in the theory and practice of yoga. Scott R. Stroud, author of John Dewey and the Artful Life: Pragmatism, Aesthetics, and Morality
Publisher: SUNY Press
ISBN: 1438469330
Category : Philosophy
Languages : en
Pages : 244
Book Description
Explores how the emotional experience of gratitude has been enlisted in neoliberal governance through the language of debt. In The Art of Gratitude, Jeremy David Engels sketches a genealogy of gratitude from the ancient Greeks to the contemporary self-help movement. One of the most striking things about gratitude, Engels finds, is how consistently it is described using the language of indebtedness. A chief purpose of this, he contends, is to make us more comfortable living lives in debt, with the nefarious effect of pacifying the citizenry so we are less likely to speak out about social and economic injustice. To counteract this, he proposes an alternative art of gratitude-as-thanksgiving that is inspired by Indian philosophy, particularly the yoga philosophy of the Bhagavad Gita and Patanjalis Yoga-Sutras. He argues that this art of gratitude can challenge neoliberalism by reorienting our politics away from resentment, anger, and guilt and toward a democratic ethic of thanksgiving and the common good. In the contemporary moment, when gratitude is widely touted as the panacea to many of our ills, Jeremy Engels provides a timely critical genealogy of this emotion, showing how it has been used for social control, and how it affirms the state of indebtedness at the heart of neoliberalism. But Engels also makes a compelling case for the art of gratitude, a gratefulness with capacities for cultivating the self and strengthening democracies. William Edelglass, coeditor of Facing Nature: Levinas and Environmental Thought This book accomplishes two important goals: it provides a very detailed and interesting history of gratitude in the West, and it brings Eastern philosophyespecially yogainto our accounts of gratitude and flourishing. A unique project with an eminently readable style, it will appeal to a number of audiences, including those interested in the theory and practice of yoga. Scott R. Stroud, author of John Dewey and the Artful Life: Pragmatism, Aesthetics, and Morality
The Cambridge Bibliography of English Literature
Author: Frederick Wilse Bateson
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 736
Book Description
Publisher: CUP Archive
ISBN:
Category : English literature
Languages : en
Pages : 736
Book Description