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Author: Matthew J. Bruccoli Publisher: University of Pittsburgh Pre ISBN: 0822975548 Category : Literary Criticism Languages : en Pages : 281
Book Description
Working with the complete collection of Tender is the Night manuscripts in the Princeton University Library, Matthew J. Bruccoli reconstructs seventeen drafts and three versions of the novel to answer questions about F. Scott Fitzgerald's major work that have long puzzled critics of modern literature. In 1934, nine years after the appearance of The Great Gatsby, Fitzgerald permitted publication of Tender is the Night. Disappointed by its critical reception, Fitzgerald suggested that the structure of the novel should be drastically rearranged. In 1951, eleven years after his death, Charles Scribner's Sons brought out an edition that incorporated Fitzgerald's changes. Controversy arose over the merits of the two published versions and over the "nine lost years" in Fitzgerald's life between his two great novels, years of rewriting before publication of Tender is the Night that resulted in six cartons of notes and drafts. After analyzing this wealth of material, Bruccoli reconstructs every working stage in the novel and reaches his own conclusions about which edition is the most valid.
Author: Matthew J. Bruccoli Publisher: University of Pittsburgh Pre ISBN: 0822975548 Category : Literary Criticism Languages : en Pages : 281
Book Description
Working with the complete collection of Tender is the Night manuscripts in the Princeton University Library, Matthew J. Bruccoli reconstructs seventeen drafts and three versions of the novel to answer questions about F. Scott Fitzgerald's major work that have long puzzled critics of modern literature. In 1934, nine years after the appearance of The Great Gatsby, Fitzgerald permitted publication of Tender is the Night. Disappointed by its critical reception, Fitzgerald suggested that the structure of the novel should be drastically rearranged. In 1951, eleven years after his death, Charles Scribner's Sons brought out an edition that incorporated Fitzgerald's changes. Controversy arose over the merits of the two published versions and over the "nine lost years" in Fitzgerald's life between his two great novels, years of rewriting before publication of Tender is the Night that resulted in six cartons of notes and drafts. After analyzing this wealth of material, Bruccoli reconstructs every working stage in the novel and reaches his own conclusions about which edition is the most valid.
Author: William Blazek Publisher: Liverpool University Press ISBN: 1846310717 Category : Literary Criticism Languages : en Pages : 237
Book Description
F. Scott Fitzgerald's final completed novel, Tender is the Night, published in 1934 but written during the previous decade, is a quintessentially decadent story of Americans abroad in the Jazz Age. In this accessible collection of essays, an impressive congregation of North American and European scholars presents eleven new readings of this widely studied book. The list of noteworthy contributors, including the general editor of the Cambridge Edition of the Works of F. Scott Fitzgerald and the editors of the F. Scott Fitzgerald Review, makes this volume required reading for Fitzgerald scholars and fans.
Author: James L. W. West Publisher: Penn State Press ISBN: 0271050675 Category : Language Arts & Disciplines Languages : en Pages : 162
Book Description
"A collection of essays by editor, biographer, bibliographer, and book historian James L. W. West III, covering editorial theory, archival use, textual emendation, and scholarly annotation. Discusses the treatment of both public documents (novels, stories, nonfiction) and private texts (letters, diaries, journals, working papers)"--Provided by publisher.
Author: Alvin Henry Publisher: Cambridge Scholars Publishing ISBN: 1527551431 Category : Literary Criticism Languages : en Pages : 260
Book Description
Drawing on methods and approaches from various schools of psychoanalysis, comparative literature, and cultural studies, the contributors to Psychoanalysis in Context examine how the circulation of psychoanalysis across time and place reflects and shapes literature and literary criticism. The essays in this volume cover a wide geographic and thematic range while attending to the historical moment of the literature, the psychoanalysis, and the interpretations—and misinterpretations—of psychoanalysis. Adrienne Seely examines the psychoanalytic dimensions of narrative structure in light of masochistic aesthetics and of the situating of women and robots both beneath and beyond humanist ideology. Simon Porzak analyzes the reconfiguration of the father figure through poetry. Nicholas Ray examines the close historical and theoretical connections between Freud’s interpretative appeal to tragic drama and his professed abandonment of the seduction theory. Vera Profit asks how the question of evil challenges the limits of literary representation. Laura Dawkins examines the applicability of psychoanalytic paradigms to African American literature and culture. Brian Glaser questions how psychoanalysis helps to distinguish insight and wisdom from mechanism or defense in reading the poetry of modernist male subjectivity. Shirley Zisser explores unseen dimensions of psychosis and establishes the main symptom of culture. Michael Angelo Tata analyzes the transformation of Lacan’s objet a under Late Capitalism and the emergence of a new form of desire. Erica Galioto strives to produce an alliance across multiple psychoanalytic discourses by redefining Freud’s notion of transference. Hilary Thompson challenges the historical legacy of psychoanalysis in the colonial context to demonstrate the polarity yet compatibility of psychic and political models of melancholia in the postcolonial context. In the final chapter Maire Jaanus provides a definitive reading of Albert Camus’s The Stranger and traces Lacan’s shift from conceptualizing the unconscious as able to constantly register and interpret language to that of a Real Unconscious which is amorphous and formless jouissance. Jaanus analyzes the development of ordinary psychosis; she ends her reading with a stunning reply to Edward Said’s identity politics reading of the novel to reveal how a phallic reading cannot imagine a corporeal fantasy beyond the sexual. This collection of essays offers a series of fresh and critical insights into the literary history of both psychoanalysis and literature. Contributors: Laura Dawkins, Erica Galioto, Brian Glaser, Maire Jaanus, Simon Porzak, Vera Profit, Nicholas Ray, Adrienne Seely, Michael Angelo Tata, Hilary Thompson and Shirley Zisser.
Author: Kirk Curnutt Publisher: Cambridge University Press ISBN: 1139462474 Category : Literary Criticism Languages : en Pages : 116
Book Description
Although F. Scott Fitzgerald remains one of the most recognizable literary figures of the twentieth century, his legendary life - including his tempestuous romance with his wife and muse Zelda - continues to overshadow his art. However glamorous his image as the poet laureate of the 1920s, he was first and foremost a great writer with a gift for fluid, elegant prose. This introduction reminds readers why Fitzgerald deserves his preeminent place in literary history. It discusses not only his best-known works, The Great Gatsby (1925) and Tender Is the Night (1934), but the full scope of his output, including his other novels and his short stories. This book introduces new readers and students of Fitzgerald to his trademark themes, his memorable characters, his significant plots, the literary modes and genres from which he borrowed, and his inimitable style.