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Author: Martin Schongauer Publisher: New York : Dover Publications ISBN: Category : Art Languages : en Pages : 118
Book Description
"Painter and printmaker who was the finest German engraver before Albrecht Durer."--Britannica.com. Includes an essay about the artist.
Author: Martin Schongauer Publisher: New York : Dover Publications ISBN: Category : Art Languages : en Pages : 118
Book Description
"Painter and printmaker who was the finest German engraver before Albrecht Durer."--Britannica.com. Includes an essay about the artist.
Author: Max Lehrs Publisher: ISBN: Category : Engraving, German Languages : en Pages : 386
Book Description
Martin Schongauer (ca. 1450?1491) was the greatest Northern European printmaker of his time. A painter by training, he elevated engraving from a minor off-shoot of the goldsmith?s craft to a popular and prestigious art. His technical and artistic achievements opened the way to many followers, first and foremost Albrecht Durer. Max Lehrs?s authoritative catalogue of Schongauer?s prints was first published in 1925, as part of his encyclopedic treatise on the early engravers of northern Europe, and has long been out of print. For each engraving in Schongauer?s oeuvre, the catalogue provides a detailed description of the engraving, its variant states (if any), lists of impressions and watermarks, a discussion and bibliography of previous research, and a listing of engraved copies and other artwork inspired by the engraving. The catalogue distinguishes several grades of quality among the impressions, and notes the different watermarks represented by each grade, a major aide in the dating of the prints, and an invaluable tool to the art historian and collector.This volume presents the first English edition of the catalogue, adding reproductions of all the engravings and of their major variant states. Introductions by AlanShestack (1969) and Charles Minott (1971) are included, which present advances in Schongauer scholarship since Lehrs.The catalogue is followed by an illustrated list of watermarks, a list of copies and forgeries misattributed to Schongauer by earlier scholars, a list of collections mentioned in the text, and an index of the engravings.
Author: Max Schweidler Publisher: Getty Publications ISBN: 9780892368358 Category : Antiques & Collectibles Languages : en Pages : 320
Book Description
Ever since its original publication in Germany in 1938, Max Schweidler's Die Instandetzung von Kupferstichen, Zeichnungen, Buchern usw has been recognized as a seminal modern text on the conservation and restoration of works on paper. To address what he saw as a woeful dearth of relevant literature and in order to assist those who have 'set themselves the goal of preserving cultural treasures, ' the noted German restorer composed a thorough technical manual covering a wide range of specific techniques, including detailed instructions on how to execute structural repairs and alterations that, if skilfully done, can be virtually undetectable. By the mid-twentieth century, curators and conservators of graphic arts, discovering a nearly invisible repair in an old master print or drawing, might comment that the object had been 'Schweidlerized.' This volume, based on the authoritative revised German edition of 1949, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated critical edition. The editor's introduction places the work in its historical context and probes the philosophical issues the book raises, while some two hundred annotati
Author: John M. Jeep Publisher: Psychology Press ISBN: 0824076443 Category : Civilization, Medieval Languages : en Pages : 958
Book Description
An encyclopedia covering the political, social, intellectual, religious and cultural history of the German- and Dutch-speaking medieval world, between 500 and 1500. Entries cover individuals and their deeds as well as broader historical topics.
Author: Wolfgang M. Freitag Publisher: Routledge ISBN: 1134830416 Category : Literary Criticism Languages : en Pages : 572
Book Description
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
Author: John M. Jeep Publisher: Taylor & Francis ISBN: 1351665405 Category : History Languages : en Pages : 969
Book Description
First published in 2001, Medieval Germany: An Encyclopedia provides a comprehensive guide to the German and Dutch-speaking world in the Middle Ages, from approximately C.E. 500 to 1500. It offers detailed accounts of a wide variety of aspects of medieval Germany, including language, literature, architecture, politics, warfare, medicine, philosophy and religion. In addition, this reference work includes bibliographies and citations to aid further study. This A-Z encyclopedia, featuring over 500 entries written by expert contributors, will be of key interest to students and scholars, as well as general readers.
Author: Shira Brisman Publisher: University of Chicago Press ISBN: 022635489X Category : Art Languages : en Pages : 232
Book Description
Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer’s artistic practices. His success, she contends, was due in large part to his development of pictorial strategies—an epistolary mode of address—marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany’s chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.
Author: Martin Schongauer
Author: Martin Schongauer
Author: Max Lehrs
Author: Max Schweidler
Author: John M. Jeep
Author: Wolfgang M. Freitag
Author: John M. Jeep
Author: Shira Brisman
Author: British Museum. Department of Prints and Drawings
Author: British Museum. Department of Prints and Drawings
Author: Friedrich Lippmann