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Author: D. C. Muecke Publisher: Routledge ISBN: 1000291286 Category : Language Arts & Disciplines Languages : en Pages : 203
Book Description
First published in 1969, The Compass of Irony is a detailed study of the nature, qualities, classifications, and significance of irony. Divided into two parts, the book offers first a general account of the formal qualities of irony and a classification of the more familiar kinds. It then explores newer forms of irony, its functions, topics, and cultural significance. A wide variety of examples are drawn from a range of different authors, such as Musil, Diderot, Schlegel, and Thomas Mann. The final chapter considers the detachment and seeming superiority of the ironist and discusses what this means for the morality of irony. The Compass of Irony will appeal to anyone with an interest in the history of irony as both a literary and a cultural phenomenon.
Author: Mark Hawkins-Dady Publisher: Routledge ISBN: 1135314179 Category : Reference Languages : en Pages : 1024
Book Description
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Author: Raymond Chakhachiro Publisher: Cambridge Scholars Publishing ISBN: 1527524981 Category : Language Arts & Disciplines Languages : en Pages : 322
Book Description
This book challenges entrenched literary views that promote the impracticality of linguistic, stylistic and functional approaches to the analysis and translation of irony. It considers these scientific fields of enquiry as the building blocks on which ironic devices in English and Arabic are grounded, and according to which the appropriateness of the methods of translation in the literature is assessed in a quest to pin down an interactive model for the interpretation and translation of irony. The book ventures into contrastive linguistic and stylistic analyses of irony in Arabic and English from literary, linguistic and discourse perspectives. It sheds light on the interpretation and the linguistic realisation of irony in Arabic and English through an interdisciplinary approach, and, consequently, identifies similarities and discrepancies in the form and function of ironic devices between these languages. As such, it will appeal to professional translators, instructors and students of translation, as well as language learners, language teachers and researchers in cross-cultural and inter-pragmatic disciplines.
Author: Wayne C. Booth Publisher: University of Chicago Press ISBN: 0226065537 Category : Language Arts & Disciplines Languages : en Pages : 310
Book Description
Perhaps no other critical label has been made to cover more ground than "irony," and in our time irony has come to have so many meanings that by itself it means almost nothing. In this work, Wayne C. Booth cuts through the resulting confusions by analyzing how we manage to share quite specific ironies—and why we often fail when we try to do so. How does a reader or listener recognize the kind of statement which requires him to reject its "clear" and "obvious" meaning? And how does any reader know where to stop, once he has embarked on the hazardous and exhilarating path of rejecting "what the words say" and reconstructing "what the author means"? In the first and longer part of his work, Booth deals with the workings of what he calls "stable irony," irony with a clear rhetorical intent. He then turns to intended instabilities—ironies that resist interpretation and finally lead to the "infinite absolute negativities" that have obsessed criticism since the Romantic period. Professor Booth is always ironically aware that no one can fathom the unfathomable. But by looking closely at unstable ironists like Samuel Becket, he shows that at least some of our commonplaces about meaninglessness require revision. Finally, he explores—with the help of Plato—the wry paradoxes that threaten any uncompromising assertion that all assertion can be undermined by the spirit of irony.
Author: Tom Furniss Publisher: Routledge ISBN: 1000548996 Category : Language Arts & Disciplines Languages : en Pages : 666
Book Description
Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Discussing more than 200 poems by more than 100 writers, ranging from ancient Greece and China to the twenty-first century, the book introduces readers to the skills and the critical and theoretical awareness that enable them to read poetry with enjoyment and insight. This third edition has been significantly updated in response to current developments in poetry and poetic criticism, and includes many new examples and exercises, new chapters on ‘world poetry’ and ‘eco-poetry’, and a greater emphasis throughout on American poetry, including the impact traditional Chinese poetry has had on modern American poetry. The seventeen carefully staged chapters constitute a complete apprenticeship in reading poetry, leading readers from specific features of form and figurative language to larger concerns with genre, intertextuality, Caribbean poetry, world poetry, and the role poetry can play in response to the ecological crisis. The workshop exercises at the end of each chapter, together with an extensive glossary of poetic and critical terms, and the number and range of poems analysed and discussed – 122 of which are quoted in full – make Reading Poetry suitable for individual study or as a comprehensive, self-contained textbook for university and college classes.
Author: Frank Stringfellow Publisher: SUNY Press ISBN: 9780791419779 Category : Literary Criticism Languages : en Pages : 194
Book Description
Genuinely interdisciplinary in approach, The Meaning of Irony brings together literary analysis and, from psychoanalysis, both theory and case studies. Its investigation ranges from everyday examples of verbal irony--conscious and unconscious--to the complex irony of literature. This book provides the first full account of verbal irony from a psychoanalytic point of view. Stringfellow shows how the rhetorical tradition, by viewing the literal level of irony as something the speaker doesn't really mean, flattens out the rich ambiguities of irony and misses the unconscious meanings that are hidden behind ironic statement. He argues that only psychoanalysis can recover these unconscious meanings and reveal the origins of irony.
Author: Leonie Keinert Publisher: GRIN Verlag ISBN: 334663292X Category : Literary Criticism Languages : en Pages : 10
Book Description
Seminar paper from the year 2020 in the subject English Language and Literature Studies - Literature, grade: 1,3, University of Tubingen, language: English, abstract: "It’s ironic", is a statement certainly often proclaimed after reader Kate Chopin’s short story The Story of an Hour, but often it is not further dissected. After all, it is commonly expected one should know what irony is and how it works. But that might not always be the case. Surely, one needs a deeper understanding of the concept of irony to properly comment on it as a formal element. Interpreting ironies can be very enlightening as it deepens the understanding and meaning of texts as well. In this paper first I am going to outline research done on irony, to define its specific criteria, different types of irony and how irony is detected and interpreted. Then, employing the knowledge about irony and its criteria, specifically focusing on Wayne C. Booth’s four steps of reconstruction, I am going to analyse the use of ironies in Kate Chopin’s The Story of an Hour. Finally, I am going to analyse how the ironies in the short story can be interpreted. All while arguing that the use of ironies in Kate Chopin’s The Story of an Hour help illustrate the reality of a 19th-century woman feeling trapped in her marriage.
Author: Anna Burke Publisher: Bywater Books ISBN: 1612941206 Category : Fiction Languages : en Pages : 416
Book Description
In the year 2513, the only thing higher than the seas is what’s at stake for those who sail them. Rose was born facing due north, with an inherent perception of cardinal points flowing through her veins. Her uncanny sense of direction earns her a coveted place among the Archipelago Fleet elite, but it also attracts the attention of Admiral Comita, who sends her on a secret mission deep into pirate territory. Accompanied by a ragtag crew of mercenaries and under the command of Miranda, a captain as bloodthirsty as she is alluring, Rose discovers the hard way that even the best sense of direction won’t be enough to keep her alive if she can’t learn to navigate something far more dangerous than the turbulent seas. Aboard the mercenary ship, Man o’ War, Rose learns quickly that trusting the wrong person can get you killed—and Miranda’s crew have no intention of making things easy for her—especially Miranda’s trusted first mate, Orca, who is as stubborn as she is brutal.
Author: Frederick Garber Publisher: John Benjamins Publishing ISBN: 9027286167 Category : Literary Criticism Languages : en Pages : 400
Book Description
This is the first collaborative international reading of irony as a major phenomenon in Romantic art and thought. The volume identifies key predecessor moments that excited Romantic authors and the emergence of a distinctly Romantic theory and practice of irony spreading to all literary genres. Not only the influential pioneer German, British, and French varieties, but also manifestations in northern, eastern, and southern parts of Europe as well as in North America, are considered. A set of concluding “syntheses” treat the shaping power of Romantic irony in narrative modes, music, the fine arts, and theater – innovations that will deeply influence Modernism. Thus the cross-cultural and interdisciplinary approach elaborated in the twenty chapters of Romantic Irony, as lead volume in the five-volume Romanticism series, establishes a significant new range for comparative literature studies in dealing with a complex literary movement. SPECIAL OFFER: 30% discount for a complete set order (5 vols.).The Romanticism series in the Comparative History of Literatures in European Languages is the result of a remarkable international collaboration. The editorial team coordinated the efforts of over 100 experts from more than two dozen countries to produce five independently conceived, yet interrelated volumes that show not only how Romanticism developed and spread in its principal European homelands and throughout the New World, but also the ways in which the affected literatures in reaction to Romanticism have redefined themselves on into Modernism. A glance at the index of each volume quickly reveals the extraordinary richness of the series’ total contents. Romantic Irony sets the broader experimental parameters of comparison by concentrating on the myriad expressions of “irony” as one of the major impulses in the Romantic philosophical and artistic revolution, and by combining cross-cultural and interdisciplinary studies with special attention also to literatures in less widely diffused language streams. Romantic Drama traces creative innovations that deeply altered the understanding of genre at large, fed popular imagination through vehicles like the opera, and laid the foundations for a modernist theater of the absurd. Romantic Poetry demonstrates deep patterns and a sharing of crucial themes of the revolutionary age which underlie the lyrical expression that flourished in so many languages and environments. Nonfictional Romantic Prose assists us in coping with the vast array of writings from the personal and intimate sphere to modes of public discourse, including Romanticism’s own self-commentary in theoretical statements on the arts, society, life, the sciences, and more. Nor are the discursive dimensions of imaginative literature neglected in the closing volume, Romantic Prose Fiction, where the basic Romantic themes and story types (the romance, novel, novella, short story, and other narrative forms) are considered throughout Europe and the New World. This enormous realm is seen not just in terms of Romantic theorizing, but in the light of the impact of Romantic ideas and narration on later generations. As an aid to readers, the introduction to Romantic Prose Fiction explains the relationships among the volumes in the series and carries a listing of their tables of contents in an appendix. No other series exists comparable to these volumes which treat the entirety of Romanticism as a cultural happening across the whole breadth of the “Old” and “New” Worlds and thus render a complex picture of European spiritual strivings in the late eighteenth and the nineteenth centuries, a heritage still very close to our age.
Author: D. C. Muecke
Author: Douglas Colin Muecke
Author: Mark Hawkins-Dady
Author: Raymond Chakhachiro
Author: Wayne C. Booth
Author: Tom Furniss
Author: Frank Stringfellow
Author: Leonie Keinert
Author: Michael Cherlin
Author: Anna Burke
Author: Frederick Garber