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Author: Sean Grass Publisher: Cambridge University Press ISBN: 9781108706209 Category : Literary Criticism Languages : en Pages : 298
Book Description
In the first half of the nineteenth century autobiography became, for the first time, an explicitly commercial genre. Drawing together quantitative data on the Victorian book market, insights from the business ledgers of Victorian publishers and close readings of mid-century novels, Sean Grass demonstrates the close links between these genres and broader Victorian textual and material cultures. This book offers fresh perspectives on major works by Charles Dickens, George Eliot, Mary Elizabeth Braddon, Wilkie Collins and Charles Reade, while also featuring archival research that reveals the volume, diversity, and marketability of Victorian autobiographical texts for the first time. Grass presents life-writing not as a stand-alone genre, but as an integral part of a broader movement of literary, cultural, legal and economic practices through which the Victorians transformed identity into a textual object of capitalist exchange.
Author: Sean Grass Publisher: Cambridge University Press ISBN: 9781108706209 Category : Literary Criticism Languages : en Pages : 298
Book Description
In the first half of the nineteenth century autobiography became, for the first time, an explicitly commercial genre. Drawing together quantitative data on the Victorian book market, insights from the business ledgers of Victorian publishers and close readings of mid-century novels, Sean Grass demonstrates the close links between these genres and broader Victorian textual and material cultures. This book offers fresh perspectives on major works by Charles Dickens, George Eliot, Mary Elizabeth Braddon, Wilkie Collins and Charles Reade, while also featuring archival research that reveals the volume, diversity, and marketability of Victorian autobiographical texts for the first time. Grass presents life-writing not as a stand-alone genre, but as an integral part of a broader movement of literary, cultural, legal and economic practices through which the Victorians transformed identity into a textual object of capitalist exchange.
Author: Gregory Vargo Publisher: Cambridge University Press ISBN: 1107197856 Category : Literary Criticism Languages : en Pages : 299
Book Description
Explores the journalism and fiction appearing in the early Victorian working-class periodical press and its influence on mainstream literature.
Author: Anna Feuerstein Publisher: Cambridge University Press ISBN: 1108492967 Category : Literary Criticism Languages : en Pages : 271
Book Description
Examines how liberal thought influenced representations of animals within nineteenth-century animal welfare discourse and the Victorian novel.
Author: Deborah Lutz Publisher: Cambridge University Press ISBN: 1107077443 Category : History Languages : en Pages : 263
Book Description
This literary and cultural study explores the practice in nineteenth-century Britain of treasuring objects that had belonged to the dead.
Author: Jessica Howell Publisher: Cambridge University Press ISBN: 1108484689 Category : History Languages : en Pages : 257
Book Description
Study of malaria in literature and culture illuminates the legacies of nineteenth-century colonial medicine within narratives of illness.
Author: John Plotz Publisher: Princeton University Press ISBN: 0691135169 Category : History Languages : en Pages : 288
Book Description
What fueled the Victorian passion for hair-jewelry and memorial rings? When would an everyday object metamorphose from commodity to precious relic? In Portable Property, John Plotz examines the new role played by portable objects in persuading Victorian Britons that they could travel abroad with religious sentiments, family ties, and national identity intact. In an empire defined as much by the circulation of capital as by force of arms, the challenge of preserving Englishness while living overseas became a central Victorian preoccupation, creating a pressing need for objects that could readily travel abroad as personifications of Britishness. At the same time a radically new relationship between cash value and sentimental associations arose in certain resonant mementoes--in teacups, rings, sprigs of heather, and handkerchiefs, but most of all in books. Portable Property examines how culture-bearing objects came to stand for distant people and places, creating or preserving a sense of self and community despite geographic dislocation. Victorian novels--because they themselves came to be understood as the quintessential portable property--tell the story of this change most clearly. Plotz analyzes a wide range of works, paying particular attention to George Eliot's Daniel Deronda, Anthony Trollope's Eustace Diamonds, and R. D. Blackmore's Lorna Doone. He also discusses Thomas Hardy and William Morris's vehement attack on the very notion of cultural portability. The result is a richer understanding of the role of objects in British culture at home and abroad during the Age of Empire.
Author: Sean Grass
Author: Sean Grass
Author: Sean Grass
Author: Deirdre David
Author: Adam Abraham
Author: Gregory Vargo
Author: Anna Feuerstein
Author: Deborah Lutz
Author: Jessica Howell
Author: Sean Grass
Author: John Plotz