Author: Huw Marsh
Publisher: Bloomsbury Publishing
ISBN: 1474293042
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of authors including Martin Amis, Nicola Barker, Julian Barnes, Jonathan Coe, Howard Jacobson, Magnus Mills and Zadie Smith, this book suggests not only that much of the most interesting contemporary writing is funny and that there is a comic tendency in contemporary fiction, but also that this humour, this comic licence, allows writers of contemporary fiction to do peculiar and interesting things – things that are funny in the sense of odd or strange and that may in turn inspire a funny turn in readers. Marsh offers a series of original critical and theoretical frameworks for discussing questions of literary genre, style, affect and politics, demonstrating that comedy is an often neglected mode that plays a generative role in much of the most interesting contemporary writing, creating sites of rich political, stylistic, cognitive and ethical contestation whose analysis offers a new perspective on the present.
The Comic Turn in Contemporary English Fiction
The Comic Turn in Contemporary English Fiction
Author: Huw Marsh
Publisher: Bloomsbury Academic
ISBN: 9781474293068
Category : Comic, The, in literature
Languages : en
Pages :
Book Description
The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of authors including Martin Amis, Nicola Barker, Julian Barnes, Jonathan Coe, Howard Jacobson, Magnus Mills and Zadie Smith, this book suggests not only that much of the most interesting contemporary writing is funny and that there is a comic tendency in contemporary fiction, but also that this humour, this comic licence, allows writers of contemporary fiction to do peculiar and interesting things - things that are funny in the sense of odd or strange and that may in turn inspire a funny turn in readers. Marsh offers a series of original critical and theoretical frameworks for discussing questions of literary genre, style, affect and politics, demonstrating that comedy is an often neglected mode that plays a generative role in much of the most interesting contemporary writing, creating sites of rich political, stylistic, cognitive and ethical contestation whose analysis offers a new perspective on the present.
Publisher: Bloomsbury Academic
ISBN: 9781474293068
Category : Comic, The, in literature
Languages : en
Pages :
Book Description
The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of authors including Martin Amis, Nicola Barker, Julian Barnes, Jonathan Coe, Howard Jacobson, Magnus Mills and Zadie Smith, this book suggests not only that much of the most interesting contemporary writing is funny and that there is a comic tendency in contemporary fiction, but also that this humour, this comic licence, allows writers of contemporary fiction to do peculiar and interesting things - things that are funny in the sense of odd or strange and that may in turn inspire a funny turn in readers. Marsh offers a series of original critical and theoretical frameworks for discussing questions of literary genre, style, affect and politics, demonstrating that comedy is an often neglected mode that plays a generative role in much of the most interesting contemporary writing, creating sites of rich political, stylistic, cognitive and ethical contestation whose analysis offers a new perspective on the present.
A Concise Companion to Contemporary British Fiction
Author: James F. English
Publisher: John Wiley & Sons
ISBN: 140515215X
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
A Concise Companion to Contemporary British Fiction offers an authoritative overview of contemporary British fiction in its social, political, and economic contexts. Focuses on the fiction that has emerged since the late 1970s, roughly since the start of the Thatcher era. Comprises original essays from major scholars. Topics range from the rise and fall of the postcolonial novel to controversies over the celebrity author. The emphasis is on the whole fiction scene, from bookstores and prizes to the changing economics of film adaptation. Enables students to read contemporary works of British fiction with a much clearer sense of where they fit within British cultural life.
Publisher: John Wiley & Sons
ISBN: 140515215X
Category : Literary Criticism
Languages : en
Pages : 296
Book Description
A Concise Companion to Contemporary British Fiction offers an authoritative overview of contemporary British fiction in its social, political, and economic contexts. Focuses on the fiction that has emerged since the late 1970s, roughly since the start of the Thatcher era. Comprises original essays from major scholars. Topics range from the rise and fall of the postcolonial novel to controversies over the celebrity author. The emphasis is on the whole fiction scene, from bookstores and prizes to the changing economics of film adaptation. Enables students to read contemporary works of British fiction with a much clearer sense of where they fit within British cultural life.
Between You and Me
Author: K. C. Councilor
Publisher:
ISBN: 9780578518435
Category :
Languages : en
Pages :
Book Description
A collection of comics about gender transition. Includes a dialogue between the author and Lynda Barry.
Publisher:
ISBN: 9780578518435
Category :
Languages : en
Pages :
Book Description
A collection of comics about gender transition. Includes a dialogue between the author and Lynda Barry.
The Orphan in Fiction and Comics since the 19th Century
Author: Marion Gymnich
Publisher: Cambridge Scholars Publishing
ISBN: 1527515702
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
The orphan has turned out to be an extraordinarily versatile literary figure. By juxtaposing diverse fictional representations of orphans, this volume sheds light on the development of cultural concepts such as childhood, family, the status of parental legacy, individualism, identity and charity. The first chapter argues that the figure of the orphan was suitable for negotiating a remarkable range of cultural anxieties and discourses in novels from the Victorian period. This is followed by a discussion of both the (rare) examples of novels from the first half of the 20th century in which main characters are orphaned at a young age and Anglophone narratives written from the 1980s onward, when the figure of the orphan proliferated once more. The trope of the picaro, the theme of absence and the problem of parental substitutes are among the issues addressed in contemporary orphan narratives. The book also looks at the orphan motif in three popular fantasy series, namely Rowling’s Harry Potter septology, Pullman’s His Dark Materials trilogy and Martin’s A Song of Ice and Fire series. It then traces the development of the orphan motif from the end of the 19th century to the present in a range of different types of comics, including funnies and gag-a-day strips, superhero comics, underground comix, and autobiographical comics.
Publisher: Cambridge Scholars Publishing
ISBN: 1527515702
Category : Literary Criticism
Languages : en
Pages : 322
Book Description
The orphan has turned out to be an extraordinarily versatile literary figure. By juxtaposing diverse fictional representations of orphans, this volume sheds light on the development of cultural concepts such as childhood, family, the status of parental legacy, individualism, identity and charity. The first chapter argues that the figure of the orphan was suitable for negotiating a remarkable range of cultural anxieties and discourses in novels from the Victorian period. This is followed by a discussion of both the (rare) examples of novels from the first half of the 20th century in which main characters are orphaned at a young age and Anglophone narratives written from the 1980s onward, when the figure of the orphan proliferated once more. The trope of the picaro, the theme of absence and the problem of parental substitutes are among the issues addressed in contemporary orphan narratives. The book also looks at the orphan motif in three popular fantasy series, namely Rowling’s Harry Potter septology, Pullman’s His Dark Materials trilogy and Martin’s A Song of Ice and Fire series. It then traces the development of the orphan motif from the end of the 19th century to the present in a range of different types of comics, including funnies and gag-a-day strips, superhero comics, underground comix, and autobiographical comics.
Grant Morrison
Author: Marc Singer
Publisher: Univ. Press of Mississippi
ISBN: 1628468955
Category : Literary Criticism
Languages : en
Pages : 498
Book Description
One of the most eclectic and distinctive writers currently working in comics, Grant Morrison (b. 1960) brings the auteurist sensibility of alternative comics and graphic novels to the popular genres—superhero, science fiction, and fantasy—that dominate the American and British comics industries. Morrison's comics range from bestsellers featuring the most universally recognized superhero franchises (All-Star Superman, New X-Men, Batman) to more independent, creator-owned work (The Invisibles, The Filth, We3) that defies any generic classification. In Grant Morrison: Combining the Worlds of Contemporary Comics, author Marc Singer examines how Morrison uses this fusion of styles to intervene in the major political, aesthetic, and intellectual challenges of our time. Morrison's comics blur the boundaries between fantasy and realism, mixing autobiographical representation and cultural critique with heroic adventure. They offer self-reflexive appraisals of their own genres while they experiment with the formal elements of comics. Perhaps most ambitiously, they challenge contemporary theories of language and meaning, seeking to develop new modes of expression grounded in comics' capacity for visual narrative and the fantasy genres' ability to make figurative meanings literal.
Publisher: Univ. Press of Mississippi
ISBN: 1628468955
Category : Literary Criticism
Languages : en
Pages : 498
Book Description
One of the most eclectic and distinctive writers currently working in comics, Grant Morrison (b. 1960) brings the auteurist sensibility of alternative comics and graphic novels to the popular genres—superhero, science fiction, and fantasy—that dominate the American and British comics industries. Morrison's comics range from bestsellers featuring the most universally recognized superhero franchises (All-Star Superman, New X-Men, Batman) to more independent, creator-owned work (The Invisibles, The Filth, We3) that defies any generic classification. In Grant Morrison: Combining the Worlds of Contemporary Comics, author Marc Singer examines how Morrison uses this fusion of styles to intervene in the major political, aesthetic, and intellectual challenges of our time. Morrison's comics blur the boundaries between fantasy and realism, mixing autobiographical representation and cultural critique with heroic adventure. They offer self-reflexive appraisals of their own genres while they experiment with the formal elements of comics. Perhaps most ambitiously, they challenge contemporary theories of language and meaning, seeking to develop new modes of expression grounded in comics' capacity for visual narrative and the fantasy genres' ability to make figurative meanings literal.
Modern English Literature
Author: Edmund Gosse
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 432
Book Description
This work attempts to present the evolution of English literature through succeeding generations and various threads of literary expression.
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 432
Book Description
This work attempts to present the evolution of English literature through succeeding generations and various threads of literary expression.
The Representation of Masculinity in Contemporary British Fiction
Author: Holger Kiesow
Publisher: GRIN Verlag
ISBN: 3638585379
Category : Literary Criticism
Languages : en
Pages : 94
Book Description
Examination Thesis from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Göttingen (Englisches Seminar), language: English, abstract: From 1950 to 1999, the fiction genre of Ladlit presented British readers with a romantic, comic, popular male literature, which was regarded as a chance to examine male identity in contemporary Britain. But by the beginning of the 21st century one was seeking for a new story of masculine identity. In the meantime, the has been a focus on masculinity in language and gender studies, whereas the exclusive attention had formerly been upon femininity. The tradition of man being constituted in terms of universal, normative values has led to the phenomenon of 'invisible masculinity'. However, there has always been a discourse available to men which allows them to represent themselves as people or mankind. The text examines how the representation of masculinities has changed in society in the recent fifty years. Using different theories of gender studies, masculinities and the effects of socio-economical changes, the following novels will be discussed: Amis's Lucky Jim (1954), Sillitoe's Saturday Night and Sunday Morning (1958), Hollinghurst's The Swimming-Pool Library (1988) and Hornby's About a Boy (1998).
Publisher: GRIN Verlag
ISBN: 3638585379
Category : Literary Criticism
Languages : en
Pages : 94
Book Description
Examination Thesis from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Göttingen (Englisches Seminar), language: English, abstract: From 1950 to 1999, the fiction genre of Ladlit presented British readers with a romantic, comic, popular male literature, which was regarded as a chance to examine male identity in contemporary Britain. But by the beginning of the 21st century one was seeking for a new story of masculine identity. In the meantime, the has been a focus on masculinity in language and gender studies, whereas the exclusive attention had formerly been upon femininity. The tradition of man being constituted in terms of universal, normative values has led to the phenomenon of 'invisible masculinity'. However, there has always been a discourse available to men which allows them to represent themselves as people or mankind. The text examines how the representation of masculinities has changed in society in the recent fifty years. Using different theories of gender studies, masculinities and the effects of socio-economical changes, the following novels will be discussed: Amis's Lucky Jim (1954), Sillitoe's Saturday Night and Sunday Morning (1958), Hollinghurst's The Swimming-Pool Library (1988) and Hornby's About a Boy (1998).
Literature Criticism from 1400 to 1800
Cult Fiction
Author: Paul Gravett
Publisher: Hayward Gallery Publishing
ISBN:
Category : Art
Languages : en
Pages : 98
Book Description
Published to accompany the Hayward Gallery Touring Exhibition, held at New Art Gallery, Wallsall, 4 May - 1 July 2007, Nottingham Castle, 14 July - 16 September 2007, Leeds City Art Gallery, 21 September - 11 November 2007, Aberystwyth Art Gallery, 17 November 2007 - 13 January 2008 and Tullie House, Carlisle, 19 January - 16 March 2008.
Publisher: Hayward Gallery Publishing
ISBN:
Category : Art
Languages : en
Pages : 98
Book Description
Published to accompany the Hayward Gallery Touring Exhibition, held at New Art Gallery, Wallsall, 4 May - 1 July 2007, Nottingham Castle, 14 July - 16 September 2007, Leeds City Art Gallery, 21 September - 11 November 2007, Aberystwyth Art Gallery, 17 November 2007 - 13 January 2008 and Tullie House, Carlisle, 19 January - 16 March 2008.