The Comic Characters in the Plays of Alfred de Musset PDF Download

Author: Harriet Irene Bassett
Publisher:
ISBN:
Category :
Languages : en
Pages : 244

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Author: Bob Alan Archibald
Publisher:
ISBN:
Category : Comic, The
Languages : en
Pages : 300

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Author: Alfred de Musset
Publisher:
ISBN:
Category : French drama (Comedy)
Languages : fr
Pages : 360

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Author: David Sices
Publisher: Dartmouth College Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 294

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Author: Ellen L. Anderson
Publisher:
ISBN:
Category :
Languages : en
Pages : 58

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Author: Herbert S. Gochberg
Publisher: Librairie Droz
ISBN: 9782600034814
Category :
Languages : en
Pages : 228

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Author: Paul de Musset
Publisher:
ISBN:
Category :
Languages : en
Pages : 336

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Author: Alfred De Musset
Publisher: Bloomsbury Publishing
ISBN: 1783192836
Category : Drama
Languages : en
Pages : 284

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Marianne, Fantasio, Don't Trifle With Love, The Candlestick, A Diversion, A Door Must be Open or Shut, You Can't Think of Everything The seven plays in this collection share a light-hearted tone, though with occasional and unexpected moments of seriousness. In Marianne, a confirmed cynic intercedes with a married woman on behalf of his best friend. In the eponymous hero of the modern 'fairy tale' Fantasio, by turns imaginative, abrupt and perceptive, Musset provides us with a compelling self-portrait. Don't Trifle with Love shows the dangerous strategems of two childhood sweethearts, supposedly destined for marriage. In The Candlestick, an infatuated clerk is set up as a decoy by his employer's young wife and her lover. The one-act plays A Diversion, A Door Must be Open or Shut and You Can't Think of Everything deal, in witty, epigrammatic style, with various aspects of romance: a wife and her friend test her husband's fidelity, or lack of it; a man wants to propose to his bantering, blasé hostess; and a couple in love, one absent-minded, the other forgetful, tries to concentrate long enough to get married.

Author: W. D. Howarth
Publisher: Routledge
ISBN: 1000579212
Category : Literary Criticism
Languages : en
Pages : 195

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Ever since comedies were first performed in the ancient world, the definition of the term ‘comedy’ has been debated by both playwrights and critics. Originally published in 1978, this volume does not attempt a precise definition, but reviews the various interpretations that have been put forward through the ages, taking as evidence important theoretical writings as well as the plays themselves, and pointing out not only common features but also notable exceptions. The comic drama of Western Europe since the Renaissance is here surveyed in a series of chapters devoted principally to the tradition of European comedy as it developed in the major national literatures. The perspective is expanded to include, on the one hand, the origins in classical Greece and Rome and, on the other, the influence of cinema, radio and television comedy at the time – American as well as European. A structural basis for the volume as a whole is provided in an analytical introduction, where the essential problems are defined: such issues as the relationship between comedy and satire, comedy and farce; the distinction between laughter and smile; the respective claims of realism and fantasy; the role of plot and of dialogue; the place of sentiment and of moral teaching; and the possibility of comic catharsis. In this way the nature and evolution of European comedy is presented in an original and coherent form, not only offering an invaluable aid to students seeking guidance in literature of which they are not making a specialist study, but stimulating the more experienced reader to think again about familiar plays.

Author: Louise Amalia Barthelemy
Publisher:
ISBN:
Category :
Languages : en
Pages : 128

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