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The Comedy Man

The Comedy Man PDF Author: D. J. Taylor
Publisher: Open Road Media
ISBN: 1504015258
Category : Fiction
Languages : en
Pages : 270

Book Description
An entertainer looks back on his life in this novel based on the rise and fall of a famous British comedy team From the vantage point of late middle age, Edward “Ted” King—one half of the dynamic duo Upward & King—discovers that nostalgia isn’t what it used to be. Ted met Arthur Upward in Britain’s National Service. They started out doing gigs at Soho cabarets, and in the mid-sixties, they took their act on the road. By the late seventies, they were the most beloved comedians on British television, watched by ten million viewers per week. This inventive novel, narrated by Ted on the eve of the release of a documentary about their famous partnership, begins with his boyhood in the farm fields of post-war Yarmouth. The son of a shopkeeper with few aspirations, Ted soon realizes he wants to tell jokes for a living. Then, one day in a hall at the sergeants’ mess, he sees Arthur perform the “Dance of the Sugar Plum Fairy.” He instantly senses the titanic influence the other man will have on his life. Ted plays the straight man to Arthur’s pratfalling comic, and they go on to captivate a nation. Until it all goes wrong. Crosscutting between the past and present, The Comedy Man is a poignant, funny “memoir” that reminds us how comedy is often derived from the most serious situations—and from the inexpressible longings of the human heart.

The Comedy Man

The Comedy Man PDF Author: D. J. Taylor
Publisher: Open Road Media
ISBN: 1504015258
Category : Fiction
Languages : en
Pages : 270

Book Description
An entertainer looks back on his life in this novel based on the rise and fall of a famous British comedy team From the vantage point of late middle age, Edward “Ted” King—one half of the dynamic duo Upward & King—discovers that nostalgia isn’t what it used to be. Ted met Arthur Upward in Britain’s National Service. They started out doing gigs at Soho cabarets, and in the mid-sixties, they took their act on the road. By the late seventies, they were the most beloved comedians on British television, watched by ten million viewers per week. This inventive novel, narrated by Ted on the eve of the release of a documentary about their famous partnership, begins with his boyhood in the farm fields of post-war Yarmouth. The son of a shopkeeper with few aspirations, Ted soon realizes he wants to tell jokes for a living. Then, one day in a hall at the sergeants’ mess, he sees Arthur perform the “Dance of the Sugar Plum Fairy.” He instantly senses the titanic influence the other man will have on his life. Ted plays the straight man to Arthur’s pratfalling comic, and they go on to captivate a nation. Until it all goes wrong. Crosscutting between the past and present, The Comedy Man is a poignant, funny “memoir” that reminds us how comedy is often derived from the most serious situations—and from the inexpressible longings of the human heart.

The Comedy of Errors

The Comedy of Errors PDF Author: William Shakespeare
Publisher:
ISBN:
Category :
Languages : en
Pages : 86

Book Description


Straight Man

Straight Man PDF Author: Richard Russo
Publisher: Vintage
ISBN: 0307809943
Category : Fiction
Languages : en
Pages : 417

Book Description
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. • Now the AMC Original Series Lucky Hank. William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans. In the course of a single week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with his dean, wonder if a curvaceous adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television. All this while coming to terms with his philandering father, the dereliction of his youthful promise, and the ominous failure of certain vital body functions. In short, Straight Man is classic Russo—side-splitting, poignant, compassionate, and unforgettable. Look for Richard Russo's new book, Somebody's Fool, coming soon.

Writing the Comedy Movie

Writing the Comedy Movie PDF Author: Marc Blake
Publisher: Bloomsbury Publishing USA
ISBN: 1628925930
Category : Performing Arts
Languages : en
Pages : 272

Book Description
It is often suggested that there are 'secrets' to comedy or that it is 'lightning in a bottle', but the craft of comedy writing can be taught. While comedic tastes change, over time and from person to person, the core underpinning still depends on the comedic geniuses that have paved the way. Great comedy is built upon a strong foundation. In Writing the Comedy Movie, Marc Blake lays out – in an entertainingly readable style – the nuts and bolts of comedy screenwriting. His objective is to clarify the 'rules' of comedy: to contextualize comedy staples such as the double act, slapstick, gross-out, rom com, screwball, satire and parody and to introduce new ones such as the bromance or stoner comedy. He explains the underlying principles of comedy and comedy writing for the screen, along with providing analysis of leading examples of each subgenre.

Aesthetics

Aesthetics PDF Author: Nicolai Hartmann
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110381346
Category : Philosophy
Languages : en
Pages : 417

Book Description
The book is the first English translation of Nicolai Hartmann's final book, published in 1953. It will be of value to graduate students in philosophy, scholars concerned with 20th century Continental philosophy, students of aesthetics and art history and criticism, and persons in and out of academic philosophy who wish to develop their aesthetic understanding and responsiveness to art and music. Aesthetics, Hartmann believes, centers on the phenomenon of beauty, and art “objectivates” beauty, but beauty exists only for a prepared observer. Part One explores the act of aesthetic appreciation and its relation to the aesthetic object. It discovers phenomenologically determinable levels of apprehension. Beauty appears when an observer peers through the physical foreground of the work into the strata upon which form has been bestowed by an artist in the process of expressing some theme. The theory of the stratification of aesthetic objects is perhaps Hartmann's most original and fundamental contribution to aesthetics. He makes useful and perceptive distinctions between the levels in which beauty is given to perception by nature, in the performing and the plastic arts, and in literature of all kinds. Part Two develops the phenomenology of beauty in each of the fine arts. Then Hartmann explores some traditional categories of European aesthetics, most centrally those of unity of value and of truth in art. Part Three discusses the forms of aesthetic values. Hartmann contrasts aesthetic values with moral values, and this exploration culminates in an extensive phenomenological exhibition of three specific aesthetic values, the sublime, the charming, and the comic. A brief appendix, never completed by the author, contains some reflections upon the ontological implications of aesthetics. Engaged in constant dialogue with thinkers of the past, especially with Aristotle, Kant and Hegel, Hartmann corrects and develops their insights by reference to familiar phenomena of art, especially with Shakespeare, Rembrandt and Greek sculpture and architecture. In the course of his analysis, he considers truth in art (the true-to-life and the essential truth), the value of art, and the relation of art and morality. The work stands with other great 20th century contributors to art theory and philosophical aesthetics: Heidegger, Sartre, Croce, Adorno, Ingarden, and Benjamin, among others.

Parlor Tableaux and Amateur Theatricals

Parlor Tableaux and Amateur Theatricals PDF Author: William Fearing Gill
Publisher:
ISBN:
Category : Amateur plays
Languages : en
Pages : 366

Book Description


Sixties British Cinema

Sixties British Cinema PDF Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838718257
Category : Performing Arts
Languages : en
Pages : 360

Book Description
British films of the 1960s are undervalued. Their search for realism has often been dismissed as drabness and their more frivolous efforts can now appear just empty-headed. Robert Murphy's Sixties British Cinema is the first study to challenge this view. He shows that the realist tradition of the late 50s and early 60s was anything but dreary and depressing, and gave birth to a clutch of films remarkable for their confidence and vitality: Saturday Night and Sunday Morning, A Kind of Loving, and A Taste of Honey are only the better known titles. Sixties British Cinema revalues key genres of the period - horror, crime and comedy - and takes a fresh look at the 'swinging London' films, finding disturbing undertones that reflect the cultural changes of the decade. Now that our cinematic past is constantly recycled on television, Murphy's informative, engaging and perceptive review of these films and their cultural and industrial context offers an invaluable guide to this neglected era of British cinema.

Second Nature

Second Nature PDF Author: Josephine Gray
Publisher: Rowman & Littlefield
ISBN: 178661510X
Category : Philosophy
Languages : en
Pages : 271

Book Description
This critical intervention in the study of the comic investigates how the comic act is also an expressive and performative act that precedes philosophical conceptualisation. The book puts Bergson, philosophy and the body at the centre of its investigation to explore different aspects of the field, from the history and philosophy of comedy to film and psychoanalysis. The volume develops a theoretical and practice-based framework that will be a valuable resource for students, scholars and practitioners alike in the fields of philosophy, literary studies, theatre and performance studies and comedy studies. List of Contributors: Caterina Angela Agus, Fred Dalmasso, Lisabeth During, Xavier Escribano, Giovanni Fusetti, Davide Giovanzana, Josephine Gray, María J. Ortega Máñez, Meg Mumford, Jean-Michel Rabaté, Carolyn Shapiro, Lisa Trahair

Directors in British and Irish Cinema

Directors in British and Irish Cinema PDF Author: Robert Murphy
Publisher: Bloomsbury Publishing
ISBN: 1838715320
Category : Performing Arts
Languages : en
Pages : 1560

Book Description
A guide to directors who have worked in the British and Irish film industries between 1895 and 2005. Each of its 980 entries on individuals directors gives a resume of the director's career, evaluates their achievements and provides a complete filmography. It is useful for those interested in film-making in Britain and Ireland.

Archaeology of the Political Unconscious

Archaeology of the Political Unconscious PDF Author: Jennifer Williams
Publisher: Taylor & Francis
ISBN: 1040120024
Category : Performing Arts
Languages : en
Pages : 206

Book Description
This book investigates the aesthetic and political dialectics of East Berlin to argue how its theater and opera stages incited artists to act out, fuel, and resist the troubled construction of political legitimacy. This volume investigates three case studies of how leading East Berlin stages excavated fragmentary materials from Weimar dramatist Bertolt Brecht’s oeuvre and repurposed them for their post‐fascist society: Uta Birnbaum’s 1967 Man Equals Man at the Berliner Ensemble, Joachim Herz’s 1977 Rise and Fall of the City of Mahagonny at the Komische Oper, and Heiner Muller’s own productions of his trailblazing plays. In each instance, reused theatrical artifacts dialectically expressed the contradictions inherent in East German political legitimacy, at once amplifying and critiquing it. Illuminated by original archival research and translations of letters and artistic ephemera published in English for the first time, and engaging with alternative East German feminist epistemologies, this book’s critical investigation of culture and political legitimacy in the shadow of Germany’s fascist past resonates beyond the Iron Curtain into the twenty‐first century. Its final chapter examines how performative artifacts influence the process of political legitimation in more recent history, ranging from Checkpoint Charlie tourism to the January 6, 2021 US insurrection. This study will be of great interest to students and scholars in theater and performance studies, art history, musicology, German studies, anthropology, and political science.