Author: Joan Lynne Pataky KosovePublisher: Tamesis
ISBN: 9780729300490
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
The "Comedia Lacrimosa" and Spanish Romantic Drama (1773-1865)
Author: Joan Lynne Pataky KosovePublisher: Tamesis
ISBN: 9780729300490
Category : Literary Criticism
Languages : en
Pages : 162
Book Description
Romantic Drama
Author: Gerald Ernest Paul GillespiePublisher: John Benjamins Publishing
ISBN: 9027234418
Category : Literary Criticism
Languages : en
Pages : 533
Book Description
It does not treat Romanticism as a limited "period" dominated by some construed singular master-ethos or dialectic; rather, it follows the literary patterns and dynamics of Romanticism as a flow of interactive currents across geocultural frontiers
Writing the Americas in Enlightenment Spain
Author: Thomas C. NealPublisher: Bucknell University Press
ISBN: 1611488311
Category : Literary Criticism
Languages : en
Pages : 205
Book Description
How did literary discourse about empire contribute to discussions about the implications of modernity and progress in eighteenth-century Spain? Writing the Americas seeks to answer this question by examining how novels, plays and short stories imagined and contested core notions about enlightened knowledge. Expanding upon recent transatlantic and postcolonial approaches to Spain's Enlightenment that have focused mostly on historiographical and scientific texts, this book disputes the long-standing perception of the Spanish Enlightenment as an "imitative" movement best defined best by its similarities with French and British contexts. Instead, through readings of major and minor texts by authors such as José Cadalso, Gaspar Melchor Jovellanos, Pedro Montengón and José María Blanco White, Writing the Americas argues that literary texts advanced a unique exploration of the compatibility between supposed universal principles and local histories, one which often diverged noticeably from dominant trends and patterns in Enlightenment thought elsewhere. The authors studied often drew directly from Spain's own imperial experiences to submit prevailing ideas about culture, commerce, education and political organization to scrutiny. Writing the Americas provides a new critical lens through which to reexamine the aesthetic and political content of eighteenth-century Spanish cultural production. While in the past, much of the debate about whether Spanish neoclassicism was "modern" literature has centered on formalistic qualities or romantic notions of "originality" or "subjectivity," ultimately, Writing the Americas locates the modernity of these literary works within the very ideological tensions they display towards the prevailing intellectual trends of the time. The interdisciplinary content and approach of Writing the Americas make it a valuable resource for a broad range of scholars including specialists in eighteenth-century and modern Hispanic literature and culture, colonial Hispanic literature and culture, transatlantic American studies, European Enlightenment studies, and modernity studies.
The Nineteenth-Century Theatre in Spain
Author: Margaret A ReesPublisher: Routledge
ISBN: 1136369082
Category : Art
Languages : en
Pages : 238
Book Description
First Published in 2002. The present volume forms part of a major Bibliography of the Hispanic Theatre, forthcoming in several volumes by different specialists. As such, it is one of the products of a still larger computer-assisted Project of Hispanic Research Bibliographies. The aim has been to give as wide a coverage to the area as possible, listing not only books and articles in periodicals but also data of a documentary character such as items on playbills and the local regulation of theatres. Annotation is confined to information, and critical appraisal is excluded.
The Eighteenth-Century Theatre in Spain
Author: Philip B. ThomasonPublisher: Routledge
ISBN: 1317970039
Category : History
Languages : en
Pages : 277
Book Description
Previously published as a special issue of The Bulletin of Spanish Studies, The Eighteenth-Century Theatre in Spain is the second in a series of research bibliographies on the Theatre in Spain. Representing ten years of searches and compilation by its specialist authors, this volume draws together data on more than 1,500 books, articles and documents concerned with Spanish eighteenth-century theatre. Studies of plays and playwrights are included as well as material dealing with theatres, actors and stagecraft. Wherever possible, items listed have been personally examined, and their library location in Britain, Spain or USA is provided. Scholars with interests in drama will find in this single-volume work of reference a wealth of reliable information concerning this specialist field.
Critical Images
Author: Rachel Lynn SchmidtPublisher: McGill-Queen's Press - MQUP
ISBN: 9780773517547
Category : Art
Languages : en
Pages : 278
Book Description
Explores the impact of early Spanish and English illustrations of the novel Don Quixote, arguing that these visual images presented critical interpretations that both formed and represented the novel's historical reception. Examines several iconographic traditions represented in the illustrations, including the burlesque, the satirical, and the sentimental, and discusses canon formation, visual semiotics, and the impact of visual media on public opinion. Annotation copyrighted by Book News, Inc., Portland, OR
Critical Images
Author: Rachel SchmidtPublisher: McGill-Queen's Press - MQUP
ISBN: 0773567348
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
How did the tall, lanky Don Quixote and the short, stout Sancho Panza become staple figures of Western iconography, so well known that their silhouettes are easily recognizable in Picasso's famous work? How did the novel Don Quixote, a parody of the romances of knight errantry, become a paean to the long-suffering, impotent nobility of its deluded protagonist? According to Rachel Schmidt, the answers to both questions are to be found in the way in which the novel's characters and episodes were depicted in early illustrated editions. In Critical Images Schmidt argues that these visual images presented critical interpretations that both formed and represented the novel's historical reception. Schmidt analyses both Spanish and English illustrations, including those by William Hogarth, John Vanderbank, Francis Hayman, José del Castillo, and Francisco de Goya y Lucientes, and explores several of the iconographic traditions present in the illustrations: the burlesque, which focuses on the work's slapstick humour; the satirical, which emphasizes Cervantes's supposed didactic, Enlightenment message; and the sentimental, which highlights Don Quixote's purity of heart and purpose. Schmidt demonstrates that the illustrations offset the neoclassical criticism contained in the same volumes and reveals an intriguing variety of historical readings, highlighting the debates, controversies, and conflicts of interests surrounding interpretations of Don Quixote. Dealing with such topical issues as canon formation, visual semiotics, and the impact of visual media on public opinion, Critical Images will be of great value not only to literary scholars and literary historians but also to art historians and those engaged in cultural and media studies.
Hesitancy and Experimentation in Enlightenment Spain and Spanish America
Author: Ann L MackenziePublisher: Routledge
ISBN: 1317982827
Category : History
Languages : en
Pages : 278
Book Description
Published in memory of Ivy L. McClelland, a pioneer-scholar of Spain’s eighteenth century, this volume of original essays contains, besides an Introduction to her career and internationally influential writings, three previously unpublished essays by McClelland and nine studies by other scholars, all of which are focused on elucidating the Enlightenment and its characteristic manifestations in the Hispanic world. Among the Enlightenment writers and artists, works and genres, themes and issues discussed, are: Nicolás Moratín and epic poetry, Lillo’s The London Merchant and English and French influences on eighteenth-century Spanish drama, José Marchena and literary historiography, oppositions and misunderstandings within Spanish society as reflected in El sí de las niñas, Goya and the visual arts, Quintana’s Pelayo and historical tragedy, Enlightenment discourse, the Periodical Press, theatre as propaganda, the ideology and politics of Empire, the roots of revolt in late viceregal Quito, women’s experience of Enlightenment in Spain, social and cultural difference in colonial Peru, ideological debate and uncertainty during the Age of Reason, eighteenth-century Spain on the nineteenth-century stage, and public opinion in Spain on the eve of the French, and European, Revolution. First published as a Special Issue of the Bulletin of Spanish Studies (LXXXVI [November–December 2009], Nos 7–8), this book will be of value and stimulus to all scholars concerned to investigate and interpret the culture, theatre, ideology, society and politics of the Enlightenment in Spain, Europe and Spanish America.
Music and Modernity in Enlightenment Spain
Author: Ana P Sánchez-RojoPublisher: Boydell & Brewer
ISBN: 1837651159
Category : History
Languages : en
Pages : 309
Book Description
By showing how music intersected with wider cultural affairs, such as philosophy and criticism, this book connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought. Histories of modern Europe often present late eighteenth-century Spain as a backward place, haunted by the Inquisition and struggling to keep pace with modernity. While Spain under Charles III (1759-1788) pushed for economic and cultural modernization, many elites and the public at large resisted Enlightenment ideas. For conservatives, the modern would in time show its fragility, and Spain would withstand the collapse thanks to its firm grounding in the pillars of monarchy, religion, and traditional forms of knowledge. One source of this solid foundation was long-established musical knowledge based on the rules of counterpoint. In contrast, modernizers argued that Spain could be true to its essence, yet modern and cosmopolitan at the same time: they favoured cosmopolitan genres, such as Italian opera and artistic expression rather than counterpoint rules. At other times, ambivalence toward modernity produced creative uses of music, such as reinterpretations of pastoral and sentimental topics to accommodate reformist political trends. To both sides, music was crucial to the integrity of the Spanish nation. Whether and how Spain became modern would in many ways be defined and reinforced by the kinds of music that Spaniards composed and witnessed on stage. Through the study of press debates, opera and musical theatre productions, this book shows how music intersected with wider cultural affairs, such as philosophy and criticism, medicine and the human body, civilization, Bourbon policy and sentimentality. Music and Modernity in Enlightenment Spain for the first time connects music and the modern in eighteenth-century Spain within the context of Enlightenment thought.
Catalog of Copyright Entries. Third Series
Author: Library of Congress. Copyright OfficePublisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1686
Book Description