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The Colonna Altarpiece in the Metropolitan Museum and Problems of the Early Style of Raphael

The Colonna Altarpiece in the Metropolitan Museum and Problems of the Early Style of Raphael PDF Author: Konrad Oberhuber
Publisher:
ISBN:
Category : Mural painting and decoration, Italian
Languages : en
Pages : 37

Book Description


The Colonna Altarpiece in the Metropolitan Museum and Problems of the Early Style of Raphael

The Colonna Altarpiece in the Metropolitan Museum and Problems of the Early Style of Raphael PDF Author: Konrad Oberhuber
Publisher:
ISBN:
Category : Mural painting and decoration, Italian
Languages : en
Pages : 37

Book Description


Raphael at the Metropolitan

Raphael at the Metropolitan PDF Author: Linda Wolk-Simon
Publisher: Metropolitan Museum of Art
ISBN: 0300117906
Category : Altarpieces
Languages : en
Pages : 78

Book Description
Raphael has been the indispensable reference point for countless artists, great and small, Italian and non-Italian. His frescoes in the Vatican quickly asserted themselves as paradigms of the Grand Manner, while his serenely beautiful Madonnas and calmly dignified portraits redefined their respective genres. The combination of clarity and complexity in his compositions results in an ineffable quality of innate grace that many artists have since tried to emulate. Not only Parmigianino, Carracci, Poussin, Ingres, and Degas but Caravaggio, Rembrandt, Manet, and Picasso also mined Raphael's works for inspiration. The Colonna Altarpiece is the only altarpiece by Raphael in an American collection. Raphael painted this work in his early twenties for a convent of nuns in Perugia on the eve of his move to Florence. The two main panels of the altarpiece were bought by former Museum president J. Pierpont Morgan, and later given as a gift to the Museum's Collection in 1916. This volume accompanies an exhibition that reunites all seven parts of the altarpiece for the first time since the seventeenth century: the two main panels in the Metropolitan together with the five components of its predella, divided among the Metropolitan, the Isabella Stewart Gardner Museum in Boston, and the National Gallery and the Dulwich Picture Gallery, both in London. Also included is a fine selection of paintings and drawings by Raphael executed during the same period, 1502-5 A.D. Additionally, this exhibition showcases a preliminary study, now in the Ashmolean Museum in Oxford, for the landscape in the Metropolitan's altarpiece, as well as the beautiful painting Madonna and Child with a Book from the Norton Simon Art Foundation in Pasadena. These works document one of the pivotal moments in Raphael's career, when the young artist abandoned Perugia, in Umbria, and set his sights on Florence, where he encountered the work of Fra Bartolommeo and Leonardo da Vinci. To contextualize the transformative effect of this move, paintings by his master, Perugino, as well as by Pinturicchio and Fra Bartolommeo are also exhibited. -- Metropolitan Museum of Art website.

Raphael at the Metropolitan

Raphael at the Metropolitan PDF Author: Linda Wolk-Simon
Publisher:
ISBN:
Category :
Languages : en
Pages : 75

Book Description


The Drawings of Raphael

The Drawings of Raphael PDF Author: Raffaello Sanzio
Publisher: Univ of California Press
ISBN: 9780520050877
Category : Art
Languages : en
Pages : 276

Book Description


Raphael and the Redefinition of Art in Renaissance Italy

Raphael and the Redefinition of Art in Renaissance Italy PDF Author: Robert Williams
Publisher: Cambridge University Press
ISBN: 1108146147
Category : Art
Languages : en
Pages : 976

Book Description
Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry.

The Cambridge Companion to Raphael

The Cambridge Companion to Raphael PDF Author: Marcia B. Hall
Publisher: Cambridge University Press
ISBN: 9780521808095
Category : Art
Languages : en
Pages : 480

Book Description
This book examines all facets of the High Renaissance painter Raphael.

Raffaello Sanzio da Urbino in Art Collections and in the History of Collecting

Raffaello Sanzio da Urbino in Art Collections and in the History of Collecting PDF Author: Claudia La Malfa
Publisher: Cambridge Scholars Publishing
ISBN: 152759128X
Category : Art
Languages : en
Pages : 333

Book Description
Raphael’s artworks, paintings, altarpieces, drawings, tapestries, cartoons, prints, ceramics and all other artifacts derived from his works, including copies and forgeries, have been the object of an often-frantic search from his death in 1520 onwards. France, Spain, Germany, England, and Italy were the main destinations for such artworks between the 16th and the 18th centuries, while the market spread overseas from the 19th century onwards. This book is the first full exploration of this phenomenon and of the mechanisms of transmission of Raphael’s artifax through inheritance, sales, swaps and shady transactions. It includes essays in English, French and Italian by some of the most knowledgeable scholars on Raphael, museum curators and experts in the history of collecting, and is a landmark in scholarship on Raphael and art collecting.

Painting in Renaissance Perugia

Painting in Renaissance Perugia PDF Author: Sheri Francis Shaneyfelt
Publisher: Cambridge University Press
ISBN: 1009265547
Category : Art
Languages : en
Pages : 523

Book Description
This volume offers the first comprehensive study of painting in Renaissance Perugia from the late fifteenth to the mid- sixteenth centuries. Showcasing works by Perugino, Raphael, and Pintoricchio, as well as less familiar artists who worked in Perugia from ca. 1480–1540, Sheri Shaneyfelt traces the influence and impact of Perugino's workshop in central Italy over more than a half a century. She demonstrates why Perugia, which has been overlooked in modern scholarship, was such a vital center for the production of early modern Italian art. Shaneyfelt's study also shifts the focus away from the analysis of individual artistic creativity by highlighting the importance and significance of collaboration and workshop production in Renaissance Italy. Interweaving historical and archival evidence with analyses of numerous paintings and drawings, her book, richly illustrated with 115 color illustrations, offers many new insights into the vibrant artistic culture of early modern Perugia.

Vision and the Visionary in Raphael

Vision and the Visionary in Raphael PDF Author: Christian K. Kleinbub
Publisher: Penn State Press
ISBN: 9780271037042
Category : Art
Languages : en
Pages : 226

Book Description
"Studies Raphael's images of supernatural phenomena, including apparitions and prophetic visions, within their contemporary artistic and religious contexts. Asks how a fundamentally naturalistic style of painting like that of the Italian Renaissance can accommodate representations of the supernatural without self-contradiction"--Provided by publisher.

The Business of Art

The Business of Art PDF Author: Michelle O'Malley
Publisher: Yale University Press
ISBN: 9780300104387
Category : Business & Economics
Languages : en
Pages : 386

Book Description
In taking a fresh approach to the study of contracts and commissioning, The Business of Art demonstrates the fundamental quality of negotiation, involving the equal input of both parties, to the gestation of a new work of art. It underlines the contributions made by both parties, working together, to deciding such issues as the approach to the production of a work, the costs involved in its creation, and the details of its subject matter.