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Author: Samuel Taylor Coleridge Publisher: Bollingen ISBN: 9780691099576 Category : Languages : en Pages : 1384
Book Description
In his introduction to this edition of Coleridge's Marginalia, the late George Whalley wrote, "There is no body of marginalia--in English, or perhaps in any other language--comparable with Coleridge's in range and variety and in the sensitiveness, scope, and depth of his reaction to what he was reading." The edition of the Marginalia, of which this is the fourth volume, will bring together over eight thousand notes, many never before printed, varying from a single word to substantial essays. In alphabetical order of authors, the notes are presented literatim from the original manuscripts whenever the annotated volumes can be found. Each note is preceded by the passage of the original text that appears to have provoked Coleridge's comment. Texts in foreign languages are followed by translations. The fourth volume of the Marginalia comprises annotations on almost one hundred books (from "Pamphlets" to Shakespeare), including well-known works by Pepys, Petrarch, Plato, Rabelais, and Ralegh. There are extensive notes on seven philosophical texts by Schelling and two by Schleiermacher, and also on plays by Shakespeare and novels by Walter Scott. The subjects addressed range from philosophy and literature through religion, politics, history, biography, and travel-writing to science and medicine.
Author: Samuel Taylor Coleridge Publisher: Bollingen ISBN: 9780691099576 Category : Languages : en Pages : 1384
Book Description
In his introduction to this edition of Coleridge's Marginalia, the late George Whalley wrote, "There is no body of marginalia--in English, or perhaps in any other language--comparable with Coleridge's in range and variety and in the sensitiveness, scope, and depth of his reaction to what he was reading." The edition of the Marginalia, of which this is the fourth volume, will bring together over eight thousand notes, many never before printed, varying from a single word to substantial essays. In alphabetical order of authors, the notes are presented literatim from the original manuscripts whenever the annotated volumes can be found. Each note is preceded by the passage of the original text that appears to have provoked Coleridge's comment. Texts in foreign languages are followed by translations. The fourth volume of the Marginalia comprises annotations on almost one hundred books (from "Pamphlets" to Shakespeare), including well-known works by Pepys, Petrarch, Plato, Rabelais, and Ralegh. There are extensive notes on seven philosophical texts by Schelling and two by Schleiermacher, and also on plays by Shakespeare and novels by Walter Scott. The subjects addressed range from philosophy and literature through religion, politics, history, biography, and travel-writing to science and medicine.
Author: J. Carson Publisher: Springer ISBN: 0230106579 Category : Fiction Languages : en Pages : 247
Book Description
Populism, Gender, and Sympathy in the Romantic Novel is a richly historicized account that explores anxieties about crowds, fiction and disguise, women authors, and unstable gender roles. James P. Carson argues that the Romantic novel is a form individualizing in its address, which exploits popular materials and stretches formal boundaries in an attempt to come to terms with the masses. Informed by Bakhtin, Foucault, and Freud, this book offers fresh new readings of works by Sir Walter Scott, William Godwin, Matthew Lewis, Charles Robert Maturin, and Mary Shelley.
Author: Theodore Leinwand Publisher: University of Chicago Press ISBN: 022652762X Category : Literary Criticism Languages : en Pages : 240
Book Description
The Great William is the first book to explore how seven renowned writers—Samuel Taylor Coleridge, John Keats, Virginia Woolf, Charles Olson, John Berryman, Allen Ginsberg, and Ted Hughes—wrestled with Shakespeare in the very moments when they were reading his work. What emerges is a constellation of remarkable intellectual and emotional encounters. Theodore Leinwand builds impressively detailed accounts of these writers’ experiences through their marginalia, lectures, letters, journals, and reading notes. We learn why Woolf associated reading Shakespeare with her brother Thoby, and what Ginsberg meant when referring to the mouth feel of Shakespeare’s verse. From Hughes’s attempts to find a “skeleton key” to all of Shakespeare’s plays to Berryman’s tormented efforts to edit King Lear, Leinwand reveals the palpable energy and conviction with which these seven writers engaged with Shakespeare, their moments of utter self-confidence and profound vexation. In uncovering these intense public and private reactions, The Great William connects major writers’ hitherto unremarked scenes of reading Shakespeare with our own.
Author: Hardin Aasand Publisher: Bloomsbury Publishing ISBN: 1350287369 Category : Drama Languages : en Pages : 382
Book Description
Hamlet is one of Shakespeare's four great tragedies, studied and performed around the world. This new volume in Shakespeare: The Critical Tradition increases our knowledge of how Shakespeare's plays were received and understood by critics, editors and general readers. It traces the course of Hamlet criticism, from the earliest items of recorded criticism to the latter half of the Victorian period. The focus of the documentary material is from the late 18th century to the late 19th century. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century. The introduction constitutes an important chapter of literary history, tracing the entire critical career of Hamlet from the beginnings to the present day. The volume features criticism from leading literary figures, such as Henry James, Anna Jameson, Victor Hugo, Thomas Carlyle, Samuel Taylor Coleridge and Mary Cowden Clarke. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. Thus the volume makes a major contribution to our understanding of the play and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.
Author: Marshall Grossman Publisher: Routledge ISBN: 1134134711 Category : History Languages : en Pages : 540
Book Description
Bringing together some of the best current practitioners of historical and formal criticism, Reading Renaissance Ethics assesses the ethical performance of renaissance texts as historical agents in their time and in ours. Exploring the nature and mechanics of cultural agency, the book explains with greater clarity just what is at stake when canon-formation, aesthetic evaluation and curricular reform are questioned and revised. Taking seriously the question of what to read requires us to consider exactly what it is that we do when we read and when we write about our reading. Reading Renaissance Ethics asks what sorts of events took place when Renaissance texts were first read and how this differs from the way we read and teach them now.
Author: Samuel Taylor Coleridge Publisher: Princeton University Press ISBN: 1400882788 Category : Literary Criticism Languages : en Pages : 703
Book Description
Published originally in 1809-1810, The Friend was revised in 1812, by public demand. In 1818, a three-volume rifacimento appeared in which Coleridge attempted to dispel obscurity, tie up loose threads of reasoning, and provide more mature apercus. Now, in the Collected Works, The Friend has been re-edited to return to Coleridge's 1818 text. His emendations, cuts, and marginal comments noted in six copies of the work, as well as manuscript additions and deletions, have been included as footnotes. The editor’s footnotes also elucidate sources and themes and provide translations of the many Latin and Greek passages. The entire periodical Friend is given as an appendix, with the 1812 revisions. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: David Ney Publisher: Lexham Press ISBN: 1683595548 Category : Religion Languages : en Pages : 217
Book Description
We do not simply interpret God's word. His word interprets us. Figural interpretation has been a trademark of Anglican devotions from the beginning. Anglican readers—including Tyndale, Cranmer, Hooker, and Lewis—have been figural readers of the Bible. By paying attention to how words, images, and narratives become figures of others in Scripture, these readers sought to uncover how God's word interprets all of reality. Every verse shines the constellation of God's story. Edited by David Ney and Ephraim Radner, the essays in All Thy Lights Combine explore how the Anglican tradition has employed figural interpretation to theological, Christological, and pastoral ends. The prayer book is central; it immerses Christians in the words of Scripture and orders them by the word. With guided prayers for morning and evening, this book invites readers to be re--formed by God's word. Become immersed in the riches of the Anglican interpretive tradition.
Author: Samuel Taylor Coleridge
Author: Samuel Taylor Coleridge
Author: Samuel Taylor Coleridge
Author: J. Carson
Author: Dahlia Porter
Author: Theodore Leinwand
Author: Hardin Aasand
Author: Marshall Grossman
Author: Samuel Taylor Coleridge
Author: David Ney
Author: Frederick Burwick