Author: Gonzalo de Berceo
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Literary Collections
Languages : en
Pages : 552
Book Description
"For the first time, the complete works of Gonzalo de Berceo are available to the English reader. Originally written in the Old Spanish of the 13th century, this translation preserves the medieval flavor and imagery of the poems while retelling them in a contemporary language."--BOOK JACKET.
The Collected Works of Gonzalo de Berceo in English Translation
Author: Gonzalo de Berceo
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Literary Collections
Languages : en
Pages : 552
Book Description
"For the first time, the complete works of Gonzalo de Berceo are available to the English reader. Originally written in the Old Spanish of the 13th century, this translation preserves the medieval flavor and imagery of the poems while retelling them in a contemporary language."--BOOK JACKET.
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Literary Collections
Languages : en
Pages : 552
Book Description
"For the first time, the complete works of Gonzalo de Berceo are available to the English reader. Originally written in the Old Spanish of the 13th century, this translation preserves the medieval flavor and imagery of the poems while retelling them in a contemporary language."--BOOK JACKET.
In the Doorway of All Worlds
Author: Robin M Bower
Publisher: University of Toronto Press
ISBN: 1487547897
Category : Literary Criticism
Languages : en
Pages : 334
Book Description
The thirteenth-century poet Gonzalo de Berceo is the first named author of Old Spanish letters and the most prolific contributor to the emergence of the body of learned vernacular verse known as the mester de clerecía. In the Doorway of All Worlds focuses on the four hagiographies Berceo produced as a unified body of poetic expression and world-building. Robin M. Bower traces the poet’s intricate juxtaposition of contraries to shed light on a poetic world that will innovate a deceptively simple poetic vernacular and elevate its capacity to express nuance, power, and mystery. The book examines the entanglements that bind formal and lexical choices, the inscription of performance sites and audiences, and problematic source authority. It argues that Berceo’s elaboration of a poetic vernacular was wholly enmeshed in the immediate human, experiential world and the diverse cultural, religious, linguistic, and literary contexts that framed it. The book also highlights how Berceo invented a literary vernacular that befits the spoken idiom not only for the crafting of learned fictions, but for giving linguistic shape to the ineffable. In the Doorway of All Worlds ultimately reveals how Berceo freed the meanings trapped in relics, shrines, and the impenetrable texts from which he translated the saints to circulate in a new time.
Publisher: University of Toronto Press
ISBN: 1487547897
Category : Literary Criticism
Languages : en
Pages : 334
Book Description
The thirteenth-century poet Gonzalo de Berceo is the first named author of Old Spanish letters and the most prolific contributor to the emergence of the body of learned vernacular verse known as the mester de clerecía. In the Doorway of All Worlds focuses on the four hagiographies Berceo produced as a unified body of poetic expression and world-building. Robin M. Bower traces the poet’s intricate juxtaposition of contraries to shed light on a poetic world that will innovate a deceptively simple poetic vernacular and elevate its capacity to express nuance, power, and mystery. The book examines the entanglements that bind formal and lexical choices, the inscription of performance sites and audiences, and problematic source authority. It argues that Berceo’s elaboration of a poetic vernacular was wholly enmeshed in the immediate human, experiential world and the diverse cultural, religious, linguistic, and literary contexts that framed it. The book also highlights how Berceo invented a literary vernacular that befits the spoken idiom not only for the crafting of learned fictions, but for giving linguistic shape to the ineffable. In the Doorway of All Worlds ultimately reveals how Berceo freed the meanings trapped in relics, shrines, and the impenetrable texts from which he translated the saints to circulate in a new time.
A Benedictine Reader
Author: Hugh B. Feiss
Publisher: Liturgical Press
ISBN: 0879071788
Category : Religion
Languages : en
Pages : 536
Book Description
A Benedictine Reader shares the treasures of the Benedictine traditionthrough the collaboration of a dozen scholars. It provides a broad and deep sense of the reality of Benedictine monasticism using primary sources in English translation. The texts included are drawn from many different genres and originally written in six different languages. The introduction to each of the chapters aims to situate each author and text and to make connections with other texts and studies within and outside the Reader. This second volume of A Benedictine Reader looks at Benedictine monks and nuns from many angles, as founders, reformers, missionaries, teachers, spiritual writers and guides, playwrights, scholars, and archivists. In four centuries, they went from Bavaria to North America and Africa, from England and Spain to Australia, adapting to new environments. Committed to the liturgy by their profession, they played an important role in the liturgical renewal that culminated at Vatican II. Rooted in God, church, and their surroundings, they showed remarkable resilience in the face of wars, confiscations, suppression, and exile. Their impact has been deep and stabilizing, and their story is a microcosm of the history of the church in modern times.
Publisher: Liturgical Press
ISBN: 0879071788
Category : Religion
Languages : en
Pages : 536
Book Description
A Benedictine Reader shares the treasures of the Benedictine traditionthrough the collaboration of a dozen scholars. It provides a broad and deep sense of the reality of Benedictine monasticism using primary sources in English translation. The texts included are drawn from many different genres and originally written in six different languages. The introduction to each of the chapters aims to situate each author and text and to make connections with other texts and studies within and outside the Reader. This second volume of A Benedictine Reader looks at Benedictine monks and nuns from many angles, as founders, reformers, missionaries, teachers, spiritual writers and guides, playwrights, scholars, and archivists. In four centuries, they went from Bavaria to North America and Africa, from England and Spain to Australia, adapting to new environments. Committed to the liturgy by their profession, they played an important role in the liturgical renewal that culminated at Vatican II. Rooted in God, church, and their surroundings, they showed remarkable resilience in the face of wars, confiscations, suppression, and exile. Their impact has been deep and stabilizing, and their story is a microcosm of the history of the church in modern times.
Entangled Histories
Author: Elisheva Baumgarten
Publisher: University of Pennsylvania Press
ISBN: 0812248686
Category : History
Languages : en
Pages : 368
Book Description
Entangled Histories: Knowledge, Authority, and Jewish Culture in the Thirteenth Century provides a multifaceted account of Jewish life in Europe and the Mediterranean basin at a time when economic, cultural, and intellectual encounters coincided with heightened interfaith animosity.
Publisher: University of Pennsylvania Press
ISBN: 0812248686
Category : History
Languages : en
Pages : 368
Book Description
Entangled Histories: Knowledge, Authority, and Jewish Culture in the Thirteenth Century provides a multifaceted account of Jewish life in Europe and the Mediterranean basin at a time when economic, cultural, and intellectual encounters coincided with heightened interfaith animosity.
A Companion to Mester de Clerecía Poetry
Author:
Publisher: BRILL
ISBN: 9004698043
Category : History
Languages : en
Pages : 485
Book Description
Mester de clerecía is the term traditionally used to designate the first generations of learned poetry in medieval Ibero-Romance dialects (the precursors of modern Castilian and other Romance languages of the Iberian Peninsula). In its time, this poetry was anything but traditional. These long poems of structured verse reappropriate the heroic past through the retelling of legends from Classical Antiquity, saints’ lives, miracle stories, Biblical apocrypha, and other tales. At the same time, the poems recast the place of their authors, and learned characters within their stories, in the shifting dynamics of their thirteenth and fourteenth century present. Contributors are Pablo Ancos, Maria Cristina Balestrini, Fernando Baños Vallejo, Andrew M. Beresford, Olivier Biaggini, Martha M. Daas, Emily C. Francomano, Ryan Giles, Michelle M. Hamilton, Anthony John Lappin, Clara Pascual-Argente, Connie L. Scarborough, Donald W. Wood, and Carina Zubillaga.
Publisher: BRILL
ISBN: 9004698043
Category : History
Languages : en
Pages : 485
Book Description
Mester de clerecía is the term traditionally used to designate the first generations of learned poetry in medieval Ibero-Romance dialects (the precursors of modern Castilian and other Romance languages of the Iberian Peninsula). In its time, this poetry was anything but traditional. These long poems of structured verse reappropriate the heroic past through the retelling of legends from Classical Antiquity, saints’ lives, miracle stories, Biblical apocrypha, and other tales. At the same time, the poems recast the place of their authors, and learned characters within their stories, in the shifting dynamics of their thirteenth and fourteenth century present. Contributors are Pablo Ancos, Maria Cristina Balestrini, Fernando Baños Vallejo, Andrew M. Beresford, Olivier Biaggini, Martha M. Daas, Emily C. Francomano, Ryan Giles, Michelle M. Hamilton, Anthony John Lappin, Clara Pascual-Argente, Connie L. Scarborough, Donald W. Wood, and Carina Zubillaga.
Dead Voice
Author: Jesús D. Rodríguez-Velasco
Publisher: University of Pennsylvania Press
ISBN: 0812251865
Category : History
Languages : en
Pages : 240
Book Description
An exploration of the thirteenth-century law code known as Siete Partidas Conceived and promulgated by Alfonso X, King of Castile and León (r. 1252-1282), and created by a workshop of lawyers, legal scholars, and others, the set of books known as the Siete Partidas is both a work of legal theory and a legislative document designed to offer practical guidelines for the rendering of legal decisions and the management of good governance. Yet for all its practical reach, which extended over centuries and as far as the Spanish New World, it is an unusual text, argues Jesús R. Velasco, one that introduces canon and ecclesiastical law in the vernacular for explicitly secular purposes, that embraces intellectual disciplines and fictional techniques that normally lie outside legal science, and that cultivates rather than shuns perplexity. In Dead Voice, Velasco analyzes the process of the Siete Partidas's codification and the ways in which different cultural, religious, and legal traditions that existed on the Iberian Peninsula during the Middle Ages were combined in its innovative construction. In particular, he pays special attention to the concept of "dead voice," the art of writing the law in the vernacular of its clients as well as in the language of legal professionals. He offers an integrated reading of the Siete Partidas, exploring such matters as the production, transmission, and control of the material text; the collaboration between sovereignty and jurisdiction to define the environment where law applies; a rare legislation of friendship; and the use of legislation to characterize the people as "the soul of the kingdom," endowed with the responsibility of judging the stability of the political space. Presenting case studies beyond the Siete Partidas that demonstrate the incorporation of philosophical and fictional elements in the construction of law, Velasco reveals the legal processes that configured novel definitions of a subject and a people.
Publisher: University of Pennsylvania Press
ISBN: 0812251865
Category : History
Languages : en
Pages : 240
Book Description
An exploration of the thirteenth-century law code known as Siete Partidas Conceived and promulgated by Alfonso X, King of Castile and León (r. 1252-1282), and created by a workshop of lawyers, legal scholars, and others, the set of books known as the Siete Partidas is both a work of legal theory and a legislative document designed to offer practical guidelines for the rendering of legal decisions and the management of good governance. Yet for all its practical reach, which extended over centuries and as far as the Spanish New World, it is an unusual text, argues Jesús R. Velasco, one that introduces canon and ecclesiastical law in the vernacular for explicitly secular purposes, that embraces intellectual disciplines and fictional techniques that normally lie outside legal science, and that cultivates rather than shuns perplexity. In Dead Voice, Velasco analyzes the process of the Siete Partidas's codification and the ways in which different cultural, religious, and legal traditions that existed on the Iberian Peninsula during the Middle Ages were combined in its innovative construction. In particular, he pays special attention to the concept of "dead voice," the art of writing the law in the vernacular of its clients as well as in the language of legal professionals. He offers an integrated reading of the Siete Partidas, exploring such matters as the production, transmission, and control of the material text; the collaboration between sovereignty and jurisdiction to define the environment where law applies; a rare legislation of friendship; and the use of legislation to characterize the people as "the soul of the kingdom," endowed with the responsibility of judging the stability of the political space. Presenting case studies beyond the Siete Partidas that demonstrate the incorporation of philosophical and fictional elements in the construction of law, Velasco reveals the legal processes that configured novel definitions of a subject and a people.
Christ, Mary, and the Saints
Author:
Publisher: BRILL
ISBN: 9004380124
Category : History
Languages : en
Pages : 366
Book Description
The last decade has witnessed a striking upsurge of interest in Iberian hagiography. In painting and the fine arts through to poetic and narrative treatments composed in Castilian and Catalan, the legacies of Christ, Mary, and the saints have been approached from a range of perspectives and subjected to detailed critical scrutiny. This book, which focuses specifically on the application of theoretical and methodological approaches to analysis, asks what scholars of early Iberian hagiography can bring to the analysis of the sacred past and how the study of the discipline can be taken forward innovatively in the future. Its fourteen essays, each focusing on a different aspect of composition, seek in particular to explore interdisciplinary methodologies and the ways in which they intersect with broader discourses in other branches of research. Contributors are Carme Arronis Llopis, Fernando Baños Vallejo, Andrew M. Beresford, Sarah Jane Boss, Sarah V. Buxton, Marinela Garcia Sempere, Ryan D. Giles, Ariel Guiance, Lluís Ramon i Ferrer, Rebeca Sanmartín Bastida, Connie L. Scarborough, and Lesley K. Twomey.
Publisher: BRILL
ISBN: 9004380124
Category : History
Languages : en
Pages : 366
Book Description
The last decade has witnessed a striking upsurge of interest in Iberian hagiography. In painting and the fine arts through to poetic and narrative treatments composed in Castilian and Catalan, the legacies of Christ, Mary, and the saints have been approached from a range of perspectives and subjected to detailed critical scrutiny. This book, which focuses specifically on the application of theoretical and methodological approaches to analysis, asks what scholars of early Iberian hagiography can bring to the analysis of the sacred past and how the study of the discipline can be taken forward innovatively in the future. Its fourteen essays, each focusing on a different aspect of composition, seek in particular to explore interdisciplinary methodologies and the ways in which they intersect with broader discourses in other branches of research. Contributors are Carme Arronis Llopis, Fernando Baños Vallejo, Andrew M. Beresford, Sarah Jane Boss, Sarah V. Buxton, Marinela Garcia Sempere, Ryan D. Giles, Ariel Guiance, Lluís Ramon i Ferrer, Rebeca Sanmartín Bastida, Connie L. Scarborough, and Lesley K. Twomey.
Art, Architecture, and the Moving Viewer, c. 300-1500 CE
Author:
Publisher: BRILL
ISBN: 9004510559
Category : History
Languages : en
Pages : 506
Book Description
These essays address how narratives unfolded in time and space when a body or object moved through premodern architectural or natural environments. Such narratives encompass interpretations of topography, change in built environments over time, and spaces for public assembly.
Publisher: BRILL
ISBN: 9004510559
Category : History
Languages : en
Pages : 506
Book Description
These essays address how narratives unfolded in time and space when a body or object moved through premodern architectural or natural environments. Such narratives encompass interpretations of topography, change in built environments over time, and spaces for public assembly.
Nature in the Middle Ages and the Early Modern Times
Author: Albrecht Classen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111387828
Category : History
Languages : en
Pages : 583
Book Description
The study of pre-modern anthropology requires the close examination of the relationship between nature and human society, which has been both precarious and threatening as well as productive, soothing, inviting, and pleasurable. Much depends on the specific circumstances, as the works by philosophers, theologians, poets, artists, and medical practitioners have regularly demonstrated. It would not be good enough, as previous scholarship has commonly done, to examine simply what the various writers or artists had to say about nature. While modern scientists consider just the hard-core data of the objective world, cultural historians and literary scholars endeavor to comprehend the deeper meaning of the concept of nature presented by countless writers and artists. Only when we have a good grasp of the interactions between people and their natural environment, are we in a position to identify and interpret mental structures, social and economic relationships, medical and scientific concepts of human health, and the messages about all existence as depicted in major art works. In light of the current conditions threatening to bring upon us a global crisis, it matters centrally to take into consideration pre-modern discourses on nature and its enormous powers to understand the topoi and tropes determining the concepts through which we perceive nature. Nature thus proves to be a force far beyond all human comprehensibility, being both material and spiritual depending on our critical approaches.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111387828
Category : History
Languages : en
Pages : 583
Book Description
The study of pre-modern anthropology requires the close examination of the relationship between nature and human society, which has been both precarious and threatening as well as productive, soothing, inviting, and pleasurable. Much depends on the specific circumstances, as the works by philosophers, theologians, poets, artists, and medical practitioners have regularly demonstrated. It would not be good enough, as previous scholarship has commonly done, to examine simply what the various writers or artists had to say about nature. While modern scientists consider just the hard-core data of the objective world, cultural historians and literary scholars endeavor to comprehend the deeper meaning of the concept of nature presented by countless writers and artists. Only when we have a good grasp of the interactions between people and their natural environment, are we in a position to identify and interpret mental structures, social and economic relationships, medical and scientific concepts of human health, and the messages about all existence as depicted in major art works. In light of the current conditions threatening to bring upon us a global crisis, it matters centrally to take into consideration pre-modern discourses on nature and its enormous powers to understand the topoi and tropes determining the concepts through which we perceive nature. Nature thus proves to be a force far beyond all human comprehensibility, being both material and spiritual depending on our critical approaches.
The Juggler of Notre Dame and the Medievalizing of Modernity
Author: Jan M. Ziolkowski
Publisher: Open Book Publishers
ISBN: 1783744367
Category : Art
Languages : en
Pages : 310
Book Description
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
Publisher: Open Book Publishers
ISBN: 1783744367
Category : Art
Languages : en
Pages : 310
Book Description
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.