Cloud-capped Towers PDF Download

Author: Alex MacDonald
Publisher: University of Regina Press
ISBN: 9780889772045
Category : History
Languages : en
Pages : 144

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Author: Stephanie Coane
Publisher: Pimpernel Press
ISBN: 9780993204128
Category : Architecture
Languages : en
Pages : 0

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This book of essays, ‘The cloud-capped towers:’ Shakespeare in Soane’s Architectural Imagination, is published to coincide with an exhibition with the same title to be shown at Sir John Soane’s Museum (21 April to 21 October 2016) as part of the nationwide commemoration of the 400th anniversary of the death of the great English playwright William Shakespeare.Sir John Soane (1753-1837) was a highly literary architect, who appears to have valued Shakespeare for the architectural pictures he conjured up, and also as a moral teacher. He had a deep knowledge of Shakespeare’s work, quoting (and misquoting) it often, notably in his Royal Academy lectures. His fascination with Shakespeare is evident both in his library and in the Shakespearian references throughout his house-museum, the most obvious being the Shakespeare Recess, a shrine to the bard on the staircase.The four essays in this volume look at the influence of Shakespeare on Soane’s architecture, against the wider background of the eighteenth-century Shakespearean revival; at Soane as a ‘bardolator’ and bibliophile and at contemporary performance and theatre-going, with a particular focus on the plays seen by Soane and his wife Eliza.The essays are illustrated by a number of illustrations in full colour, the majority drawn from Soane’s own collection -- Back cover.

Author: William Shakespeare
Publisher: Paw Prints
ISBN: 9781442042247
Category :
Languages : en
Pages : 0

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Critical and historical notes accompany Shakespeare's play about a shipwrecked duke who learns to command the spirits.

Author: Margaret Atwood
Publisher: Hogarth
ISBN: 0804141304
Category : Fiction
Languages : en
Pages : 286

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NEW YORK TIMES BESTSELLER • The beloved author of The Handmaid’s Tale reimagines Shakespeare’s final, great play, The Tempest, in a gripping and emotionally rich novel of passion and revenge. “A marvel of gorgeous yet economical prose, in the service of a story that’s utterly heartbreaking yet pierced by humor, with a plot that retains considerable subtlety even as the original’s back story falls neatly into place.”—The New York Times Book Review Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. Now he’s staging aTempest like no other: not only will it boost his reputation, but it will also heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And also brewing revenge, which, after twelve years, arrives in the shape of a theatre course at a nearby prison. Margaret Atwood’s novel take on Shakespeare’s play of enchantment, retribution, and second chances leads us on an interactive, illusion-ridden journey filled with new surprises and wonders of its own. Praise for Hag-Seed “What makes the book thrilling, and hugely pleasurable, is how closely Atwood hews to Shakespeare even as she casts her own potent charms, rap-composition included. . . . Part Shakespeare, part Atwood, Hag-Seed is a most delicate monster—and that’s ‘delicate’ in the 17th-century sense. It’s delightful.”—Boston Globe “Atwood has designed an ingenious doubling of the plot of The Tempest: Felix, the usurped director, finds himself cast by circumstances as a real-life version of Prospero, the usurped Duke. If you know the play well, these echoes grow stronger when Felix decides to exact his revenge by conjuring up a new version of The Tempest designed to overwhelm his enemies.”—Washington Post “A funny and heartwarming tale of revenge and redemption . . . Hag-Seed is a remarkable contribution to the canon.”—Bustle

Author: Manishita Dass
Publisher: Bloomsbury Publishing
ISBN: 1838719962
Category : Performing Arts
Languages : en
Pages : 113

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Ritwik Ghatak's The Cloud-Capped Star (Meghe Dhaka Tara, 1960) has been hailed as 'one of the great classics of world cinema' (Adrian Martin), and 'one of the five or six greatest melodramas in cinema history' (Serge Daney). A striking blend of modernist aesthetics and melodramatic force, it is arguably the best-known film by Ghatak, widely considered to be one of the most original, politically committed, and formally innovative film-makers from India. The film's focus on a family uprooted by the Partition of India and its powerful exploration of displacement and historical trauma gives it a renewed relevance in the midst of a global refugee crisis. Manishita Dass situates the film in its historical and cultural contexts and within Ghatak's film-making career, and connects it to his theatrical work and his writings on film and theatre. Her close reading of the film locates its emotional and intellectual power in what she describes as its 'cinematic theatricality,' and brings into focus Ghatak's modernist experiments with melodramatic devices, his deliberate departures from cinematic realism, and distinctive use of sound and music. The book draws on extensive archival research, excavates new layers of meaning, and offers fresh insights into the cosmopolitan cinematic sensibility of a director described as 'one of the most neglected major film-makers in the world' (Jonathan Rosenbaum).

Author: Kevin J. Hayes
Publisher: Amberley Publishing Limited
ISBN: 1445688077
Category : Literary Criticism
Languages : en
Pages : 394

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Utilising new and original research, Kevin J. Hayes looks at the role and influence of Shakespeare in eighteenth century America. Hayes, winner of the 2018 George Washington Book Prize, offers an exciting new perspective on the history of both Shakespeare scholarship and the United States.

Author: Michael Titlestad
Publisher: Taylor & Francis
ISBN: 1000631842
Category : Fiction
Languages : en
Pages : 341

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Book Description
The Plague Years collects scholarly and essayistic reflections on literary, visual, and sonic representations of the COVID-19 and other pandemics. These are placed alongside poetry and short fiction written in the first two years of quarantine or isolation. This range expresses the intellectual and imaginative struggle and ingenuity entailed in coming to terms with the rampant spread of disease and its emotional, cultural, and political consequences. The contributions are from diverse contexts: Africa (from Egypt to South Africa), China, Japan, the US, and Scandinavia. They consider some of the array of contemporary engagements: poems translated from Mandarin about the traumas of the frontline, Chinese calligraphic poetry printed on cartons of PPE, comments on the literary history of representing epidemics and pandemics, political analyses of the post-truth present, and the role of life-writing and gaming in an interrupted world. Given the generative and creative obliquity of many of its parts, this collection shifts how one thinks about the diseased present and the archival pasts on which it draws. The chapters in this book were originally published as a special issue of English Studies in Africa.

Author: Ken Ludwig
Publisher: Crown
ISBN: 0307951502
Category : Drama
Languages : en
Pages : 401

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A foolproof, enormously fun method of teaching your children the classic works of William Shakespeare, by a Tony Award–winning playwright—now featuring two new chapters “You and your children will be transformed by the magic and mystery of Shakespeare and his stories in an instant.”—Sir Derek Jacobi, CBE Winner of the Falstaff Award for Best Shakespeare Book To know some Shakespeare provides a head start in life. His plays are among the great bedrocks of Western civilization and contain the finest writing of the past 450 years. Many of the best novels, plays, poems, and films in the English language produced since Shakespeare’s death in 1616—from Pride and Prejudice to The Godfather—are heavily influenced by Shakespeare’s stories, characters, language, and themes. In How to Teach Your Children Shakespeare, acclaimed playwright Ken Ludwig provides the tools you need to inspire an understanding, and a love, of Shakespeare’s works in your children, and to have fun together along the way. Ken Ludwig devised his friendly, easy-to-master methods while teaching his own children. Beginning with memorizing short passages from the plays, his technique then instills children with cultural references they will utilize for years to come. Ludwig’s approach includes understanding of the time period and implications of Shakespeare’s diction as well as the invaluable lessons behind his words and stories. Colorfully incorporating the history of Shakespearean theater and society, How to Teach Your Children Shakespeare guides readers on an informed and adventurous journey through the world in which the Bard wrote. This book’s simple process allows anyone to impart to children the wisdom of plays like A Midsummer Night’s Dream, Twelfth Night, Macbeth, and Romeo and Juliet. And there’s fun to be had throughout. Shakespeare novices and experts and readers of all ages will each find something delightfully irresistible in How to Teach Your Children Shakespeare.

Author: Björn Quiring
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110383675
Category : Literary Criticism
Languages : en
Pages : 310

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Book Description
To metaphorize the world as a theatre has been a common procedure since antiquity, but the use of this trope became particularly prominent and pregnant in early modern times, especially in England. Old and new applications of the “theatrum mundi” topos pervaded discourses, often allegorizing the deceitfulness and impermanence of this world as well as the futility of earthly strife. It was frequently woven into arguments against worldly amusements such as the stage: Commercial theatre was declared an undesirable competitor of God’s well-ordered world drama. Early modern dramatists often reacted to this development by appropriating the metaphor, and in an ingenious twist, some playwrights even appropriated its anti-theatrical impetus: Early modern theatre seemed to discover a denial of its own theatricality at its very core. Drama was found to succeed best when it staged itself as a great unmasking. To investigate the reasons and effects of these developments, the anthology examines the metaphorical uses of theatre in plays, pamphlets, epics, treatises, legal proclamations and other sources.

Author: Michael Frayn
Publisher: Bloomsbury Publishing
ISBN: 1350013684
Category : Drama
Languages : en
Pages : 552

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"One of theatre's subtlest, most sophisticated minds" (The Times) Alphabetical Order: "A comic essay about two types of woman... a very intelligent comedy because of its classic simplicity, and unusual in the way that the two types of women do not become stereotypes" (Daily Telegraph); Donkeys' Years, a satire on the establishment and British Institutions "Gorgeous farce, all the funnier for emerging from credible aspirations and natural anxieties... the play is richer and cannier than we expect farces to be." (New Statesman); Clouds, is a satire on government sponsored trips and a portrait of sexual jealousy,"it is poignantly and unerringly funny" (Guardian); Make and Break is a satirical commentary on British corporate interests abroad "Full of pain, ruthless observation, and a sense of humour which is sardonic, lunatic and warm" (Sunday Times); Noises Off - the West End hit play about a company of actors stepping from a sex farce into their own nightmarish lives backstage "A very intelligent joke about the fragility of all forms of drama...a pulverisingly funny play." (Guardian) "All of these plays are attempts to show something of the world, not to change it or to promote any particular idea of it. That's not to say there are no ideas in them. In fact what they are all about in one way or another is the way in which we impose our ideas upon the world around us...it might be objected that one single theme is a somewhat sparse provision to sustain five separate and dissimilar plays. I can only say that it is a theme which has occupied philosophers for over two thousand years and one which is likely to occupy them for at least two thousand more..."(Michael Frayn)