Author: John Milton
Publisher:
ISBN:
Category : Freedom of the press
Languages : en
Pages : 264
Book Description
Areopagitica
Author: John Milton
Publisher:
ISBN:
Category : Freedom of the press
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category : Freedom of the press
Languages : en
Pages : 264
Book Description
A Virtue Less Cloistered
Author: Ian Cram
Publisher: Hart Publishing
ISBN: 1841130389
Category : Law
Languages : en
Pages : 265
Book Description
This book draws on the constitutionalization of expression interests across the common law world to re-assess the permissible restraints on speech.
Publisher: Hart Publishing
ISBN: 1841130389
Category : Law
Languages : en
Pages : 265
Book Description
This book draws on the constitutionalization of expression interests across the common law world to re-assess the permissible restraints on speech.
The Bottomless Bottle of Beer
Author: Horace Jeffery Hodges
Publisher:
ISBN: 9781467561457
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781467561457
Category :
Languages : en
Pages :
Book Description
Milton and the English Revolution
Author: Christopher Hill
Publisher: Verso Books
ISBN: 1788736842
Category : History
Languages : en
Pages : 516
Book Description
In this remarkable book Christopher Hill used the learning gathered in a lifetime's study of seventeenth-century England to carry out a major reassessment of Milton as man, politician, poet, and religious thinker. The result is a Milton very different from most popular representations: instead of a gloomy, sexless "Puritan", we have a dashingly thinker, branded with the contemporary reputation of a libertine.
Publisher: Verso Books
ISBN: 1788736842
Category : History
Languages : en
Pages : 516
Book Description
In this remarkable book Christopher Hill used the learning gathered in a lifetime's study of seventeenth-century England to carry out a major reassessment of Milton as man, politician, poet, and religious thinker. The result is a Milton very different from most popular representations: instead of a gloomy, sexless "Puritan", we have a dashingly thinker, branded with the contemporary reputation of a libertine.
Modern Utopian Fictions from H. G. Wells to Iris Murdoch
Author: Peter Edgerly Firchow
Publisher: CUA Press
ISBN: 9780813215730
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Criticism on utopian subjects has generally neglected the literary or fictional dimension of utopia. The reason for such neglect may be that earlier utopian fictions tended to be written by what one would nowadays call social scientists, e.g., Plato or Sir Thomas More. That is also why earlier discussions of utopian fiction were usually written by critics trained in the social sciences rather than by critics trained in literature. To an appreciable degree this still tends to be the case today. Now, however, there is an additional difficulty, for the social scientists are critiquing utopias written by people who are primarily literary, for example, Krishan Kumar on Wells or Bernard Crick on Orwell. Inevitably much of importance--of literary importance--is simply disregarded, and so our understanding of modern utopia is correspondingly diminished. This book aims to put the fiction back into utopian fictions. While tracing the development of fiction in the writing of modern utopias, especially in Britain, it seeks to demonstrate in specific ways how those utopias have become increasingly literary--possibly as a reaction not only against the "social scientification" of modern utopias but also in reaction against the modern attempt to institute "utopia" in reality, notably in the former Soviet Union but also in consumerist, late-twentieth-century America. After an introductory discussion of how we understand--and how we should understand--modern utopian fictions, the book provides several examples of how those understandings affect our appreciation of utopian fiction. There are chapters on H. G. Wells's Time Machine; Bernard Shaw's Major Barbara; Aldous Huxley's Brave New World; George Orwell's Animal Farm and Nineteen Eighty-Four; William Golding's Lord of the Flies; and Iris Murdoch's The Bell. ABOUT THE AUTHOR: Peter Edgerly Firchow, internationally recognized scholar and author of numerous works including Reluctant Modernists, W. H. Auden: Contexts for Poetry, Envisioning Africa: Racism and Imperialism in Conrad's "Heart of Darkness," and The End of Utopia, is professor of English at the University of Minnesota. "Firchow includes much that is praiseworthy in this short book on utopian fiction. . . . Firchow's work displays his very well informed explication and his ability, in most instances, to make literary texts come alive. His treatment of Wells's The Time Machine is simply outstanding. . . . I find his enthusiasm for his texts refreshing and his work on the end of history meticulous. Other scholars of utopian fiction will as well." -- H-Net Reviews "Utopian fiction has often been mangled in interpretation on the occasions when it has been read without a sense of irony, for the sake of political analysis, disregarding its artistic nature. To counterpoise such approaches, Firchow offers us a close reading of each of the chosen works, while also placing them in literary context," -- Janice Rossen, Partial Answers
Publisher: CUA Press
ISBN: 9780813215730
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Criticism on utopian subjects has generally neglected the literary or fictional dimension of utopia. The reason for such neglect may be that earlier utopian fictions tended to be written by what one would nowadays call social scientists, e.g., Plato or Sir Thomas More. That is also why earlier discussions of utopian fiction were usually written by critics trained in the social sciences rather than by critics trained in literature. To an appreciable degree this still tends to be the case today. Now, however, there is an additional difficulty, for the social scientists are critiquing utopias written by people who are primarily literary, for example, Krishan Kumar on Wells or Bernard Crick on Orwell. Inevitably much of importance--of literary importance--is simply disregarded, and so our understanding of modern utopia is correspondingly diminished. This book aims to put the fiction back into utopian fictions. While tracing the development of fiction in the writing of modern utopias, especially in Britain, it seeks to demonstrate in specific ways how those utopias have become increasingly literary--possibly as a reaction not only against the "social scientification" of modern utopias but also in reaction against the modern attempt to institute "utopia" in reality, notably in the former Soviet Union but also in consumerist, late-twentieth-century America. After an introductory discussion of how we understand--and how we should understand--modern utopian fictions, the book provides several examples of how those understandings affect our appreciation of utopian fiction. There are chapters on H. G. Wells's Time Machine; Bernard Shaw's Major Barbara; Aldous Huxley's Brave New World; George Orwell's Animal Farm and Nineteen Eighty-Four; William Golding's Lord of the Flies; and Iris Murdoch's The Bell. ABOUT THE AUTHOR: Peter Edgerly Firchow, internationally recognized scholar and author of numerous works including Reluctant Modernists, W. H. Auden: Contexts for Poetry, Envisioning Africa: Racism and Imperialism in Conrad's "Heart of Darkness," and The End of Utopia, is professor of English at the University of Minnesota. "Firchow includes much that is praiseworthy in this short book on utopian fiction. . . . Firchow's work displays his very well informed explication and his ability, in most instances, to make literary texts come alive. His treatment of Wells's The Time Machine is simply outstanding. . . . I find his enthusiasm for his texts refreshing and his work on the end of history meticulous. Other scholars of utopian fiction will as well." -- H-Net Reviews "Utopian fiction has often been mangled in interpretation on the occasions when it has been read without a sense of irony, for the sake of political analysis, disregarding its artistic nature. To counterpoise such approaches, Firchow offers us a close reading of each of the chosen works, while also placing them in literary context," -- Janice Rossen, Partial Answers
Rhetorical Style and Bourgeois Virtue
Author: Mark Garrett Longaker
Publisher: Penn State Press
ISBN: 0271074779
Category : Language Arts & Disciplines
Languages : en
Pages : 175
Book Description
During the British Enlightenment, the correlation between effective communication and moral excellence was undisputed—so much so that rhetoric was taught as a means of instilling desirable values in students. In Rhetorical Style and Bourgeois Virtue, Mark Garrett Longaker explores the connections between rhetoric and ethics in the context of the history of capitalism. Longaker’s study lingers on four British intellectuals from the late seventeenth to the mid-nineteenth century: philosopher John Locke, political economist Adam Smith, rhetorical theorist Hugh Blair, and sociologist Herbert Spencer. Across one hundred and fifty years, these influential men sought to mold British students into good bourgeois citizens by teaching them the discursive habits of clarity, sincerity, moderation, and economy, all with one incontrovertible truth in mind: the free market requires virtuous participants in order to thrive. Through these four case studies—written as biographically focused yet socially attentive intellectual histories—Longaker portrays the British rhetorical tradition as beholden to the dual masters of ethics and economics, and he sheds new light on the deliberate intellectual engineering implicit in Enlightenment pedagogy.
Publisher: Penn State Press
ISBN: 0271074779
Category : Language Arts & Disciplines
Languages : en
Pages : 175
Book Description
During the British Enlightenment, the correlation between effective communication and moral excellence was undisputed—so much so that rhetoric was taught as a means of instilling desirable values in students. In Rhetorical Style and Bourgeois Virtue, Mark Garrett Longaker explores the connections between rhetoric and ethics in the context of the history of capitalism. Longaker’s study lingers on four British intellectuals from the late seventeenth to the mid-nineteenth century: philosopher John Locke, political economist Adam Smith, rhetorical theorist Hugh Blair, and sociologist Herbert Spencer. Across one hundred and fifty years, these influential men sought to mold British students into good bourgeois citizens by teaching them the discursive habits of clarity, sincerity, moderation, and economy, all with one incontrovertible truth in mind: the free market requires virtuous participants in order to thrive. Through these four case studies—written as biographically focused yet socially attentive intellectual histories—Longaker portrays the British rhetorical tradition as beholden to the dual masters of ethics and economics, and he sheds new light on the deliberate intellectual engineering implicit in Enlightenment pedagogy.
Measure for Measure
Author: William Shakespeare
Publisher: Penguin
ISBN: 9780140714791
Category : Drama
Languages : en
Pages : 164
Book Description
The new Pelican Shakespeare series incorporates the more than thirty years of Shakespeare scholarship undertaken since the acclaimed original series, edited by Alfred Harbage, appeared between 1956 and 1967. The general editors of the new series of forty volumes-the renowned Shakespeareans Stephen Orgel of Stanford University and A. R. Braunmuller of UCLA-have assembled a team of eminent scholars who have, along with the general editors themselves, prepared new introductions and notes to all of Shakespeare's plays and poems. Redesigned in an easy-to-read format that preserves the favorite features of the original, including an essay on the theatrical world of Shakespeare, an introduction to the individual play, and a note on the text used. The new Pelican Shakespeare will be an excellent resource for students, teachers, and theatre professionals well into the twenty first century.
Publisher: Penguin
ISBN: 9780140714791
Category : Drama
Languages : en
Pages : 164
Book Description
The new Pelican Shakespeare series incorporates the more than thirty years of Shakespeare scholarship undertaken since the acclaimed original series, edited by Alfred Harbage, appeared between 1956 and 1967. The general editors of the new series of forty volumes-the renowned Shakespeareans Stephen Orgel of Stanford University and A. R. Braunmuller of UCLA-have assembled a team of eminent scholars who have, along with the general editors themselves, prepared new introductions and notes to all of Shakespeare's plays and poems. Redesigned in an easy-to-read format that preserves the favorite features of the original, including an essay on the theatrical world of Shakespeare, an introduction to the individual play, and a note on the text used. The new Pelican Shakespeare will be an excellent resource for students, teachers, and theatre professionals well into the twenty first century.
How Milton Works
Author: Stanley Eugene Fish
Publisher: Harvard University Press
ISBN: 9780674004658
Category : Literary Criticism
Languages : en
Pages : 640
Book Description
Stanley Fish's Surprised by Sin, first published in 1967, set a new standard for Milton criticism and established its author as one of the world's preeminent Milton scholars. The lifelong engagement begun in that work culminates in this book, the magnum opus of a formidable critic and the definitive statement on Milton for our time. How Milton works "from the inside out" is the foremost concern of Fish's book, which explores the radical effect of Milton's theological convictions on his poetry and prose. For Milton the value of a poem or of any other production derives from the inner worth of its author and not from any external measure of excellence or heroism. Milton's aesthetic, says Fish, is an "aesthetic of testimony": every action, whether verbal or physical, is or should be the action of holding fast to a single saving commitment against the allure of plot, narrative, representation, signs, drama--anything that might be construed as an illegitimate supplement to divine truth. Much of the energy of Milton's writing, according to Fish, comes from the effort to maintain his faith against these temptations, temptations which in any other aesthetic would be seen as the very essence of poetic value. Encountering the great poet on his own terms, engaging his equally distinguished admirers and detractors, this book moves a 300-year debate about the significance of Milton's verse to a new level.
Publisher: Harvard University Press
ISBN: 9780674004658
Category : Literary Criticism
Languages : en
Pages : 640
Book Description
Stanley Fish's Surprised by Sin, first published in 1967, set a new standard for Milton criticism and established its author as one of the world's preeminent Milton scholars. The lifelong engagement begun in that work culminates in this book, the magnum opus of a formidable critic and the definitive statement on Milton for our time. How Milton works "from the inside out" is the foremost concern of Fish's book, which explores the radical effect of Milton's theological convictions on his poetry and prose. For Milton the value of a poem or of any other production derives from the inner worth of its author and not from any external measure of excellence or heroism. Milton's aesthetic, says Fish, is an "aesthetic of testimony": every action, whether verbal or physical, is or should be the action of holding fast to a single saving commitment against the allure of plot, narrative, representation, signs, drama--anything that might be construed as an illegitimate supplement to divine truth. Much of the energy of Milton's writing, according to Fish, comes from the effort to maintain his faith against these temptations, temptations which in any other aesthetic would be seen as the very essence of poetic value. Encountering the great poet on his own terms, engaging his equally distinguished admirers and detractors, this book moves a 300-year debate about the significance of Milton's verse to a new level.
The Best of the World's Classics, Restricted to Prose
Author: Henry Cabot Lodge
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 276
Book Description