Author: Frank Reginald ThompsonPublisher:
ISBN:
Category :
Languages : en
Pages : 400
Book Description
The Classicism of Don Juan Valera
Author: Frank Reginald ThompsonPublisher:
ISBN:
Category :
Languages : en
Pages : 400
Book Description
The Novelistic Art of Don Juan Valera
Author: Roxanne B. MarcusJuan Valera, by Cyrus DeCoster
Author: Cyrus Cole DeCosterPublisher: New York : Twayne Publishers
ISBN:
Category : Authors, Spanish
Languages : en
Pages : 200
Book Description
Juan Valera, by Cyrus DeCoster
Author: Cyrus Cole DeCosterPublisher: New York : Twayne Publishers
ISBN:
Category : Authors, Spanish
Languages : en
Pages : 200
Book Description
Don Juan Valera, the Critic ...
Author: Edith FishtineDon Juan Valera: Critic of Spanish Literature
Author: Marlene D. FioravantiPublisher:
ISBN:
Category :
Languages : en
Pages : 206
Book Description
Don Juan Valera
Author: Juan ValeraA Translation of Don Juan Valera's Morsamor
Author: Juan ValeraPublisher:
ISBN:
Category : Fiction
Languages : en
Pages : 296
Book Description
Translated into English, the novel Morsamor is set in 1521. Morsamor is a young Spaniard whose name is the combination of the Latin words for Death and Love. He is accompanied by a lay brother serving him as a squire, and who is skilled with many attributes that facilitate Morsamor's successes. They sail from Lisbon to circumnavigate the world by going east. The bulk of the novel is the story of their many adventures. Later, Morsamor wakes back in the monastery an old man nearing death, wondering if his dreams were real or imagined, and with the desire to cleanse his soul.
El idealismo sintético de don Juan Valera
Author: Henry Charles Thurston-GriswoldPublisher:
ISBN:
Category : Business & Economics
Languages : es
Pages : 190
Book Description
Thurston-Griswold's book on Juan Valera lends fresh credence to traditionalist art and criticism of Spain's early modern period, while it also depicts Valera as a modern esthetician. In contradiction to the critics who see discrepancies between Valera's critical preaching and his novelistic practice, Thurston-Griswold argues a tight linkage between the two. In the development of this critical argument, he searches for a common denominator for the novels: an esthetic which is based on a persistent theme of love and an insistent love ethic.
Author: