The Classic Tradition of Haiku PDF Download

Author: Faubion Bowers
Publisher: Courier Corporation
ISBN: 0486113337
Category : Poetry
Languages : en
Pages : 97

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Book Description
DIVUnique collection spans over 400 years (1488–1902) of haiku by greatest masters: Basho, Issa, Shiki, many more. Translated by top-flight scholars. Foreword and many informative notes to the poems. /div

Author: Faubion Bowers
Publisher:
ISBN:
Category : Haiku
Languages : en
Pages : 78

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Author: Esperanza Ramirez-Christensen
Publisher: Tuttle Publishing
ISBN: 1462920691
Category : Juvenile Fiction
Languages : en
Pages : 55

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Book Description
**Chosen for 2020 NCTE Notable Poetry Books and Verse Novels List** **Winner of 2020 Northern Lights Book Award for Poetry** **Winner of 2019 Skipping Stones Honor Awards** My First Book of Haiku Poems introduces children to inspirational works of poetry and art that speak of our connection to the natural world, and that enhance their ability to see an entire universe in the tiniest parts of it. Each of these 20 classic poems by Issa, Shiki, Basho, and other great haiku masters is paired with a stunning original painting that opens a door to the world of a child's imagination. A fully bilingual children's book, My First Book of Haiku Poems includes the original versions of the Japanese poems (in Japanese script and Romanized form) on each page alongside the English translation to form a complete cultural experience. Each haiku poem is accompanied by a "dreamscape" painting by award-winning artist Tracy Gallup that will be admired by children and adults alike. Commentaries offer parents and teachers ready-made "food for thought" to share with young readers and stimulate a conversation about each work.

Author: Steven D. Carter
Publisher: Columbia University Press
ISBN: 0231156480
Category : Literary Criticism
Languages : en
Pages : 177

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Book Description
While the rise of the charmingly simple, brilliantly evocative haiku is often associated with the seventeenth-century Japanese poet Matsuo Basho, the form had already flourished for three hundred years before Basho even began to write. These early poems, known as hokku, are identical to haiku in syllable count and structure but function differently as a genre. Whereas each haiku is its own constellation of image and meaning, hokku opens a a series of linked, collaborative stanzas in a sequence called renga. Under the mastery of Basho, hokku first gained its modern independence. His talents evolved the style into the haiku beloved by so many poets today& mdash;Richard Wright, Jack Kerouac, and Billy Collins being notable devotees. This anthology reproduces 300 Japanese hokku poems composed between the thirteenth and early eighteenth centuries, from the work of the courtier Nijo Yoshimoto to the genre's first "professional" master, Sogi, and his subsequent disciples. It also features twenty masterpieces by Basho himself. Steven Carter, a renowned scholar of Japanese poetry and prominent translator, includes an introduction covering the history of haiku and the form's aesthetics and classifies these poems according to style and context& mdash;distinguishing early renga from Haikai renga and renga from the Edo period, for example. His rich commentary and analysis illuminates each work, and he adds their romanized versions and notes on composition and setting, as well as brief descriptions of the poets and the times in which they wrote.

Author: Stephen Addiss
Publisher: Shambhala Publications
ISBN: 1645471217
Category : Poetry
Languages : en
Pages : 353

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Book Description
In the past hundred years, haiku has gone far beyond its Japanese origins to become a worldwide phenomenon—with the classic poetic form growing and evolving as it has adapted to the needs of the whole range of languages and cultures that have embraced it. This proliferation of the joy of haiku is cause for celebration—but it can also compel us to go back to the beginning: to look at haiku’s development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form—like Basho, Buson, and Issa—and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of traditional haiku that is less known in the West: haiku art. All the great haiku masters created paintings (called haiga) or calligraphy in connection with their poems, and the words and images were intended to be enjoyed together, enhancing each other, and each adding its own dimension to the reader’s and viewer’s understanding. Here one of the leading haiku scholars of the West takes us on a tour of haiku poetry’s evolution, providing along the way a wealth of examples of the poetry and the art inspired by it.

Author:
Publisher: Peter Pauper Press, Inc.
ISBN: 9781441312976
Category : Haiku
Languages : en
Pages : 74

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Book Description
Step into a series of dazzling, funny, melancholy, and joyous moments with this collection of haiku masterworks. Beloved translator Peter Beilenson's goal was twofold: to craft a book of haiku accessible to anyone, and to render his best guess at what the poets would have written in English. His translations preserve the sublime spirit of each verse, conjuring vivid visual and emotional impressions in spare words.Haiku icon Basho is represented amply here, as are imagery-virtuoso Buson and wry, warm, painfully human Issa. The verses of Shiki, Joso, Kyorai, Kikaku, Chora, Gyodai, Kakei, Izen, and others also appear, all illuminated by lovely woodblock prints. Ranging from exquisite (In the sea surf edge/Mingling with the bright small shells.../Bush-clover petals -Basho) to bittersweet (Dead my fine hopes/And dry my dreaming, but still.../Iris, blue each spring -Shushiki) to silly (Dim the grey cow comes/Mooing, mooing, and mooing/Out of the morning mist -Issa), this collection will stir your senses and your heart.

Author: Matsuo Basho
Publisher: Penguin UK
ISBN: 0141907770
Category : Poetry
Languages : en
Pages : 81

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Book Description
Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.

Author: Ian Marshall
Publisher: University of Georgia Press
ISBN: 0820340650
Category : Literary Criticism
Languages : en
Pages : 270

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Book Description
In this intriguing literary experiment, Ian Marshall presents a collection of nearly three hundred haiku that he extracted from Henry David Thoreau’s Walden and documents the underlying similarities between Thoreau's prose and the art of haiku. Although Thoreau would never have encountered the Japanese haiku tradition, the way in which the most important ideas in Walden find expression in the most haikulike language suggests that Thoreau at Walden Pond and the haiku master Basho at his "old pond" might have drunk at the same well. Walden and the tradition of haiku share an aesthetic that embodies ideas in natural images, dissolves boundaries between self and world, emphasizes simplicity, and honors both solitude and humble, familiar objects. Marshall examines each of these aesthetic principles and offers a relevant collection of "found" haiku. In the second part of the book, he explains his process of finding the haiku in the text, breaking down each chapter of Walden to highlight the imagery and poetic language embedded in the most powerful passages. Marshall's exploration not only provides a fresh perspective on haiku, but also sheds new light on Thoreau's much-studied text and lays the foundation for a clearer understanding of the aesthetics of American nature writing.

Author: Stephen Addiss
Publisher: Shambhala Publications
ISBN: 0834822342
Category : Poetry
Languages : en
Pages : 210

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Book Description
A poetry collection honoring the haiku—complete with poet biographies, translator commentary, and Japanese artwork This celebration of what is perhaps the most influential of all poetic forms takes haiku back to its Japanese roots. Beginning with poems by the seventeenth and eighteenth-century masters Basho, Busson, and Issa, the anthology goes all the way up to the late twentieth century to provide a survey of haiku through the centuries, in all its minimalist glory. The translators have balanced faithfulness to the Japanese with an appreciation of the unique spirit of each poem to create English versions that evoke the joy and wonder of the originals with the same astonishing economy of language. An introduction by the translators and short biographies of the poets are included. Reproductions of woodblock prints and paintings accompany the poems.

Author: Yoshinobu Hakutani
Publisher:
ISBN: 9781498558273
Category : Buddhism in literature
Languages : en
Pages : 0

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Book Description
Jack Kerouac and the Traditions of Classic and Modern Haiku is a reading of the haiku collected in Jack Kerouac's Book of Haikus, edited by Regina Weinreich, (2003), one of the two largest collections of English haiku. "Above all," Kerouac wrote in his journal, "a Haiku must be very simple and free of all poetic trickery and makes a little picture and yet be as airy and graceful as a Vivaldi Pastorella." Before trying his hand at composing haiku, Kerouac learned, as did Wright, the theory and technique of haiku from R. H. Blyth, the most influential haiku scholar and critic. Most of Kerouac's haiku reflect eastern philosophies―Confucianism, Buddhist ontology, and Zen―, as do classic haiku. A son of devout French Canadian Catholic parents, the young Kerouac was impressed with Christian doctrine, but later was inspired by Buddhism. In his haiku Kerouc conflates Christian doctrine of mercy with that of Buddhism. Classic haiku taught Kerouac that not only must human beings treat their fellow human beings with respect and compassion, but they must also treat nonhuman beings such as animals, insects, plants, and flowers as their equals. Many of Kerouac's haiku can be read as modern haiku for the technique of beat poetics he applied. All in all, Kerouac's haiku express the worldview that human beings are not at the center of the universe.