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Author: Carrie E. Benes Publisher: Penn State Press ISBN: 0271037660 Category : History Languages : en Pages : 294
Book Description
Between 1250 and 1350, numerous Italian city-states jockeyed for position in a cutthroat political climate. Seeking to legitimate and ennoble their autonomy, they turned to ancient Rome for concrete and symbolic sources of identity. Each city-state appropriated classical symbols, ancient materials, and Roman myths to legitimate its regime as a logical successor to&—or continuation of&—Roman rule. In Urban Legends, Carrie Bene&š illuminates this role of the classical past in the construction of late medieval Italian urban identity.
Author: Carrie E. Benes Publisher: Penn State Press ISBN: 0271037660 Category : History Languages : en Pages : 294
Book Description
Between 1250 and 1350, numerous Italian city-states jockeyed for position in a cutthroat political climate. Seeking to legitimate and ennoble their autonomy, they turned to ancient Rome for concrete and symbolic sources of identity. Each city-state appropriated classical symbols, ancient materials, and Roman myths to legitimate its regime as a logical successor to&—or continuation of&—Roman rule. In Urban Legends, Carrie Bene&š illuminates this role of the classical past in the construction of late medieval Italian urban identity.
Author: A. G. Walpole Sayer Publisher: CUP Archive ISBN: Category : History Languages : en Pages : 172
Book Description
Excerpt from The Sufficiency and Defects of the English Communion Office HE object which led to the enterprise of this subject was essentially practical. Considerable outcry had been raised against the interpolation into the service by the Celebrant of parts of the Unreformed Office. The outcry interpreted this action as throwing doubt or discredit on the Office of our Church. And this interpretation is justified by the open avowals of many who are addicted to this practice. They allege defect or deficiency in our Office. Others, indeed, without such allegation or conscious admission, defend their interpolations as conducing to greater fulness or richness. The object of this work in part'is to attempt to disprove the charges of insufficiency and to show the redundancy of such interpolations. The nature of the interpolations in View has been already defined. There is no reference to any private1 intercessions or devo tions of the Celebrant, but to the direct interpolation of portions of other Offices. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Charles M. Rosenberg Publisher: Cambridge University Press ISBN: 0521792487 Category : Art Languages : en Pages : 477
Book Description
The Court Cities of Northern Italy examines painting, sculpture, decorative arts, and architecture produced within the fourteenth, fifteenth, and sixteenth centuries.
Author: Timothy W. Potter Publisher: Univ of California Press ISBN: 9780520060654 Category : History Languages : en Pages : 256
Book Description
This is the first general survey of Roman Italy that brings together the wealth of evidence available from literary sources, inscriptions, and the exciting recent discoveries in Roman archaeology. Potter's account is one of the few to cover the whole period of Roman Italy.
Author: Bernadine Barnes Publisher: Routledge ISBN: 1351558285 Category : Art Languages : en Pages : 243
Book Description
In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.
Author: Carrie E. Benes
Author: Carrie E. Benes
Author: A. G. Walpole Sayer
Author: Charles M. Rosenberg
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Author: William Brough (bookseller.)
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Author: Timothy W. Potter
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Author: 
Author: Bernadine Barnes