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Author: David Resha Publisher: Wesleyan University Press ISBN: 0819575356 Category : Performing Arts Languages : en Pages : 283
Book Description
The Cinema of Errol Morris offers close analyses of the director's films—from box office successes like The Thin Blue Line and The Fog of War to Morris's early works like Vernon, Florida and controversial films like Standard Operating Procedure. Film scholar David Resha's reappraisal of Morris's films allows us to rethink the traditional distinction between stylistically conservative documentaries, which are closely invested in evidence and reality, and stylistically adventurous films, which artfully call to question such claims of nonfiction and truth. According to Resha, Errol Morris does not fit neatly in this division of the documentary tradition. Rather, his experiments with documentary conventions constitute another way to investigate reality—in particular, to examine the ways in which his subjects understand, and misunderstand, themselves and the world around them. Seen within the nonfiction tradition, an Errol Morris documentary is a flexible form of lively, engaging storytelling and shrewd, cutting, in-depth reportage. Hardcover is un-jacketed.
Author: David Resha Publisher: Wesleyan University Press ISBN: 0819575356 Category : Performing Arts Languages : en Pages : 283
Book Description
The Cinema of Errol Morris offers close analyses of the director's films—from box office successes like The Thin Blue Line and The Fog of War to Morris's early works like Vernon, Florida and controversial films like Standard Operating Procedure. Film scholar David Resha's reappraisal of Morris's films allows us to rethink the traditional distinction between stylistically conservative documentaries, which are closely invested in evidence and reality, and stylistically adventurous films, which artfully call to question such claims of nonfiction and truth. According to Resha, Errol Morris does not fit neatly in this division of the documentary tradition. Rather, his experiments with documentary conventions constitute another way to investigate reality—in particular, to examine the ways in which his subjects understand, and misunderstand, themselves and the world around them. Seen within the nonfiction tradition, an Errol Morris documentary is a flexible form of lively, engaging storytelling and shrewd, cutting, in-depth reportage. Hardcover is un-jacketed.
Author: William Rothman Publisher: SUNY Press ISBN: 9781438425023 Category : Performing Arts Languages : en Pages : 256
Book Description
Uses new critical approaches to demonstrate deep affinities in these vastly different filmmakers’ philosophies on film, fantasy, and reality.
Author: Tony Hillerman Publisher: Harper Collins ISBN: 0061797618 Category : Fiction Languages : en Pages : 324
Book Description
Don’t miss the TV series, Dark Winds, based on the Leaphorn, Chee, & Manuelito novels, now on AMC and AMC+! The fifth novel in Tony Hillerman's iconic Leaphorn and Chee mystery series The corpse had been “scalped,” its palms and soles removed after death. Sergeant Jim Chee of the Navajo Tribal Police knows immediately he will have his hands full with this case, a certainty that is supported by the disturbing occurrences to follow. A mysterious nighttime plane crash, a vanishing shipment of cocaine, and a bizarre attack on a windmill only intensify Chee’s fears. A dark and very ill wind is blowing through the Southwestern desert, a gale driven by Navajo sorcery and white man’s greed. And it will sweep away everything unless Chee can somehow change the weather.
Author: Errol Morris Publisher: Penguin ISBN: 0143124250 Category : Photography Languages : en Pages : 338
Book Description
Academy Award–winning director Errol Morris turns his eye to the nature of truth in photography In his inimitable style, Errol Morris untangles the mysteries behind an eclectic range of documentary photographs. With his keen sense of irony, skepticism, and humor, Morris shows how photographs can obscure as much as they reveal, and how what we see is often determined by our beliefs. Each essay in this book is part detective story, part philosophical meditation, presenting readers with a conundrum, and investigates the relationship between photographs and the real world they supposedly record. Believing Is Seeing is a highly original exploration of photography and perception, from one of America’s most provocative observers.
Author: Joram ten Brink Publisher: Columbia University Press ISBN: 0231850247 Category : Performing Arts Languages : en Pages : 345
Book Description
Cinema has long shaped not only how mass violence is perceived but also how it is performed. Today, when media coverage is central to the execution of terror campaigns and news anchormen serve as embedded journalists, a critical understanding of how the moving image is implicated in the imaginations and actions of perpetrators and survivors of violence is all the more urgent. If the cinematic image and mass violence are among the defining features of modernity, the former is significantly implicated in the latter, and the nature of this implication is the book's central focus. This book brings together a range of newly commissioned essays and interviews from the world's leading academics and documentary filmmakers, including Ben Anderson, Errol Morris, Harun Farocki, Rithy Phan, Avi Mograbi, Brian Winston, and Michael Chanan. Contributors explore such topics as the tension between remembrance and performance, the function of moving images in the execution of political violence, and nonfiction filmmaking methods that facilitate communities of survivors to respond to, recover, and redeem a history that sought to physically and symbolically annihilate them
Author: Luke Dormehl Publisher: Oldacastle Books ISBN: 1842435922 Category : Performing Arts Languages : en Pages : 184
Book Description
From Nanook of the North to Exit Through the Gift Shop, an overview of nonfiction film history from the early pioneers to the directors dominating the field todayAs one of the most fascinating areas of filmmaking, documentaries have broken down societal taboos, changed legislation, strengthened and rocked entire governments, freed wrongly convicted prisoners, and taught us more about the world in which we live. This overview of documentary history takes readers from the early "actualities" of pioneering nonfiction filmmakers such as Robert J. Flaherty and John Grierson, to the documentaries of Michael Moore, Errol Morris, Werner Herzog, and the directors dominating the field—and box office—today. An essential resource for film students, documentary buffs, filmmakers, and anyone interested in nonfiction film, it looks in-depth at more than 60 documentaries from around the world, covering a century of cinema, to illustrate what "documentary" means, and the changes and transitions that have occurred in nonfiction filmmaking over the years. Covering films such as Night Mail, Night and Fog, The Sorrow and the Pity, F for Fake, The Thin Blue Line, Hoop Dreams, Fahrenheit 9/11, Grizzly Man, and Man on Wire, each analysis includes an introductory synopsis, as well as detailed notes on the film's production history, filmmaker, unique innovations, construction, and key themes and issues.
Author: Errol Morris Publisher: University of Chicago Press ISBN: 0226922707 Category : Philosophy Languages : en Pages : 224
Book Description
Filmmaker Errol Morris offers his perspective on the world and his powerful belief in the necessity of truth. In 1972, philosopher of science Thomas Kuhn threw an ashtray at Errol Morris. This book is the result. At the time, Morris was a graduate student. Now we know him as one of the most celebrated and restlessly probing filmmakers of our time, the creator of such classics of documentary investigation as The Thin Blue Line and The Fog of War. Kuhn, meanwhile, was—and, posthumously, remains—a star in his field, the author of The Structure of Scientific Revolutions, a landmark book that has sold well over a million copies and introduced the concept of “paradigm shifts” to the larger culture. And Morris thought the idea was bunk. The Ashtray tells why—and in doing so, it makes a powerful case for Morris’s way of viewing the world, and the centrality to that view of a fundamental conception of the necessity of truth. “For me,” Morris writes, “truth is about the relationship between language and the world: a correspondence idea of truth.” He has no patience for philosophical systems that aim for internal coherence and disdain the world itself. Morris is after bigger game: he wants to establish as clearly as possible what we know and can say about the world, reality, history, our actions and interactions. It’s the fundamental desire that animates his filmmaking, whether he’s probing Robert McNamara about Vietnam or the oddball owner of a pet cemetery. Truth may be slippery, but that doesn’t mean we have to grease its path of escape through philosophical evasions. Rather, Morris argues powerfully, it is our duty to do everything we can to establish and support it. In a time when truth feels ever more embattled, under siege from political lies and virtual lives alike, The Ashtray is a bracing reminder of its value, delivered by a figure who has, over decades, uniquely earned our trust through his commitment to truth. No Morris fan should miss it.
Author: Janet Walker Publisher: Univ of California Press ISBN: 0520241754 Category : Performing Arts Languages : en Pages : 274
Book Description
'Trauma Cinema' focuses on a new breed of documentary films that adopt catastrophe as their subject matter & trauma as their aesthetic. Walker uses incest & the Holocaust as a double thematic focus & fiction films as a point of comparison.
Author: David Resha
Author: David Resha
Author: Errol Morris
Author: William Rothman
Author: Tony Hillerman
Author: Errol Morris
Author: Charles Musser
Author: Joram ten Brink
Author: Luke Dormehl
Author: Errol Morris
Author: Janet Walker